CHARLEMAGNE IN THE SONG OF ROLAND The textbook displays Charlemagne as an astounding and great military leader but examines a few of his flaws as well. The Song of Roland creates the image of Charlemagne that is an extraordinary‚ legendary leader. They both tell about what great things he accomplished in his life‚ the many wars he won and how his bravery carried him through everything. The Song of Roland praised him in such a legendary way to create the impression of a heroic leader. By doing this
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The Shield of Achilles Achilles’ shield wa like no other piece of armor. Eva Brann‚ in her article “Hephaestus’ World: The Shield”‚ described the shield as “the world of the god who makes it but just as much the world of the man who bears it”. Brann‚ in the same article‚ went on to describe such meanings of the shield. Brann explained that in both of Homer’s poems‚ he believed that artifacts‚ chariots‚ garments and shields were all “wonders to behold” but Achilles’ shield was far beyond that.
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The Achilles of ancient Greek legend is often counted among the greatest of epic heroes for his fantastical exploits during the Trojan War as depicted by Homer in the Iliad. While it is easy to become seduced by the power and might of invincible Achilles we must remember to not confuse unchecked power with heroism. While Achilles is indeed powerful‚ a master warrior by all qualifications‚ he fails as a hero to be imitated or idolized due to his lack of restraint‚ his barbarity‚ his lack of a code
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Song of Roland The Song of Roland‚ or La Chanson de Roland‚ is an anonymously written poem about Count Roland and his King Charlemagne. The story takes place in the eighth century A.D in Spain and France‚ but the poem was not composed until sometime during the eleventh century A.D. According to tradition‚ Roland was the nephew of Charlemagne and possessed the sword Durandel and the horn Oliphant. This epic French poem tells a story of betrayal and revenge with poetic imagery. The Song of Roland serves
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1.) Purcell‚ Dido and Aeneas‚ Act III‚ Dido’s Lament (10 September 1659 - 21 November 1695) Purcell was an English Baroque composer. He has often been called England’s finest native composer. Purcell incorporated Italian and French stylistic elements but devised a peculiarly English style of Baroque music. His brief career began at the court of Charles II and on through the turbulent times of James II and finally into the period of William and Mary. Purcell’s music ranks among the finest
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Aeneas’ interpretation of amor focuses on his higher purposes and future attachments‚ whereas Dido’s focuses on her personal‚ present attachments. Aeneas is not the most poignant speech maker‚ as is revealed through his only rebuttal of Dido’s claims. Within his thirty-line speech‚ Aeneas effectively tramples upon any hope Dido holds of a happy relationship and steady marriage. “sed nunc Italiam magnam Gryneus Apollo‚ / Italiam Lyciae iussere capessere sortes; / hic amor‚ haec patria est” (4.345-347)
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Aeneas and Mezentius Book ten of The Aeneid incorporates varied similes on the heroic figures of Aeneas and Mezentius. These similes further illustrate to its audience the character and nature of Aeneas and Mezentius. Lines 778 to 783 offers an epic simile of Aeneas‚ “Just as Aegaeon‚ who had a hundred arms and hands-they say-and fire burning from his fifty mouths and chests‚ when he clanged at Jove’s thunderbolts with his fifty shields‚ each one just like the other‚ and drew as many
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Mark Morris has captured the essence of this quote with his rendition of Dido and Aeneas which was originally written by Henry Purcell in 1688. Mark’s version blessed the stage of the Sandler Center on May 13th 2017. Mark chose to simplify the piece by having Stephanie Blythe sing the roles of Dido and the evil sorceress. Twelve members of the Brooklyn-based Mark Morris Dance Group took on multiple characters in this tale of the Carthaginian monarch and her consuming love for the Trojan hero who
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Song of Roland is considered to be the national epic of the French‚ as well as a source of patriotism for the French people (Cunningham 1). It created the basis for Old French literature and the French language as we read it today (Taylor 35). This epic has stood the test of time‚ with the first known translation of The Song of Roland being brought to light between 1086 and 1170 (Keller 242). For many years‚ scholars have debated the reasons and meanings for The Song of Roland. Did Roland actually
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The Crusades Top of Form How did the Song of Roland reflect the ideals of the time? What was important to Crusaders? The Song of Roland depicts disregarding the actual history‚ Charlemagne capable of conquering all of Spain. The account is legend. Roland‚ a Frankish lord and Charlemagne’s own nephew. The "treachery" of the Christian Basques becomes transformed into the treachery of a single man‚ Ganelon‚ and the Basques themselves are replaced by Moslems‚ whom the poet calls Saracens or pagans
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