Preview

Women in Contemporary Horror Films

Good Essays
Open Document
Open Document
1741 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Women in Contemporary Horror Films
FEMINITY IN CONTEMPORARY HORROR FILM

One might say that horror film- genre has been invented by feminists. Horror films seem to be one of the only genres that have women as heroines instead of dominated side characters. In horror genre women are the ones fighting against evil and men are the ones dying trying to help these heroines. Or perhaps the horror genre uses heroines to differ it self from hero dominant action genre. Or maybe horror films were created to represent the ultimate horror of the dominant masculine society: a strong woman who can survive by herself. This essay will analyse genders used in contemporary horror genre and it will delve in to the difference of masculinity and femininity presented in present horror films.
As a part of our popular culture, film functions as myth for our society. Through film the ideologies of our social structure are expressed and reproduced. In the case of women's role in society, traditional horror heroines demonstrate predominant attitudes of the time towards women. Before splatter horror films were a big hit, as a sub-genre, women were seen as objects of lust and love. For example women in films like King Kong (1933) and Phantom of the Opera (1943) the masculine monster lusted and claimed these women as their possession. Women were an object who with their natural beauty seduces them. This seduction intrigues as much as it scars the monster.
In the late 1970's the female heroine was born in slightly different form, when splatter horror films started to appear on the screens. The Exorcist (1973) and Carrie (1976) are examples of horror films that represented teenage girls which were overtaken by demonic powers. In the Exorcist a 12-old girl, Regan (Linda Blair) from a divorced family is overtaken by devil himself. A young priest nearby church is called to do the exorcism. The Exorcist reflected society's fear at the time, of opened culture. Young woman were not hiding there bodies at home, women started to be

You May Also Find These Documents Helpful

  • Good Essays

    Gender roles have been a theme for many films throughout time. One movie that particularly challenges the idea of gender roles in the horror genre is that of Halloween (1978). In many horror films, women are depicted as weak and rather ignorant victims of the killer that is coming to attack. That is very different from how Halloween depicts the heroine of the story. She is seen as an intelligent woman trying to protect both herself and her children in a way that is both smart and productive. Siskel and Elbert view the film as more of an upbeat horror film in their movie critique. They view it as a positive that the women are given a more dominant presence and therefor making the focus of the film something so much more than a senseless murder of a women who could not defend herself.…

    • 509 Words
    • 3 Pages
    Good Essays
  • Good Essays

    For the most part, stereotypical gender roles exist because society chooses to accept them, but it is easy to say that the media is a profoundly influential source to the problem. We constantly see gender stereotypes in film and television, where the man is portrayed to be the strong, dominant character; he is the breadwinner and the hero, while the woman is a damsel in distress waiting to be rescued. This type of representation of women is quite the opposite in film noir. The classic femme fatale of film noir is a strong and confident woman who disrupts traditional family values; she refuses to play the typical role that society prescribes. Instead, the femme fatale uses her beauty to manipulate men in order to achieve power and independence.…

    • 266 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    Film has proven to be a medium through which society frames its expectations of gender performance and derives its accepted societal norms. This paper will call attention to how “chick flicks”, and in particular how the sub-genre of makeover films influence how women are expected to portray their femininity. The Devil Wears Prada is a perfect example of a makeover film within the chick flick genre. The “chick flick” genre is often described as movies that are meant to serve as entertainment for women that examine independent and self-sufficient heroines that portray female empowerment. Within the “chick flick”…

    • 1673 Words
    • 7 Pages
    Powerful Essays
  • Powerful Essays

    Film Noir Analysis

    • 1421 Words
    • 6 Pages

    masculine hero, and the he fits right into the dirty world around him. However, with a shift in perspective, we see that just maybe the opposite gender are the ones who are the heroes of the genre. The women are certainly memorable. Through analyzation of the typical hero’s journey and comparison to the stories of the women in film noir, we see that they are the true heroes of the genre. This again begs the question of why it is so often that men rule the grimy world of the film detective. Why are these women demonized in their own narratives, punished for their raw sexuality and delegated to the static sidekicks or to the simple villain role? We can…

    • 1421 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    Through this essay, I will attempt to examine various codes and character portrayals that contribute to the representation of women within the domain of film fiction. My intention is to review exactly how women are represented and investigate whether fictional characters play a part in perpetuating harmful stereotypes. Laura Mulvey will be intermittently mentioned as a pioneering figure of feminist film theory, her discourse will be applied and challenged within the following pages.…

    • 596 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    When pure innocence mixes with pure evil in film the result is often a terrified audience. This frightening combination is present in the wildly popular evil child genre of horror films. Because everyone has interacted with children, many people find evil children are inherently terrifying because they can imagine themselves as the adults in the movie. Critics of the genre often only identify evil children through the child themselves, but all evil children in horror films should be analysed through the lens of parental fears, because connecting all genres of evil children in film through the parent reveals a great deal about the common fears of parents in society that would be lost if we viewed each archetype singularly. Through analysis of evil children in Larry Cohen’s It’s Alive, Brian De Palma’s Carrie, and William Friedkin’s The Exorcist I will argue that all monstrous children in horror films represent the cultural fears of parents such as the fear of unsafe medicine harming an infant, the fear of telling a child about sex, the fear of discipling too harshly, and the fear of dangers in the home.…

    • 2528 Words
    • 11 Pages
    Powerful Essays
  • Good Essays

    The 1960s-80s saw the introduction of 2nd wave feminism - focusing largely on gender inequality within sexuality, family life and the workplace. It was quickly established that mainstream media was playing a large role in the production and reinforcement of the patriarchy, and so began an influx in the analysis of representations of women within the media; or lack thereof. Paralleling the popularisation of 2nd wave feminism, the 60s, 70s and 80s saw a prevalence of horror films within mainstream media; rendering the genre a target for scrutiny. In this essay I will discuss representations of gender in Stanley Kubrick's psychological horror, 'The Shining' (1980) and Wes Craven’s thriller, ‘Scream’ (1996).…

    • 1222 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    In other words they make the woman an abject figure, something that is seen as disgusting but natural and is ever present beneath the surface. Barbara Creed describes this in her article, Horror and the Monstrous Feminine: An Imaginary Abjection, when analyzing Kristeva's theory of abjection in reference to the feminine. She says, "We can see its ideological project as an attempt to shore up the symbolic order by constructing the feminine as an imaginary 'other ' which must be repressed and controlled in order to secure and protect the social order. Thus, the horror film stages and re-stages a constant repudiation of the maternal figure. But the feminine is not per se a monstrous sign; rather, it is constructed as such within a patriarchal discourse which reveals a great deal about male desires and fears but tells us nothing about feminine desire in relation to the horrific" (70). Again that they don't necessarily fear women, but what they…

    • 1877 Words
    • 8 Pages
    Powerful Essays
  • Better Essays

    In An Introduction to the American Horror Film, Robin Wood states that “The release of sexuality in the horror film is always presented as perverted, monstrous, and excessive, both the perversion and the excess being the logical outcome of repression.” (Wood 213). By Leatherface showcasing his transgendered identity, it is monstrous and is viewed as him being over the top. His scream is very loud and has similarities to that of a women, and this correlates with Wood and how he says when sexuality is released it is excessive. But Leatherface is constantly repressing his identity so when he does express it, he cannot control it. The movie shows his different steps in accepting himself. His mask shows the transitions that he takes. In the beginning…

    • 1836 Words
    • 8 Pages
    Better Essays
  • Good Essays

    In our culture women are seen as smaller, weaker, and less intelligent that men. Thus creating the idea that men should dominate women. Horror movies such as the movie Scream, perpetuate these societal ideas by justifying violence against women by making it her fault, by using women as sex objects then afflict violence of them, and by having a “final girl” that has a one on one battle in the end.…

    • 619 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Halloween Film Analysis

    • 1738 Words
    • 7 Pages

    In 1978 John Carpenter changed the landscape of horror cinema with the release of his terrifying new film Halloween. The film follows a group of young females as they are stalked, tormented and inevitably killed by an escaped lunatic wearing a Halloween mask and wielding a knife. The film was revolutionary for the many themes and concepts it introduced, (including the concept of the final girl) things that have been so often repeated they have become tropes of the genre. However the initial praise heaped upon Halloween for it 's portrayal of a previously unheard of strong female character may have been premature due to the almost insurmountable criticisms…

    • 1738 Words
    • 7 Pages
    Better Essays
  • Good Essays

    The American Nightmare

    • 277 Words
    • 2 Pages

    In Robin Wood’s “The American Nightmare, Horror in the 70s,” it exposes the theory of how horror films are generated. According to Wood, horror films exemplify how repression comes in conflict with normality and brought to existence, and the effect it has on society. Repression is the rejection of thoughts or impulses that conflict with the standards of our society. Wood discusses many key points that our mind represses such as sexual energy, female sexuality, bisexuality, and children’s sexuality. In a horror film, the monster symbolizes either repressed feelings or the fears of society. The monster of the film also represents “otherness”, which is what society represses in one’s self and then projects onto another inferior part of society to be hated. Normality in horror films is “the heterosexual monogamous couple, the family, and the social institutions that support and defend them.” Society as a whole is a member of “patriarchal capitalist society” or “social norms.” Wood demonstrates that these components connect to make a horror film. He generated a basic formula to horror films with three variables: the monster, normality, and how they relate to one other. The correlation between the monster and normality are fundamentally the subject of the horror film. Wood also outlined the five recurrent motifs since the 60’s. These motifs are what society fears and represses. “Annihilation is inevitable, humanity is now completely powerless, no one can do anything to arrest the process.” Horror films embody the fears we have in ourselves and in society. We repress what is abnormal in society because we know that ultimately it is ourselves who do not want to become…

    • 277 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Slasher Genre

    • 909 Words
    • 4 Pages

    Slasher films were first designed as a ‘safe scare’ – in which their audience could experience the rollercoaster of fear of a crazed killer massacring sinful teenagers without any of the danger. A set of conventions were developed, creating a formula for slasher films to follow, including stereotypical, gendered roles – the male psycho murderer, the virginal final girl, the promiscuous best friend. There was also the constant of the ‘peaceful setting’, such as a quiet neighbourhood, where the masochistic murders would be carried out. Slasher films as a genre play on the common demonian of society’s morbid curiosity and their audience’s fascination with brutal killings. They also play on the audiences fear that this could be my neighbourhood’, and worked at making the films directly relatable to their target audience. For example, in Wes Cravens ‘Halloween’ of 1978, the final girl and her two best friends are babysitters, a role to which many teenagers can relate. Slasher utilise the idea of person identity, and the ways in which their audience can relate to the genre. The success of this choice of audience relationship can be quantified through the commercial success of the genre – especially in the first 20 years of the genre, production costs were low and box office returns were considerably higher. For ‘Halloween’, a slasher from cycle 1, while production costs were only $320,000, $70 million was made overall. These…

    • 909 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Why We Love Scary Movies

    • 271 Words
    • 2 Pages

    The human liked to frighten himself for the entire existence of art, but only the appearance of the cinema made depiction of fear as real and graphical as to make people actually see it. Over the course of the 20th century the horror movies of all kinds, from crudely primitive to rather intellectual have been extremely popular and remain to be so in the 21st one. But why?…

    • 271 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    Femme Fatlaes in Film Noir

    • 2087 Words
    • 9 Pages

    In postwar cinema, the change of popular genre switched from melodrama to film noir. The new elements of film noir were artistically exciting, as seen in its mise-en-scene. The mise-en-scene of film noir became more visually mysterious and provocative, demanding a transformation of women characters. While still holding on to elements of the women in melodrama, the sexuality that was once muted, was turned up to create the femme fatale. The femme fatale is a necessary component of mise-en-scene in the film noir genre.…

    • 2087 Words
    • 9 Pages
    Powerful Essays