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The Way To Rainy Mountain

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The Way To Rainy Mountain
"The Way to Rainy Mountain"
A single knoll rises out of the plain in Oklahoma, north and west of the
Wichita Range. For many people, the Kiowas, it is an old landmark, and they gave it the name Rainy Mountain. The Hardest weather in the world is there. Winter brings blizzards, hot tornadic winds arise in the spring, and in summer the prairie is an anvil's edge. The grass turns brittle and brown, and it cracks beneath your feet. There are green belts along the rivers and creeks, linear groves of hickory and pecan, willow and witch hazel. At a distance in July or August the steaming foliage seems almost to writhe in fire. Great green and yellow grasshoppers are everywhere in the tall grass, popping up like corn to sting the flesh, and tortoises crawl about on the red earth, going nowhere in the plenty of time. Loneliness is an aspect of the land. All things in the plain are isolate; there is no confusion of objects in the eye, but one hill or one tree or one man. To look upon that landscape in the early morning, with the sun at your back, is to lose the sense of proportion. Your imagination comes to life, and this, you think, is where Creation was begun.
I returned to Rainy Mountain in July. My grandmother had died in the spring, and I wanted to be at her grave. She had lived to be very old and at last infirm. Her only living daughter was with her when she died, and I was told that in death her face was that of a child.
I like to think of her as a child. When she was born, the Kiowas were living that last great moment of their history. For more than a hundred years they had controlled the open range from the Smoky Hill River to the Red, from the headwaters of the Canadian to the fork of the Arkansas and
Cimarron. In alliance with the Comanches, they had ruled the whole of the plains. War was their sacred business, and warfare for the Kiowas was preeminently a matter of disposition rather than of survival, and they never undertook the grim, unrelenting advance of the

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