Walking With Our Sister Analysis
The Unforgettable Experience Walking with Our Sisters is a memorial exhibit commemorating the missing and murdered Aboriginal and Métis Women of Canada and the United States. The Carleton University Art Gallery provokes an array of emotions as it calls to the alarming history of Canada with regards to the Indigenous women and children. The exhibition presents approximately eighteen hundred vamps prepared by the victims’ families and countless advocates. The Gallery elicits awareness and powerful heartbreaking emotions through its beautiful designs, graceful approach, haunting music, and physical arrangements. Walking with Our Sisters is certainly a remarkable event. The exhibit awakens many emotions, whether pleasant or unpleasant, through its beautiful designs; these designs feature symbols, quotations, and patterns. Each vamp has a unique symbol on it, representing
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Before entering the exhibit, visitors are asked to remove their footwear due to the sacredness of the project. Taking off one’s footwear is mandatory in homes, and places of worship. Therefore, requiring the removal of footwear demonstrates both the dignity and intimacy of the exhibit. It also gives the visitor the feeling that he/she is actually visiting an individual's memorial, and not just a gallery event. While walking through the gallery in silence, the guests are encouraged to acknowledge and focus on the artwork that surrounds them. The exhibit provides a calm and peaceful atmosphere, helping the guest realize and understand the disappearances of these beloved women. Contrary to the quick pace of everyday, the exhibit enforces a slow, gracious experience. It offers its guests the opportunity to thoroughly observe the intricate aboriginal artwork. Requiring such graciousness and respectfulness allows the visitor to fully comprehend both the pain and hope within this
Before entering the exhibit, visitors are asked to remove their footwear due to the sacredness of the project. Taking off one’s footwear is mandatory in homes, and places of worship. Therefore, requiring the removal of footwear demonstrates both the dignity and intimacy of the exhibit. It also gives the visitor the feeling that he/she is actually visiting an individual's memorial, and not just a gallery event. While walking through the gallery in silence, the guests are encouraged to acknowledge and focus on the artwork that surrounds them. The exhibit provides a calm and peaceful atmosphere, helping the guest realize and understand the disappearances of these beloved women. Contrary to the quick pace of everyday, the exhibit enforces a slow, gracious experience. It offers its guests the opportunity to thoroughly observe the intricate aboriginal artwork. Requiring such graciousness and respectfulness allows the visitor to fully comprehend both the pain and hope within this