From swooping lines, to minute triangles, it never ceases to amaze me how the same tools can be used to create such different looking things. In Monet’s The Artist's Garden at Vétheuil, the artist used…
Holden Released the new Monaro into the Australian market to huge orders and an amazing level of public interest.…
The first thing he learned was to draw. He drew many things on a daily basis until he master the skill of drawing. The second thing he learned to do was paint he put what he drew on a canvas then added color vibrant colors. He did this until he mastered the skill of painting. Then he worked on the skill of sculpting he made many sculptors and in many colors. he once again did this until he mastered the skill.Next he worked with metal he shaped it and such and worked with it and created tremendous things until he mastered the skill. Carpentry was the last thing he did so he did not work as hard on it because he was a commissioned artist and he became a semi architect (bio.com)…
There were many water-related issues in South America that Holston stated in the article. “The list of concerns is long and will require higher levels of public awareness and involvement, innovative approaches to problem solving, and better use of available funds and technology to reverse trends of misuse, mismanagement, and outright neglect.” (103) One of the challenges was protecting an adequate amount of clean water for human needs and finding huge amounts to endure farming and manufacturing needed for economic growth. In Lima, Peru, the water source for human use originated from snow pack of the Andes Mountains. The scientists and urban planners, based in Peru, were observing the rising effects of global warming and how it might eventually reduce the amount of water supplied to the city of nine million people. In Brazil, environmentalists were struggling with how to maintain the expansive Pantanal wetlands. Regions were debating whether to move to a different location to ease the fast export of cash crops, such as soybeans. Some islands had to deal with the absence of fresh water daily. Sometimes, the tourists had to adjust over four hours to the total unavailability of water as the facility’s purification plant worked actively to convert sea water into fresh water. While rainwater may have served to bear certain kinds of agricultural production and natural vegetation, it regularly did not produce enough to fulfill human needs.…
Through the dominance of a completely utilitarian approach, these futuristic, otherworldly creations were forward thinking for the fact that they were designed to look into the future – not to the past – for their inspiration. They thought about it in the long run, they wanted them to stand the test of time. The buildings were designed from the inside out. The purpose of the building and what happens inside was the most important part - the outside is merely the envelope that wraps it up. “Brutalism makes the whole conception of the building plain and comprehensible. No mystery, no romanticism, no obscurities about function and circulation.” Essentially, Brutalism is a no-nonsense…
Louis Comfort Tiffany’s eclectic sense of design incorporated the styles of the Arts and Crafts, Aesthetic, and Art Nouveau movements (Johnson 8). He had an eye for ornamentation in which he transformed every piece in a room into a humanly functional work of art (Johnson 27). Light and color were strong for forces in the design of his spaces to create a sense of exoticism and romance (Johnson 33). Though his designs were lavish, he strived to make his spaces livable and enjoyable by the user, not just museum-like rooms that marveled wealth or status (Johnson 28). He grew inspiration from the artistic values of other cultures giving him a fascinating image of design where he sought to create harmony by integrating these principles with aspects of nature in order to make striking yet livable interiors.…
The sculptress Louise Nevelson was a towering figure of American modernism. Born in 1899, she came to prominence in the late ‘50s, gaining renown for monochromatic structures built out of discarded wood. Critic Arthur C. Danto wrote, “There could be no better word for how Nevelson composed her work than bricolage—a French term that means making do with what is at hand.” (Danto 2007) Her pieces evolved and expanded in size across the latter 20th century, moving from smaller pieces to wall-sized ones, and the plays of volume therein, between light and mass, generated comparisons to numerous different movements.…
The striking colors, unusual perspective and familiar subject matter create work that not only is among Van Gogh’s most popular but one of his personal favorites. He described this painting as great length in letters to his family. This painting is no less than 13 letters and as a result he gave simply his bedroom the simplification a grander style to things, it’s suggestive here of rest or of sleep in general, looking are the picture ought to rest the brain or rather the imagination. Walls are pale violet, floor is red tiles, the wood of the bed and chairs is yellow like butter, sheets and pillows very light greenish. The broad lines of furniture again must express inviolable rest. The pictures on walls and mirror, towels and cloths. The shadows and the cast shadows are suppressed…
Over the years, artists have developed the practice of studying objects based on their historical context, the styles they portray (with regards to genre, style, design etc.) and most importantly, the message an artist is trying to decimate through the object (Lanciotti 304). As such, the study of objects encompasses a critical analysis of sculptures, paintings, architecture, ceramics, furniture, and other objects that are used for beauty as well as decoration. This paper will thus critically analyze two pieces of art; the Victorious Youth and the Lansdowne Herckales. Originating from the ancient Greece, these works of art are currently found at the J. Paul Getty Museum in the United States of America. These art pieces are both sculptures that were made nearly during the same era hence carrying a lot of Greek history and heritage with them. This paper will thus expound on their formal elements and contexts, their visual similarities and differences and the information they portray in terms of the personality of the artist, the materials used, as well as their mood.…
In the age of decadence and authenticity, William Morris stood out from the artists and designers of the time by creating works based upon good quality raw materials, hand processing and natural dyes. The walls of most Victorian homes, with few exceptions, were deeply colored, profusely patterned, draped with printed cloth, or heavily hung with pictures. Especially in the rising middle classes, to whom the industrial revolution had made available all means and variety of object and tool up until then enjoyed only by the wealthy (In cheaper, machine made versions). There was a taste for mass and detail and a passion to display. Plain white walls were especially unpopular. (Mccolgan 142) [See figures 2,3]. During the Gilded Age, William Morris’s style could be described as the opposite of decadence. His vision was to link art to industry by implementing aspects of fine art into his production of commercial design. Morris’s belief was that any designer should have a working knowledge of any media they were using,…
He rests his sculptures atop a delicate platform, used to be an abstract to the paintings on the surface, highlighting them for the viewer’s pleasure. Nagle often sprays 20 to 30 layers of china pain overglaze, firing the piece every time. With this method, the vibrancy of the glaze is shown with bright intensity for a vivid visual appeal. His objective is to combine elegance and awkwardness with a certain unattainable presence and beauty, something that can’t be figured out but looks like something you know. His sculpting begins as just and hand sculpted element, is slip casted, carved and fitted to each other, and finished with many firings of china paint for an exquisite piece. Balance and emphasis are key in Nagle’s sculptures with the crazy control of color in his abstract pieces. Nagle’s personal favorite is a piece he calls “Flat Bastard,” a double-humped Army green bottle with a cherry red cap, a dripping purple line skirting along the gray-colored clay body like pastry icing, using the dripped glaze and exposed clay elements from 16th century Momoyama ceramics. This sculpture has a very glossy finish and has great texture with the driving over glaze on the out skirt of the piece. The contrast of the dark army green and the bright red have your attention directed to the middle valley of the double…
Is James Hoban the best Irish born architect ever? I will let you decide after you read his story. James Hoban was born in Callan, County Kilkenny, Ireland, in 1758 in a small house. His catholic parents worked as servants in Desart Court which was a grand mansion. Early on in his life he was disadvantaged because of the anti-Catholic Penal law.[1] The law stipulated Hoban was not allowed to go to school but he still managed to go to the Royal Dublin Society where he took architecture classes. Unfortunately, he was not able to land a job in Ireland. When the American revolutionary war ended, he decided to move to the United-States.…
M.C. Escher’s Belvedere made in May 1958 is a unique and complex lithograph which draws heavily from surrealism and the surrealist movement of the early 20th century. It delivers a deep and complex view of architectural structures, which are puzzling to the eye. Surrealism began in the early 1920’s. It was an art style which existed to promote the painting of works which blurred lines between fantasy and actuality or rather dreams and reality. This style contrasted some earlier styles which were explicitly focused on capturing things perfectly as they were, such as earlier paintings by renaissance men like Leonardo Da Vinci and Michelangelo.…
Looking at Van Gogh's Bedroom in Arles gives me the feeling of conformity and reminds me of home. A significant compositional element in shown in the artwork is the colors. The color of the wood signifies the time in a way. The wooden beds and the color of the wood pass of this warm feeling. Looking at this piece of art takes you back to nights at your grandparent’s house.The bright colors Another element shown in the Van Gogh's Bedroom in Arles is the use of lines, specifically to form the wooden floors. The brush strokes with a dark brown on top of the light brown make the floor stand out. The use of the different browns creates the texture and tone of the wood.…
All of Venturi’s architectural decisions are thought-provoking as they were very unusual in the 1960s, but very typical today. His ideas of symbolism and experimentation with symmetry are evident in the Vanna Venturi House. Symbolism seemed to be a very…