"Blackface" Essays and Research Papers

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    "It’s getting dark on old Broadway" African American theatre of the Harlem Renaissance in search of the right direction Contents Introduction 3 1 Blackface minstrelsy: the ancestors of Black theatre 4 2 Black musical theatre: From Broadway to Harlem nightclubs and back 5 2.1 The special role of musical theatre 5 2.2 Vaudeville and the first black musical comedies (1880-1910) 6 2.3 The Term of Exile (1910-1920) 7 2.4 Shuffle Along - Back to Broadway (1921-1929) 8 3 Black Drama:

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    A CONFIDENT BLACK MAN

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    3 October 2013 A Confident Black Man Dudley Felker Randall born in Washington‚ D.C.‚ January 14‚ 1914. The Randall’s moved to Detroit when Dudley was nine years old. Randall’s earliest recollection of composing a poem was when his mother took him to a band concert. Randall ’s poetry is illustrated by simplicity and realism. Randall’s date of birth was January 14‚ 1914 in Washington D.C. He was the son of Arthur George Clyde a (Congressional Minister)‚ and Ada Viola a teacher Randall. Randall’s

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    Harlem Renaissance Essay

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    discrimination still remained. When Reconstruction ended‚ Southerners created new laws which strongly enforced the racial divide between blacks and whites. These laws were called the Jim Crow laws. The term comes from a fictional white character who‚ in blackface‚ and depicted what white people thought a uneducated black person was like. During the start of the Harlem Renaissance‚ white supremacy was rampant in the

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    sections of his softer songs. This technique he did very effectively. This previously-never-heard sound was complemented by Jimi’s choice of neck pick-up on his Fender Stratocaster; played through a Fender Twin reverb Amp - also known as the Blackface sound. Blackface provides the guitar with a warm‚ thick and accented texture. This style is evident in songs such as "Little Wing" and "Castles Made Of Sand". It is essentially this style which has had a significant influence on modern popular music. It

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    (Smith). Much has been said about Tyler Perry’s “House of Payne” and how it is a new millennium minstrel show. Minstrel shows consisted of white male actors‚ in black face that performed what they perceived as blackness. Performers of blackface interpreted blacks to be lazy‚ buffoonish‚ cowardly characters that often lied‚ stole and mangled the English language (Stark). Ultimately minstrel company owners hired black men and women‚ emphasizing that their

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    African American Theatre

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    University of North Texas asdfffP‚ 1991. 129. Lewis Jon. The New American Cinema. Durham and London: Duke University Press‚ asdfff1998. 47-50. Macrae‚ Suzanne H. "Black African American Cinema." African American Review asdfff (1997). Rogin‚ Michael. Blackface‚ White Noise. Berkely: University of California Press‚ 1990. asdfff41 and 76-77.

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    Florenz Ziegfeld Jr. was born on March 21‚ 1867. His father was German‚ and he opened and was the head of the College of Music. Ziegfeld had two brothers and one sister‚ with whom he was raised by his mother. His mother was a strict but loving person (Kenrick). According to Kenrick‚ Ziegfeld had a knack for creative publicity; he once sold tickets to people so they could see an invisible goldfish‚ however‚ it was only a bowl full of water. When he was younger‚ Ziegfeld was sent briefly to a cattle

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    Mardi Gras Research Paper

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    The Big Easy is known for many celebratory events and festivals‚ but none is as well as known as Mardi Gras to people outside of New Orleans. In English‚ Mardi Gras means Fat Tuesday which is a term New Orleans’ residents used frequently when individuals greet each other during the season. Unlike some other holidays‚ Mardi Gras is not confined to only one day of celebration. In New Orleans‚ the season is filled with a month long of festive traditions in various parts of the city such as several parades

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    –called by nicknames as Negrita‚ or Pantera (blackie or panther)”. The second one is related to the comedy programs‚ and presents a standard portray of Afro-Peruvians: in relation to their physical image‚ there is a normalized and accepted use of blackface‚ the highlight of features as big lips and wide noses; and in relation to their performance‚ the Afro-Peruvian will often be portrayed as lazy‚ naive and with low intellectual capacity (like the famous phrase: I might be black but I have a brain)

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    Theroux's Mr. Bones

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    Mr. Bones‚ written by Paul Theroux‚ is a short story about a father’s identity change and how his family sees him. Newley proclaimed Mr. Bones is a character in which the dad portrays as if he was a real person. He wears blackface‚ starts singing and performing and his whole demeanor changes. Other characters‚ Mom and the narrator (a child of Mr. Bones)‚ are important aspects as well. They provide insight as to what living with their father’s or husband’s self-proclaimed new identity is like. Mr

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