Wilfred Owen
Owen's war poetry is a passionate expression of outrage at the horrors of war and of pity for the young soldiers sacrificed in it. It is dramatic and memorable, whether describing physical horror, such as in‘ Dulce et Decorum Est’ or the unseen, mental torment such as in‘ Disabled’. His diverse use of instantly understandable imagery and technique is what makes him the most memorable of the war poets. His poetry evokes more from us than simple disgust and sympathy; issues previously unconsidered are brought to our attention. One of Owen’s talents is to convey his complex messages very proficiently. In‘ Dulce et Decorum Est’–‘ If in some smothering dreams you too could pace / Behind the wagon that we flung him in’ the horror of witnessing this event becomes eternal through dreams. Though this boy died an innocent, war allowed no time to give his death dignity, which makes the horror so more poignant and haunting. This is touched on in‘ Mental Cases’–‘ Treading blood from lungs that had loved laughter / Always they must see these things and hear them’. Many of the sights which will haunt the surviving soldiers are not what the officials have ordered them to do, but what they have done to save their own lives. It is the tragedy of war that you are not able to stop to help a dying man. They then, not only physically scarred and mentally changed, carry remedyless guilt with them. They have survived, at the expense of others–‘ Why speak not they of comrades that went under?’ (‘Spring Offensive’). Another dimension is that even the enemy soldiers are just like them, it is the politicians and generals who have caused this war, not these ordinary men. This is explored in‘ Strange Meeting’ - the meeting of an enemy who is really a‘ friend’.
Many of Owen’s poems share resentment towards the generals and those at home who have encouraged war.‘ Disabled’ has a very bitter tone–‘ Aye, that was it, to please the giddy jilts’.‘ His Meg’ didn’t stay around after he joined to‘
Many of Owen’s poems share resentment towards the generals and those at home who have encouraged war.‘ Disabled’ has a very bitter tone–‘ Aye, that was it, to please the giddy jilts’.‘ His Meg’ didn’t stay around after he joined to‘
Bibliography: ‘ The Collected Letters’ Edited by H. Owen and J. Bell 1967 ‘ A War of Words’ English Review S. Badsey Feb 1999 ‘ The Wilfred Owen Association’