He is perhaps challenging the viewer to see more that physical beauty but rather an internal need to be desired regardless of our outer shell or weathered state. He used detail and traditional symbolism of beauty in the clothing, headdress, the red rose, the seductive corset, and the lifted chin and soft eyes. Perhaps the timeless review and contemplation of intent was in fact Massys true intent of this piece, as it has withstood the test of time as a historically famous work of art. The initial dislike for the woman drew me in. The complexity of the painting made be find aesthetic beauty, and the content itself keeps me perplexing on the possibilities of intent. It is truly a respectable and intriguing display of art and…
Born in Fayette, Alabama, Charly “Carlos” Palmer (1960-) has lived life as both a commercial artist and a fine artist. Palmer was raised primarily in Milwaukee, Wisconsin. Whereupon after graduating from high school in 1978 he moved to Chicago, Illinois to pursue a degree at the American Academy of Art in Chicago. Palmer attended school there for a year and a half before transferring to the Art institute of Chicago. In 1982 he earned a Bachelor of Fine Arts and minor in Art History. Right after graduation Palmer began working professionally as an artist and more specifically as a graphic artist for agencies in Milwaukee, Chicago and Atlanta, Georgia. In partnership with his then wife, Charly Palmer opened a graphics design business, TP Design, in 1991. The business took off quickly and successfully. “We were recognized within the first 2 years as one of the top design agencies nationally and as one of the few all black agencies around in graphic designs in the country” states Palmer (personal communication, December 7, 2011). I asked Palmer, “What inspired you to switch your focus from being a professional designer to a full time painter?” Despite the success of the business Palmer explains, “I never had a desire to do commercial work.” His first passion, painting, is something that has never left him and he decided to solely focus on this aspect of his career within the last 10 years.…
Adelaide Robineau was a woman of many talents who displayed this throughout her life. She received several well-deserved awards and recognitions during her career. In 2016, about 87 years after her death, she still continues to influence young aspiring artists across the…
"Nicolas Poussin." Artble: The Home of Passionate Art Lovers. N.p., n.d. Web. 24 Oct. 2013.…
More often than not, it shows a solitary figure, an attractive man in his 20s, enacting a scene from an old-master painting. Dressed in contemporary garb — a hooded sweatshirt, perhaps, or a Denver Broncos jersey — the man might be crossing the Swiss Alps on horseback with the brio of Napoleon or glancing upward, prophet-style, golden light encircling his head.In layman’s terms, his art is a skilled remix. He rearranges racial power dynamics, conceptions of beauty, gender, and “the gaze.” It makes us think about pop iconography and the history of portraiture” Deborah, S (2015, January 28) Kehinde Wiley Puts a Classical Spin on His Contemporary Subjects The New York…
Year 10 Visual Art - Essay The human figure is one of the most enduring themes in the visual arts. The statement of figure in art changes as human needs and artist appearance developed (1). Early figure pictures only served very little purpose such as communication. The figure of art hugely developed after the invention of the camera as it captures the true emotion the figure had to offer.…
I’ve hung back in one of the galleries; it is empty and I can hear myself breathe. Framed by a skylight, the wind is twisting clouds into grotesque faces that disappear and then reappear. I am looking at a William-Adolphe Bouguereau painting. A young girl is posing in the painting. There is a broken pitcher on the ground, but the longer I stare at the painting, the more the pitcher fades into the background. The painted girl has her hands clasped together and she is dressed in a simple, rough-looking shawl and skirt. I try to take in the entirety of the painting, but I keep being drawn back to the eyes of this girl. She looks furious at having been painted. She looks lonely. The more I look at this girl, the more I see myself in her. It’s her dark eyes. Tommy comes over to where I am. He says Dad sent him to tell me to hurry the hell up. “Look,” I say, pointing at the Bouguereau painting. “She’s me.” Tommy laughs. He tells me that I am prettier than the girl in the painting. “You mean she is prettier than me?” I ask. “Come on,” Tommy says, “Dad is about to lose…
As I strolled the room, I took care to notice every piece of art that was displayed. The van Gogh caught my eye immediately, but, unfortunately, there were restrictions on my ability to write about it. There had to be about forty works in the room. No sooner than I had started to look around again, however, that a second painting caught my eye. I had never seen it before, but something about it looked very familiar. Possibly the brilliant orange glistening over the mind-numbing grays and blues. Or maybe it was the quick brushstrokes that seemed to want to move quickly enough to literally capture the light being emitted from the incandescent sun. Whatever the case, as I stepped closer to the work, I realized what should have been obvious the second I placed my gaze upon it. It was a Monet.…
| a celebration of the genius that enabled certain people to convey profound insights through art.…
The nature in which thought is advanced through a painting is a peculiar idea that eludes most average onlookers. Another work of art that contributes to this idea that art can add to the human experience is Frederik Marinus’s “Tranquil Landscape with Women Washing by a Stream with Cattle and Sheep Resting”. At a quick glance, this work is strikingly dissimilar to Nathan Oliveira's “Stage #2 with Bed”, but with a careful eye and further analysis, this painting allows us to turn a new page in an effort to extend our understanding in what the question is and allows us to move further in our journey of finding a concrete answer to the most abstract of inquiries. This painting, although completed over 100 years prior to Oliveira's is moving and striking in a very similar way even though their content is completely different. This derives from aesthetic. This picture is beautiful and tranquil. The colors are soft and the setting is dreamy. To this point, maybe the answer to the question actually is aesthetics. Beauty, if you will. The answer could be enjoyment. As complex and developed as us humans believe ourselves to be, maybe our instinctual and primal desires of pleasure are the true driving force for anything that we seek to accomplish. And even moving further, past just plain aesthetic, maybe we seek to find things that move us, and that is the human experience, and the fact that we are…
In the language of our own day, we should call him “wedded to his art.” In woman he only saw the bane of man. Women, he believed, lured men from the paths to which their destiny called them. While man walked alone, he walked free—he had given no “hostages to fortune.” Alone, man could live for his art, could combat every danger that beset him, could escape, unhampered, from every pitfall in life. But woman was the ivy that clings to the oak, and throttles the oak in the end. No woman, vowed Pygmalion, should ever hamper him. And so at length he came to hate women, and, free of heart and mind, his genius wrought such great things that he became a very perfect sculptor. He had one passion, a passion for his art, and that sufficed him. Out of great rough blocks of marble he would hew the most perfect semblance of men and of women, and of everything that seemed to him most beautiful and the most worth…
Art is something I cherish with all my being. On occasion, I will come across an image that captivates my mind and ensnares my soul. No matter what the context, the image is always the face of a person. I become compelled almost immediately to capture the gleam in the eyes, or the emotion behind the expression. Grabbing a piece of blank paper and a pencil, I begin to start a process that will take hours and hours to complete. When I've finally sketched the last line of the face, I find myself calm and relaxed from the knowledge that I have poured myself into the design all while still doing my subject justice.…
Since I was old enough to hold a crayon, I have wanted to be an artist. The desire to create has grown exponentially with time, and so I attended the University of Iowa to expand my creative capabilities and learn from the work of experienced faculty and other students. Through my studies, I quickly learned a traditional fine arts education focused on technique. However, I learned the strength of my art resided in the conceptualization of my own story and emotions…
Two artists who were instrumental in my growth were William Kentridge and Diane Victor. I took from each of these artists only an aspect of their dexterity. Kentridge’s animated film “Pain and Sympathy” particularly interested me. The use of monochrome line was essential to the success of this piece, generating the the visual impact I yearned to create. Whilst visually, Diane Victors work, (Smoke Portraits) besides being facial portraits, differs from my own. Although the level of emotion behind her work correlates with my work.…
Alas for the man and for the artist with the shifting point of perspective! Life shall be a confusion of ways to the one; the landscape shall rise up and confound the other. Take the case of Lorison. At one time he appeared to himself to be the feeblest of fools; at another he conceived that he followed ideals so fine that the world was not yet ready to accept them. During one mood he cursed his folly; possessed by the other, he bore himself with a serene grandeur akin to greatness: in neither did he attain the perspective. Generations before,...…