Introduction In this essay there will be attempted to establish Stanley Kubrick as one of the world’s best directors by using the auteur theory witch elevates a director as not just a member of the film crew but as the artist bringing his personal style and personality to a film. Kubrick’s work will be analysed in accordance with the auteur theory in other to establish that he is one of the best directors in the industry. The auteur theory makes it possible for a film to be more than a collaborative industrial
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Auteur Theory is based on three premises‚ the first being technique‚ the second being personal style‚ and the third being interior meaning. Furthermore‚ there is no specific order in which these three aspects must be presented or weighted with regard to a film. An Auteur must give films a distinctive quality thus exerting a personal creative vision and interjecting it into the his or her films. Kubrick made his first film in 1953 and has continued to make films till his death shortly after
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Auteur “Auteur n. a film director regarded as having such a significant influence on films that he or she directs as to be able to rank as their author. (author = originator)” (Pearsall & Trumble ed.‚ 1996‚ p 92) Authorship The idea that ’the author ’ is the source of meaning and value in artistic texts has been a persistent one. We talk of Shakespeare’s plays or Austen ’s novels in ways that suggest that William Shakespeare and Jane Austen are uniquely gifted and independent individuals
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“Auteur” is the French word for author. Very much like the author of a book is given credit as its sole creator‚ auteur theory gives the film director credit for authoring the film‚ “imprinting it with his personal vision”(goodykoontz‚ 2011‚sec.7.3‚para.1). While auteurist theory is a good starting point for film analysis‚ it places almost total responsibility for a film’s artistic success or failure on the director. The problem is that not all film critics agree on the same definition of what
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Discuss whether Alfred Hitchcock can be considered an auteur. Illustrate your argument with specific references to two of his films. In order to ascertain as to whether Hitchcock can be considered an auteur‚ the understanding of what makes an auteur and its origin needs to be explored. It is believed that a director can either be classified as a metteur-en-scene or an auteur. The classification of an auteur originates from the early 1950’s‚ when a magazine in France‚ Cahier du Cinema’ produced
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the film is the creative intelligence who shapes the entire film in a manner parallel to how we think of literary works being authored. In his essay‚ ‘Notes on The Auteur Theory in 1962‚’ Andrew Sarris‚ one of the key proponents of Auteur theory corroborates the above position as he posits that one of the premises of the Auteur theory is the distinguishable personality of the director as a criterion of value. He argues: Over a group of films‚ a director must exhibit certain recurrent characteristics
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studies There have been a lot of arguments about directors being regarded as authors in the film industry. In this essay‚ I will talk about the auteur theory and the directors who I think can be considered this status. The French term ‘auteur’ means author and it came about by French film critics in the 1920s. However much controversy regarding the use of auteur was brought about by a new film critic group called Cahier Du Cinema. It was founded by a French critic called Francois Truffaut. film club
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KUBRICK CONTRA NIHILISM: A CLOCKWORK ORANGE Much critical ink has been spilled over the question of whether the world-view of archetypal auteur Stanley Kubrick is nihilistic or not‚ and appropriately so. To my mind‚ this is one of the most important questions we can ask about genuine artists and their oeuvres. If auteur criticism is to have any validity‚ from a philosophical perspective‚ it must address such issues. True cinematic geniuses (e.g.‚ Bergman‚ Antonioni‚ Wertmuller‚ Hitchcock
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Auteur Theory Auteur theory is often seen that it was created in 1954 by Francois Truffaunt who wrote an essay titled A Certain Tendency in French Cinema. In his essay he stated that film directors would often use this medium to express their own ideas and opinions and that the director is the one who heavily influences the film. This meant that Francois believed that the director should always be considered as an auteur. He once famous stated that “There are no good and bad movies‚ only good and
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The usefulness of the term “auteur” has been questioned by some commentators as failing to acknowledge the complexity of the filmmaking process. With reference to one of the directors studied so far on the module‚ discuss the degree to which analysing his films through an auteurist perspective can help or hinder understanding. You should take into account the ways in which your chosen director uses the resources of cinema as a medium as well as the question of personal vision. Film director Pedro
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