Similarly in “Wild Swans at Coole”, Yeats paints a melancholic landscape of unchanging beauty. The personal context of the poetry, converse to “Easter 1916”, aids in emphasising Yeats’ consciousness of the ideas of impermanence and timelessness. Yeats starkly contrasts his own “heart which is sore” swan’s hearts which “have not grown old”, stressing a tension between youth and age. Yeats portrays his own transient mortality in relation to his age, juxtaposed to the swans’ youth, a symbol of immutability. Parallel to “Easter 1916”, constant references to the time in repetition of “autumn” and “twilight” creates a metaphorical passage of time and its continuum. Along with the allusion of nearing the end of one’s life, as both autumn and twilight represent a time of closing, Yeats further defines transience as the inevitability of the end. Just as in “Easter 1916”, Yeats brings opposites…
Both the themes of time and memory have been to do with the loss of it. Following on from losing the memories of her, Yeats contemplates never…
Yeat’s pursuit to retain permanence for age and love, and the cultural impacts of the Irish revolution around him are the universal tensions and desires reflected in his poetry. “The Wild Swan’s at Coole” and “Easter 1916” unifies the understanding of life complexities and also its contradictions; the “beauty” of life, yet still the cruel existence of suffering. Yeat’s poetry, intends to release emotions beyond earthly bounds and provides insight of relating as a human being, and ultimately leaving behind a legacy, his art, to underpin the importance of desire.…
William Butler Yeats’ poetry possesses strong imagery and themes of stability and change. Two of the poems, which especially highlight these elements, are The Second Coming and The Wild Swans At Coole. Within both of these poems the recurring imagery conjures creates strong elements of stability and change.…
Conflict is the basis of all human interaction and hence is an integral part of human life. Through ambiguous yet comprehensive treatment of conflict W. B. Yeats has ensured that his works stand the test of time and hence have remained ‘classics’ today. Through my critical study I have recognised that Yeats’ poems Easter 1916 and The Second Coming are no exception. Yeats’ poetic form, language and use of poetic techniques; such as juxtaposition, allusion, and extended metaphors, alert audiences to both the inner and physical conflict that are the foundations of both poems. It is through this treatment of conflict that supplies audiences with the ability to individualise the reading and hence engage a broad range of audiences despite their unique contexts throughout time.…
Yeats’ “The Second Coming” and Thomas’ “Do Not Go Gentle into that Good Night” are two contrasting poems with passionate tones. Yeats’ poem describes a new time that will bring disorder to the world. He explains his ideas in a negative tone that presents a frightening mood. On the other hand, Thomas’ poem is about the struggle against death. He urgently begs his father to battle against death, creating a sad mood. In each poem, figurative language, the theme, and the mood are used to create the authors tone.…
The timeless essence and the ambivalence in Yeats’ poems urge the reader’s response to relevant themes in society today. This enduring power of Yeats’ poetry, influenced by the Mystic and pagan influences is embedded within the textual integrity drawn from poetic techniques and structure when discussing relevant contextual concerns.…
He was an Irish poet and playwright who possessed a passionate feeling of Irish Nationalism. This Irish identity constantly shaped his role as a writer in society. He wrote about subjects pertaining to Irish Heritage and remembered the men that helped and served that country. Through the poems “September 1913”, “Easter 1916”, and “Under Ben Bulben” we gain a sense of what Yeats’ Irish identity meant to him. He wrote about subjects that deeply affected the Irish people, motivating them to take action and make changes. There were times when he felt disappointed in the Irishmen, but all that was cast off after the 1916 rebellion. He saw light at the end of the tunnel, one that kept growing brighter and brighter, until he witnessed Ireland’s freedom from Britain in 1922. Yeats’ Irish identity shaped his whole life and he surrounded himself with people who also shared the same sense of identity. It is this identity, his Irish identity, which shaped the majority of his…
Yeats, William. “The Second Coming” 100 best-loved poems Ed. Phillip smith, New York. Dover, 1995. 6. Print.…
We can be more specific and see what the poet and writer exactly talk about. It is better to focus on the poem first as it was written before the novel. In his poem William butler Yeats is shocked by the events which were happening during the First World War. "Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere the ceremony of innocence is drowned ", he tries to picture the dark ages of the war and the nasty events which were happening by using some metaphors and similes such as "a shape with lion body and the head of man" or "shadows of the indignant desert birds" Therefore, he manage to transmit the terrifying atmosphere of his time to the reader. He can not stand this state of fairs so he thinks that it is the end and he hopes that it is time for the second coming of Christ.…
The central theme of Yeats poems is Ireland, its history, contemporary public life, and folklore, as well as, Celtic folklore. He came to associate poetry with religious ideas and sentiments (Yeats 2, 1). He was interested in folktales as a part of an exploration of national heritage and Celtic identity. Yeats was fascinated with reincarnation, communication with the dead, mediums, spiritualism, supernatural systems, and oriental mysticism. He changed from suggestive, beautiful lyricism to tragic bitterness. (Yeats 1, 1). His early work tended towards romantic lushness and fantasy like quality, and eventually moved on to a more modern style (Yeats 2, 1).…
WS is Yeats' melancholy lament for the progression of time and the transitory nature of the human life which draws upon our own feelings of mutability to resonate beyond the page. Yeats introduces time to the poem with the reference to autumn, creating tactility in the physical image but more importantly an effected ambience. Yeats employs autumn as an objective correlative, divulging his feelings of progression towards poetical and physical sterility as he entered the "twilight" years of his life, a change which he resolutely resents. This progression is contrasted starkly against the temporal wild swans whose "hearts have not grown old", in fact Yeats views the swans, "wheeling in great broken rings," as transcendent of time, breaking free of the gyres applicable only to the temporal earth and human kind. His fascination with their changeless state is evident as he positions the swans both in water, the mundane world and then includes their transcendence into the air, the eternal and spiritual, an attribute that he is most envious of, to the point that “it makes his heart sore.” The poem leaves us in admiration of these eternal creatures that transcend change and allows us to reflect, as Yeats did, upon our own struggle with the…
In nature, there are many amazing and bizarre acts. Take, for example, the Preying Mantis. The Preying Mantis is a relatively large insect that performs a most barbaric act: after the docile and exquisite female mates with her aggressive and overpowering male counterpart, she eats him. Instinctively, the powerful male seeks out his mate and impregnates her, fulfilling his mating duties. However, the male expends all of his strength in the sexual encounter, and the female is able to return the animal favor by ruthlessly eating the unsuspecting male limb by limb. Clearly, things are not what they might initially seem to be in nature, as in this case the seemingly mighty male is abruptly destroyed by his sexual victim. Much along the same lines is Yeats’ “Leda and the Swan.” Using the binary oppositions of the beauty and viciousness of Zeus as a swan and the helplessness and eventual strength of Leda, Yeats reveals that even the mightiest entities may suffer the consequences of their misuse of power.…
The poem represents a period in Yeats' career when he was finding it difficult to come to terms with his own unrequited love for Maud Gonne. This allows him to be extremely critical of her involvement in Nationalist politics because it distracted her from his attention and because he believed that the men involved with her were unworthy of her. The poem was written in 1912 and the rising which indeed took place in 1916 taught Yeats a salutary…
In the poem “The Second Coming”, Yeats is waxing poetic over the chaos created by war and political strife. His belief in historical determinism is hinted at with the line “Turning and turning in the widening gyre”. It’s also a reference to his cyclical beliefs in that, the conclusion of one era is the beginning of the next, which is strengthened by the next line: “The falcon cannot hear the falconer,” an allusion that can be construed as the worker-classes ignoring their rulers. Put together, these two lines symbolize the wars and revolutions that plagued Europe during Yeat’s…