Iago’s deception has prevailed as two of the character involved in his revenge scheme sincerely believe that Iago is honest…
Othello is concerning of himself, he doesn 't know that he has jealousy or not.…
Honesty can be defined as both truthfulness and loyalty. And an honest friend is one who is always there and always tells the truth. In William Shakespeare's Othello, the Moor of Venice, Iago, an ancient, villian, and antagonist, has a reputation for honesty. Known distinctly as "Honest Iago," Iago utilizes his honesty for dishonest purposes. Perhaps "Honest Iago" is best known for his articulation since he is ironic and sarcastic. He mocks other ideas that he considers excessive and not his own, yet portrays himself to be grounded. By asking many questions and appealing to common sense, Iago's wit surpasses all major male characters in this captivating drama. Through the personalities of Roderigo, Cassio, and Othello, Iago precisely locates each man's weakness; love,…
Iago: “ My friend is dead; ‘Tis done at your request. But let her live”.(3,3,475)…
“The monster of evil,Greedy and cruel tarried but little,Fell and frantic, and forced from their slumbers…
Cassio, a lieutenant appointed by Othello, the General of Venice, is a worthy and diligent man, although Iago, a secret villain, believes otherwise. Iago feels he is more deserving of this position and Othello should of chosen him instead. Although, indeed demonstrates Othello’s knowledgeable judgment. For this reason Iago misleads Cassio into unknowingly discredit himself, “Reputation, reputation, reputation! O, I have lost my reputation! I have lost the immortal part of myself, and what remains is bestial. My reputation, Iago, my reputation!” (Act 2, Scene 3). Iago talks Cassio into drinking more wine than he can handle, which then starts a foolish brawl against Montano, governor of Cyprus. Othello sees Cassio’s conduct as unbecoming of a lieutenant, and strips him from his rank entirely. Cassio’s trust in Iago steers Othello into doubting his judgment and firing Cassio.…
Beginning with the character Iago, one can see his jealousy fuel a villainous plot to demonstrate the dangers of the emotion. While explaining his hatred for Cassio to Roderigo, Iago complains, “One Michael Cassio . . . that never set a squadron in the field, nor the division of a battle knows . . . had the election” (Shakespeare 5). The conflict evident in Iago’s words is used by Shakespeare to bring forth the destructive nature of jealousy. From the get go, Shakespeare establishes Iago as the villain and Othello as the victim and in doing so, pushes the audience towards feeling sympathetic towards Othello and feeling hatred towards and rooting against Iago. Additionally, the conflict Shakespeare uses characterizes the character of Iago as jealous, which also contributes to molding the audience’s opinions towards him and a development of jealousy’s notoriety. While Shakespeare first introduces the conflict between Iago and Cassio as one over status and power towards the beginning of Othello, he brings the audience’s attention to Iago’s conflict with the Moor by having Iago exclaim, “I hate the Moor, and it is thought abroad that twixt my sheets he has done my office” (Shakespeare 54). Again, in this quote, Shakespeare uses the conflict between Iago and Othello to paint Iago as overly jealous man. The goal of these portrayals was to shine light on jealousy and the dangers that come with it. By portraying Iago as the jealous villain through conflict and Cassio and Othello as innocent victims, Shakespeare sends the idea that jealousy can destroy the…
C. Iago cunningly talks to Cassio about Cassio's mistress Bianca, each smile and each gesture made by Cassio infuriating a hidden Othello who thinks Cassio is talking about sleeping with Desdemona.…
Cassio: Oh, how the fates turn in ways most obscure to see damned Othello alone, insecure.…
Moreover the truth of the judgement is demonstrated again and again throughout the play wherever jealousy is manifest. The jealous person, whether Othello, Roderigo, Bianca or, as we shall attempt to show, Iago himself, is revealed as one who, from the moment that jealousy strikes, divorces himself or herself from rationality. Jealousy, once awakened, becomes self-perpetuating, seff-intensifying, and where no justifying evidence for it exists, the jealous person under the impulse of an extraordinary perversity will continue to manufacture it, inventing causes, converting airy trifles into "confirmations strong as proofs of holy writ," [III. iii. 323-24]. Any attempt, in other words, to interpret jealousy rationally, to look for logic in the mental processes of a jealous person, will be unavailing. For we will be dealing invariably and in at least some measure with a monster, a form of possession, an insanity. (pp.…
with his actions, what Iago says also conveys him as a manipulative character. Iago has constructed a plan to exploit Othello…
From the opening scene of the play, Othello, Iago is driven by envy and the overwhelming need for revenge as a result of being overlooked for a promotion. He deliberately begins to weave his manipulation over Othello for the sole purpose of revenge: “after some time, to abuse Othello’s ear, that he [being Cassio] is too familiar with his wife”. Through the effective utilisation of the technique of a hyperbole and sensory imagery, the responder recognises the severity of the lies that Iago will “pour” into Othello’s ear. As a result of this, the responder is able to comprehend how Iago will go about his exploitation of Othello’s fragile peace of mind with regards to Desdemona’s fidelity. Iago’s horrendous deeds of lying and deliberate deceit ultimately lead to Othello’s and Desdemona’s marriage being filled with conflict which leads to their untimely death. Therefore, relationships are altered as a result of conflict as demonstrated with Desdemona and Othello.…
This scene is framed by Iago's comments on the importance of this night. Before the action starts, he tells Roderigo: "It makes us or it mars us, think of that, / And fix most firm thy resolution". To Roderigo, Iago is saying "Be brave, kill Cassio, and you will have Desdemona." To himself, he is saying "Be brave, make sure Roderigo, Cassio, and Desdemona die, and you will have your revenge on Othello."…
Jealousy, once consumed, will take over the mind and body, and not only hurt the people around that individual, but destroy that individual. In Othello, we see the protagonist fall guilty to jealousy, even though he has said that he doesn’t let his feelings get the better of him. Roderigo, because of love, gets jealous and ends up losing all his money. Iago, the villain in this play, falls prey to jealousy because of his pettiness from not getting a promotion and having certain suspicions that may or may not be true. In William Shakespeare’s “Othello”, Iago states, “Oh, beware, my lord, of jealousy! It is the green-eyed monster which doth mock the meat it feeds on”(3.3.170-172). This quote talks about how Othello doesn’t want to know any rumors that Iago has, but this teases Othello. Othello claims it will not bother him, so Iago tells him and Othello becomes upset. The jealousy…
I agree with the statement that Shakespeare’s play Othello demonstrates the weakness of human judgement. The demise of both Othello and Iago is due to each one’s weak judge of character, and poor judgement of situations. Othello falls from a position of power and nobility to a debased shadow of his former self, as a result of Iago’s cunning plans. Yet had Othello a better sense of judgement Iago’s schemes would not have worked.…