Art and Intention ART/101 Tyrancer Journet University of Phoenix Adolf Mizzell October 19‚ 2014 Art and Intention Summarize the reaction of the public to Michelangelo’s David and Marcel Duchamp’s Nude Descending a Staircase. The Marcel Duchamp’s Nude Descending art work became one of the controversial works because people thought he was mocking the audience because they could not find a woman in the painting. The public did not like the Michelangelo’s David art work. They were offended by the nudity
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The material body of a film is the combination of cinematography‚ mise-en-scene‚ editing and soundtrack. These elements are what construct the images we see and sounds we hear. Balancing them is key and excluding any leaves disjoint and confusing narratives. This essay will examine the material body of The Matrix and how key elements shape narrative and character. Often confused with cinematography‚ mise-en-scene is what we see‚ not how it is shown to us. Editing is how these images are strung together
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Vini-Ann Alexander University of Phoenix ARTS/100 – Introduction to the Visual and Performing Arts December 5‚ 2012 Irene Albalat
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The Effect of Stress On the Body Elise Romola Block 3 March 30‚ 2014 The Effect of Stress On the Body In today’s world‚ stress is regarded as a common factor in everyday life. Everyone experiences stress in an individualized way‚ but no matter the person the stress has similar effects. Stress is mostly negative in the way it affects the human body‚ but it is a necessity that can be beneficial under certain circumstances. Stress is a negative energy caused by internal and external factors that activate
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A proliferation of varying styles characterized the world of American art and architecture in the period between 1880 and the outbreak of World War 2 in 1939. In spite of the fact that these various styles often had little in common with each other‚ they are traditionally clusted under the label of Modernism. It is thus rather difficult to give a precise definition of modernism‚ one that encompasses all the characteristics of the aritists and architects who are commonly grouped under this
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Imani Ramsey Ms. Gould June 2‚ 2008 11:00-12:50 Body language is said to account for over fifty percent of communication. If your mouth is saying one thing while your body is saying another‚ people are most likely to believe what your body is telling them. Even though you are not aware of it‚ many people send and receive non-verbal signals all the time‚ and it usually reflects a person’s true feelings. Body language has been used as a form of communication since there wasn’t a language
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The visual arts are those creations we can look at‚ such as a drawing or a painting. Here is a partial list: drawing painting sculpture architecture photography film printmaking And the decorative arts of ceramics furniture and interior design jewelry making metal crafting wood working Any one of these disciplines is a type of visual art. This is the simple explanation. You can stop reading right here‚ confident that you know what the visual arts are.
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SYLLABUS ART 100-01 3 Credit Hours Art Appreciation Spring‚ 2013 Course Information Prerequisite(s) | RDG 085 or equivalent placement score. | Course Description | This course is designed to help the student find personal meaning in works of art and develop a better understanding of the nature and validity of art. Emphasis is on the diversity of form and content in original art work. Upon completion‚ the student should understand the fundamentals of art‚ the materials used‚ and have
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Response to: Body Work: Beauty and Self-Image in American Culture In her book‚ Body Work: Beauty and Self-Image in American Culture‚ Debra Gimlin focuses specifically on how the bodies of women are turned into projects in which the goal is to attain the ideals of beauty. The most important point that she makes is that‚ “Contemporary ideals of female beauty – and the work required to become beautiful – have long-lasting and devastating effects on women” (16). Despite contemporary beauty standards
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1. Linda Nochlin is a feminist art historian. She received her undergraduate degree from Vassar College in Philosophy and also has a M.A. in English from Columbia University. She has a PHD from New York University’s Institute of Fine Arts on The Development and Nature of Realism in the Work of Courbet. She taught one of the first undergraduate art history courses about women “The Image of Women in the Nineteenth and Twentieth Centuries” at Vassar then went on to teach at Yale. 2. “Why Have There
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