experimentation championed by writers of the modernist period (relying heavily‚ for example‚ on fragmentation‚ paradox‚ questionable narrators‚ etc.) and a reaction against Enlightenment ideas implicit in Modernist literature. Postmodern literature‚ like postmodernism as a whole‚ is difficult to define and there is little agreement on the exact characteristics‚ scope‚ and importance of postmodern literature. However‚ unifying features often coincide with Jean-François Lyotard’s concept of the "meta-narrative"
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Postmodernism pp. 6-12 Analysis: Seinfeld and Postmodernism pp. 12-17 Conclusion p.18 Methodology The connection between Seinfeld’s series and postmodernism was reviewed. In order to comprehend the topic it
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define exactly what post-modernism is I shall firstly briefly consider some of the events and thinking that led up to the development of this particular school of social theory. I shall then consider some of the common strands of thinking in postmodernism concentrating mainly on the writings of Jean-Francois Lyotard and Jean Baudrillard. I shall then consider the view of David Harvey‚ a Marxist many consider to be writing in the postmodern tradition‚ who argues that post-modernism is just another
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Hugvísindadeild Postmodernism and The Simpsons Intertextuality‚ Hyperreality and Critique of Metanarratives Ritgerð til B.A.-prófs Björn Erlingur Flóki Björnsson bjornfloki@gmail.com Kt. 110982-5779 Maí 2006 Abstract This essay offers a postmodernist reading of the popular television program The Simpsons‚ with special regard to the postmodern theories of intertexuality‚ hyperreality‚ and metanarratives. Before delving into The Simpsons‚ some major theoretical aspects of postmodernism in aesthetic
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CHAPTER 1 The concept of ‘Postmodernism’- A Theoretical Approach It is a cliché by now to say that we live in a postmodern world‚ and it is true that the word ’postmodern’ has become one of the most used‚ and abused‚ words in the language. Still‚ it is striking that not many people can say with assurance what this term actually means and involves. Some theorists suggest that ‘postmodernism’ refers to a mood or an attitude of mind‚ others define it as a literary‚ cultural
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Postmodernism and film This chapter will demonstrate the ways in which Jean Baudrillard’s and Fredric Jameson’s accounts of the postmodern have had a significant impact on the field of film studies‚ affecting both film theory and history. The most influential aspects of each theorist’s work are outlined in the first two sections. The first section focuses on two key texts by Baudrillard: Simulations and America‚ while the second addresses Jameson’s famous article “Postmodernism and Consumer
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Postmodernism is difficult to define‚ because we go through it on a daily basis. Some would say it began in the 1950’s‚ and others say it began with the tearing down of the Berlin Wall in 1989. Postmodernism is characterized by a variety of elements that question the reading experience. Postmodern authors celebrate this by using humour and absurd experiences to create a bizarre alternate reality. The different elements that are used throughout postmodernism stories include magic realism‚ metafiction
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storytelling vs pragmatic truth-seeking. The discursive basis of social theory. Sociological Theory. 9:154-168 Bauman‚ Z Bauman‚ Z. (1992). Intimations of postmodernity. Routledge‚ London. Best‚ S. (1994). Foucalt‚ postmodernism and social theory. In Dickens‚ D. & Fontana‚ A. (ed) Postmodernism and Social Inquiry. Guildford Press‚ New York. Boorstin‚ D. (1992). The image: a guide to pseudo-events in America. Vintage‚ New York. Cohen‚ E. (1988). Authenticity and commodification in tourism. IAnnals of Tourism
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The twentieth century has been marked as a time of great suffering and advancement in human history. One product of this dynamic time is the theory of postmodernism. According to Thomas McEvilley‚ postmodernism happened in America after people started to realize that history was cruel and that people were not really progressing much. This directly discredited the pre-existing theory of modernism which took its ideology from the three pillars: progress‚ hierarchy of cultures‚ universals. McEvilley
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What started as a departure from modernism‚ which is understood in art and architecture as the project of refusing traditions to try something entirely new and unique‚ Postmodernism is characterized as the straightforward denial of philosophical viewpoints. Grundberg defines it as a “reflection of the conditions of our times.” Post modernists try to dissolve the traditional boundaries between art‚ architecture‚ popular culture
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