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In this essay I will discuss the effects of W. H. Auden’s poem ‘In Memory of W. B. Yeats’ upon the tone, and the foreshadowing of plot line of Ian McEwan’s novel Atonement. The poem and the novel are both elegiac- it is the contribution of the poem to Atonement at the crucial point before the deaths of the characters Robbie and Cecilia that begins to set the tone of elegy within the novel. This acknowledgement of death and mourning brings a sense of impending doom; the love expressed from Cecilia to Robbie by the inclusion of lines from ‘In Memory of W. B. Yeats’ is matched by the element of tragic loss it also insinuates. The poem, set at a time of great impending disaster within Europe (Norton) brings this sense of inescapable tragedy to the novel.…
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Wilfred Owen’s poetry is shaped by an intense focus on extraordinary human experiences. Select TWO poems set for study and explore Owen’s portrayal of suffering and pity.…
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Kenneth Slessor, a renowned poet and journalist was born on the 27th of March 1901 in Orange, New South Wales. Throughout his eventful life, Slessor was able to compose an array of poems through which he was able to convey his experiences through life. But why exactly are his poems still considered so relevant and significant in this era? Firstly, Slessor’s poems were widely recognised for their ability to accurately depict his understanding of humanity, life, death and change. Across his oeuvre he conveys a unique yet consistent view of the meaning of life and death. He presents this through the use of poetic techniques such as metaphors, repetition, similes and alliteration which are evident through all of his poems. Good morning/afternoon Mr Younes and Yr. 12.…
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‘On My First Sonne’ by Ben Jonson and ‘Mid-Term Break’ by Seamus Heaney are both poems which explore the themes of death and loss and are both written about the death of a child. In the case of Ben Jonson it was the death of a son and for Seamus Heaney it was an infant brother. The similarities of the poets are not just the fact that they have both suffered the death of an infant, but also the fact they are poets and play writes which result in similar tones and styles throughout the poems. Both poems are considered as elegies as they lament the death of the child.…
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Both Keats and Longfellow were poets during the Romantic period. The two compose poems in which they reflect on their inability to live up to their creative potential and the idea that death could intervene at any moment. Longfellow is disappointed in his failures and sees comfort in the past rather than an uncertain future. Moreover, Keats fears he won’t accomplish all that he wants, but sees possibility and realizes his grievous goals won’t be important after death. While Longfellow’s tone is fearful, Keats’ is appreciative and hopeful about what life has to offer right now. In both poems, the poets use the literary devices parallelism and symbolism, to depict their particular situation in their own lives, while also using diction with characteristics of romantic poetry, reflecting their time period.…
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Silverstein’s technique of poetry is like that of a fourth grader, yet thus is the basis of its appeal (Kimmel). He rarely ventures to write a free verse or blank verse except maybe when narrating a story or his seldom use of large vocabulary. His poetry is therefore committed to traditional language, rhyme, and proper stanza format. His rhymes tend to be imperfect and rough. Using the –ing and –tion words, he tends to make his less-than-perfect poetry quite straightforward and easy (“Weirdness” 2). His poetry shows familiarity between sound and subject that appeal to the senses when read aloud. The words and phrases Silverstein uses are not overused, but are precise and memorable to the reader (Maslow 3).…
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Individuals have their own way to express emotions. Writers express sadness and love by writing poetry. “Annabel Lee,” by Edgar Allan Poe, is a lyrical ballad that tells a story of a young couple in love, and how the man responds to the early death of his beloved. The male narrator is also the main character of the poem, which makes this ballad different from the usual ones because, beyond the story, there is also an emotional expression. The poem’s narrator, like Poe himself, is a depressed and angry man who tries to understand the loss of his beloved. Both the narrator and Poe are poor, which is suggested by the poem when the narrator refers to the woman’s relatives as “highborn kinsmen”(line 17). Therefore, the depressed outlook and financial pressure reinforce even more that this poem is not just a ballad, but also an emotional expression of the author.…
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When the subject of death is addressed by poets Larkin and Abse they imply that death is a certain and predetermined demise to our lives. However through analysing there style of poetic writing, readers can appreciate their different attitudes towards death. Larkin appears accepting of death, acknowledging fate in a realistic way. Abse however is emotionally impacted and overall unaccepting of the part it plays in our lives.…
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The poem the ‘The Anniversary’ By John Donne, is a metaphysical poem about the sun itself growing older each year, this process reminds Donne that him and his lover are closer to their end. The second poem is called ‘One Flesh’, and is written by Elizabeth Jennings. In the course of this poem Jennings explores the relationship and separateness of her now elderly parents. There are multiple contrasting factors between these two poems, considering they are both written from different time periods and view love in sharply differing perspective.…
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Bibliography: Brooks, Cleanth. The Well Wrought Urn; Studies in the Structure of Poetry. New York: Reynal…
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Poems are a way of expressing yourself. To some people poems may seem like a bunch of meaning less words, however if you analyze each line you will find a great story behind it. In this essay I will be writing about two initially diverse poems, ‘Flag’ by John Agard and ‘Out of the Blue’ written by Simon Armitage.…
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Two of Simon Armitage's poems, 'Poem' and 'About His Person' are written about someone who has, for unspecified reasons, passed away or gone. One is in the style of a eulogy and looks back on the life of its persona, presenting contrasting views of it, while the other examines the articles found on a man after his death. Both give the readers some impression of the personas, but are somewhat ambiguous, inviting us to form our own mental pictures of the people and judge them for ourselves.…
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* A strong and moral man will not grieve the death of a friend by moaning and wailing like a woman — but poets regularly have their characters issue long, pathetic lamentations [387d-388d].…
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When Henry Wadsworth Longfellow wrote, “Talk not of wasted affection; affection never was wasted,” he expressed a romantic ideal ever-present in nineteenth century poetry: the ideal that naive romantic love should be valued above all else. This ideal has persisted to the present, , presenting itself in innumerable pop songs and romantic comedies; working itself so deeply into the psychology of Western culture that those unaffected may consider it a cult. In the nineteenth century, this romanticising of young love was often imbued with a languid, yearning quality; and this quality was often invoked by combining these ideals with another popular theme in Victorian poetry: the mystery and romance surrounding death. In nineteenth century romantic poetry. young love was such a serious, all-consuming quality that sometimes suicide was an acceptable, or nearly acceptable, way of dealing with the ensuing heartbreak. While A.E Housman’s poem 1896 poem “ When I was One-And-Twenty” does not glorify -or even discuss- suicide, it fits perfectly into this romantic tradition; weighing itself down with the seriousness of youthful heartbreak. In this poem, a twenty-two year old man remembers advice he was given by an old man when he was twenty-one regarding the perils of love, and mourns the ensuing heartbreak that came from not heeding this advice. Housman, who was in his late thirties when he composed this poem (neither elderly nor especially elderly), is celebrating the tragic beauty and rawness associated with losing one’s first love, imbuing the situation with an elegance and languor which admiring readers can happily relate to their own experiences. In doing so, however, he is opening himself up to the criticisms of objective and seasoned observers who – although they probably remember going through these experiences themselves – are experienced enough to know that heartbreak is neither the most distressing nor disabling part of human experience. Consequently, Housman’s work…
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Gray’s Pre-Romanticism is clearly shown in his poem Elegy Written in a Country Churchyard. He is known as Pre-Romantic due to his touch on three romantic aspects. The first is his concern with the common people. The reader can see Gray’s concern with the common people by the way he talks about the poor and everyone dyeing all to be buried in the ground alone. Gray also talks about how people will make storied urns in order to show the life of the deceased person, also showing his concern with the common people. Gray’s next romantic aspect he touches on is his concern with the particular in his very detailed descriptions of everything. “The breezy call of incense-breathing morn, the swallow twittering from the straw-built shed.”(Lines 12-18) This shows his attention to detail in how he describes the shed and how the morning breeze feels. Gray’s final aspect of Romance is his examination of inner feelings and emotions. Feelings are a very romantic theme, which the reader can see in Elegy Written in a Country Churchyard in the quote, “The plowman homeward plods his weary way.”(Line 2) This quote alone shows a deep and dark emotion that is written very grimly. Gray clearly shows his reasoning for being a Pre-Romantic poet in his poem Elegy Written in a Country Churchyard.…
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