Fountain of the Four Rivers The Fountain of the Four Rivers is a monumental example of Italian Baroque style and eloquence. This sculpture is one of many that transformed Rome into the city we know today. There are many fountains that can be found throughout Italy. The Fountain of the Four Rivers is a breathtaking sculptural fountain in Piazza Navona‚ Italy. It is made of travertine and marble. This sculpture was designed and constructed from 1648-1651. On June 12‚ 1651 this magnificent masterpiece
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and 17th centuries the Baroque style of art spread across Europe. Though each place had it’s own specific take on the movement‚ all art became more dramatic and engaging. The style largely evolved because of the religious climate of the time. With the Reformation gaining strength‚ the Catholic church began the Counter-Reformation in Rome. The Counter-Reformation’s redefinition of art’s role in the churches was the strongest influence on Italian art as it developed into Baroque art. The Reformation
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contrast. Movements like the Baroque movement in the 17th century and Impressionism in the 19th century were significant in the history of art. Some of the well known artists of the Baroque were Caravaggio‚ Rubens‚ Rembrandt and Velazquez. From the Impressionist period were Monet‚ Renoir‚ Cezanne and Degas. Velazquez was a Spanish artist and was one of the most important artists of the Spanish Golden Age. His works of art primarily took place in during the contemporary Baroque period during the 17th
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Hampton Court Palace‚ and St. Peter ’s Basilica as well as looked at numerous pictures of artwork and architecture in and of the buildings. These three places have things in common as well as many differences. They all have the evidence of the baroque era but they each show different values that are most important to their community. It seems to me that Versailles was more concerned with showing their successes in politics‚ economics and the arts. Hampton court palace seemed more concerned with
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How did Bernini transform the new St. Peter’s from a High Renaissance building to a Baroque style building? Bernini built Baldacchino as the focal point for the huge interior of St. Peter’s right under the dome. He used bronze for the most part of the architecture which made it looked splendid and striking. Instead of mounting decorations between the columns like Renaissance architects and sculptors did‚ Bernini cast them on the columns. To make the entire architecture lively‚ he built some lovely
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revolutionary movements established republics in France and America‚ the new governments adopted neoclassicism as their official art style. Neoclassical art is a form of art based on fixed‚ ideal values. The next painting I observed was one from the Baroque time period. Venus and Adonis by Rubens interested me. Peter Paul Rubens‚ a Flemish painter‚ was considered
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Quotes: 1. What a piece of work is a man! How noble in reason! How infinite in faculties... – hamlet 2. Man is born free‚ yet everywhere he is in chains. Rousseau 3. Modern society is rotten even at its roots. Rouseeau 4. Get back to Nature … Noble Savage .. SOCIAL CONTRACT - rouseeau 5. Reason is supreme . Human reason can solve every problem facing humankind. - descartes 6. A work of art is a public dream – frued – Oedipus complex 7. We live in an ordered‚ rational‚ understandable
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the girl makes it easier to see that she is being dragged into the water. Shape and tone are important because the picture is not 3D and it is ‘cartoony’. Judith Beheading Holofernes‚ Caravaggio Michelangelo Merisi da Caravaggio was an Italian Baroque style artist. He was born on 29th of September‚ 1571 and grew up in Milan‚ Italy. His family
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“Garden of Love” Peter Paul Rubens’ “Garden of Love”‚ encompasses and captures the Baroque ideal of richness and lavishness. The viewer will observe a fusion of the realistic tradition of Flemish painting with the imagination and freedom of Italian renaissance painting. The painting expresses Neoplatonic views while also providing the viewer with endless topics for discussion and analysis‚ making it a true conversation piece. The “Garden of Love” depicts a scene of passionate festivities.
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questions) Albrecht Durer Pieter Bruegel the elder (Return of the Hunters and The Harvesters – at the Met) Hans Holbein the Younger Baroque (four questions) Rubens (excluding the “Allegory of Sight”) (see Smarthistory and Met essay on Rubens and Van Dyke) Caravaggio. (see Met essay on Caravaggio) Bernini (see Met essays on Bernini and on Baroque Rome) Borromini Velazquez (Las Meninas – see Smarthistory – and Juan de Pareja‚ at the Met) See also Met essay on Velazquez. Nicholas
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