The Death of Woman Wang, by Jonathan Spence is an educational historical novel of northeastern China during the seventeenth century. The author's focus was to enlighten a reader on the Chinese people, culture, and traditions. Spence's use of the provoking stories of the Chinese county T'an-ch'eng, in the province of Shantung, brings the reader directly into the course of Chinese history. The use of the sources available to Spence, such as the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling convey the reader directly into the lives of poor farmers, their workers and wives. The intriguing structure of The Death of Woman Wang consists on observing these people working on the land, their family structure, and their local conflicts.…
The Death of Woman Wang, by Jonathan D. Spence, paints a vivid picture of provincial China in the seventeenth century. Manly the life in the northeastern country of T’an-ch’eng. T’an-ch’eng has been through a lot including: an endless cycle of floods, plagues, crop failures, banditry, and heavy taxation. Chinese society in Confucian terms was a patriarchal society with strict rules of conduct. The role at this time of women, however, has historically been one of repression. The traditional ideal woman was a dependent being whose behavior was governed by the "three obedience’s and four virtues". The three obedience’s were obedience to father before marriage, the husband after marriage, and the son in case of widows. The four virtues were propriety in behavior, speech, demeanor and employment. The laws of the land and fear of shame in society dictated that men were allowed to rule over their household leaving women in a powerless state as almost a slave of the home. In P’u’s stories women are portrayed as complex characters who hold important roles in the family, but are treated with little to no respect by authority figures, and other men of higher class. In The Death of Woman Wang, Spence portrays…
Stories from a Ming Collection is a work which reveals clearly people's life in various levels in traditional China. How does the book portray different levels of people's life (including scholars, peasants, military men, working men and women, beggars etc.), and from their life how do you perceive Chinese society?…
5. As the family works and begs in the city, they think the foreigners are impatient and ill-tempered. When they first arrived, Wang Lung and his family could not understand them under their accent, and the men make fun of him for being a country man. The author includes these descriptions to convey the difference in lifestyles and societies throughout China in this era.…
This story focuses on the experience of a man, Chen Xin (pronounced "Chen Zin") who is returning to the city of Shanghai after an absence of ten years. He has spent that time in a rural area and has looked forward to being reunited with his family, which consists of his mother, his elder brother and the brother's wife and child, and his younger brother. The family lives together in cramped quarters and the introduction of the middle brother into this space creates something of a crisis.…
Shen Fu was a Chinese writer and art dealer who lived during the Qing Dynasty. He had a very strong love for his wife Chen Yun and she is the inspiration for his book “Six Records of a Floating Life”, which vividly describes their life and love together. Shen Fu discusses the happiness that he found in marriage to his cousin Yun, in his first chapter, “Joys of the Wedding Chamber”. He then goes into detail, and is even reminiscent, about enjoying the little things and his experiences with them in the second part of his book, “Pleasure of Leisure”. Next Shen Fu talks about the adversities that he and Yun have to experience, in their sometimes-trying relationship together, with his chapter “The Sorrow of Misfortune”. This is a chapter about his financial burdens and depression that he started to incur from his stress during that time. The final chapter that Shen Fu writes about in his book, is much different than his last one because his spirits are lifted and he describes his love for traveling and taking in the sights of the world with “The Delights of Roaming Afar”. These are the reasons as to why he wrote this book, to share with the world his story of love, adversity, and prosperity all while expressing his deeply rooted admiration and sentiment for his wife, Chen Yun.…
In this story, Wang Lung’s life gives detailed examples of the hardships and struggles of living in a lower social class. Then, as the story progresses, the novel tells of the luxuries and customs of being wealthy. Many people can relate to this novel because it shows what life was a wealthy man and as a poor man. Nowadays, people in third world countries or are just common laborers…
The death of woman Wang is written by Jonathan D. Spence, a famous scholar of East Asian studies. This book is focus on the early days of Qing dynasty, when Qing dynasty had only been established for about 20 years, the government, even though the whole society, are in their infancies. The author discusses issues of a small county in northeastern China ---T’an-ch’eng, which is in the province of Shantung. The genre of this book is difficult to be identified; it consists of a component of fiction, since the author describes a large number of stories; as well as a component of historical reconstruction, since the author introduces the county’s environment and events according to reliable historical resources. From a reader’s perspective, I find this work fascinating. The author achieves a great success in characterizing the society, and throws valuable topics to think about.…
Description: Through reading traditional Chinese stories, we hope to address several critical issues of our time: among them, humanity’s collective ignorance of its own past, growing alienation and tension between China and the rest of the world, and global anxiety over oddities, violence, chaos, and the supernatural in everyday life--four major motifs prevalent in the texts that concern us here. In this course we will read a number of representative short stories from the Han dynasty to the late Qing, to examine ways in which “small talks” and tall tales shape Chinese novelistic discourses and cultural imaginaries. We shall consider how these stories help constitute the essential components for human capabilities development in the pursuit of happiness, drawing on a set of traditional values and concept metaphors like “loyalty,” “filial piety,” “compassion,” and “justice” as the norm. But as we read on, we often find the protagonists to be struggling under most demanding situations, always already tormented by adultery, avarice, betrayal, cruelty, deception, ingratitude, and many sorts of monstrosity. Sometimes, it would be a female ghost, cunning vixen, or a thousand-year old serpent coming to the rescue--or making things worse. Gods and deities seem to have disappeared long ago. Our main objective therefore is to share in class some intricate life lessons, as they testify to Chinese folk wisdoms and practical reasoning in time of crisis. Subgenres like “chuan chi,” “bian wen,” “hua ben,” among others, will be discussed in their historical, philosophical, and trans-regional contexts. Themes include the knight errant, heartless lover, femme fatale, ghost wife, dream adventure, justice, trickster, and so forth. Materials will be in English…
Chinese Communist leader Mao Zedong’s implemented the Cultural Revolution and spread perpetual fear of death during his rule in China. Educated citizens faced humiliation, exile, beatings, and millions of youths had no choice, but to relocate to the countryside for their “re-education.” He classified books as propaganda and the owners as traitors who should suffer severe consequences. In Dai Sijie’s Balzac and the Little Chinese Seamstress, the narrator and Luo risk getting caught with novels in their possession so that they can continue to escape the harsh reality of their life through them. Dai Sijie chooses to specify the Hunchback of Notre Dame, the Count of Monte Cristo, and Ursule Mirouët to emphasize the main theme of love, supported…
Jiang Ji-li's weak character also contributes to the kind of mood the author feels during the time he/she reads the book. Ji-li, by the way she acts, she seems very fragile and she is not one that can easily accept what negative things that are said about her. Ji-li thinks that there is only good things and good people in the world. If it's not said or pointed out to her, she would never have noticed it. She is too carefree, allowing herself to think that there are only harmless people, that they would never hurt her until there was a da-zi-bao written about her, "Ke Cheng-li doesn't like working-class kids. He only likes rich kids... We have to ask the question, What is the relationship between them after all?" If she had been a very strong girl, knew where she stood and didn't care what others said about her or her family, the reader would have felt a different mood. Though there are other factors that contribute to the story, for instance "setting." In this novel, it talks about the Cultural Revolution of Chairman Mao whose intention was to do good things to China starting by ridding the…
The portrayal of a character throughout the plot of a short story or novel is essential to the successful picture a reader vividly imagines while interpreting a writer’s text. Main characters in such publications most certainly possess certain traits or characteristics intentionally expressed in order to resonate within the reader. Possible characteristics portrayed through the actions and thoughts of such characters may include: perseverance, stubbornness, or couragessness. While examining the prominent traits of main characters Jing- Mei (Two Kinds) and Silvia (The Lesson), the reader is capable of witnessing character traits of immense resilience and countering traits of acceptance to change though the actions expressed by these two characters.…
The respondents came from various walks of life and different places in China, and the result is a book that goes into the lives and experiences of Chinese people ranging from artists to businesspeople, former Red Guards to rural migrants, prostitutes to Olympic athletes. However, for this assignment, it was asked to only read the interviews of a wealthy business man, a worker, and a Red Guard. I have heard about China Candid before and that’s why I know a lot about it. Sang Ye shows great interest in the personal experiences of his informants and they were presented not as representative of their occupation or class, but as interesting individuals with rich stories to tell. But with the context being modern China, political considerations affected the lives of all three people with whom he had conversations with. How the political expression was managed differed with every person. Some went along with the party line such as the Red Guard, while others distanced themselves from the authorities or make local officials a part of their schemes. Together, the personal stories told in this collection open a window onto what life is really like for both the Mao and post-Mao generations of…
Su Tong is a pen name of Tong Zhonggui. He was born in 1963 in Suzhou and now living in Nanjing with his family. Su Tong is not only a greater writer which 20th century last stages appears, but also he is the representative writer of the vanguard literature and is one of the founders of "neo-historicism" novel (Jing). Vanguard literature is a kind of literature, which is against the traditional culture and deliberate violation of the principles of conventional creation and appreciation of the literary habits, and one-sided pursuit of artistic form and style of the novel. As usually, the vanguard literature writers through different kind of suggests, metaphor, symbol, association and imagery to explore people's inner life. Otherwise, the narrative structure method of vanguard literature is also different from with the traditional literature. Compared with traditional literature, many of the vanguard literature are not focusing on talking about a complete story. It pays more attention on how the story out (Tang). Su Tong as a pioneer of the vanguard literature, his works is followed by the style of the vanguard literature. In the Su Tong’s novel, the main theme are made up of the desire words in human nature, rebelling against and escaping with the life of destiny and constructing the solving of the history and culture hard (Jing). “To Escape” is one of his outstanding works. The main story of “To Escape” talks about Chen Sanmai’s life and three times he escapes. Chen Sanmai spends his whole life for escaping from something him afraid until he died. This paper will begin with a discussion of the story's spatial structure and an exploration into the symbolic meaning of the kites in relation to the Chen Sanmai’s life.…
The moonlight reached the side of Feng-hsiao pillow. She was a slave girl brought by the bride, the new Third Mistress of the Chiangs. She opened her eyes to take a look and saw her own blue-white hand on the half-worn blanket faced with quilted Korean silk. "Is it moonlight?" she said to herself. She slept on a pallet on the floor under the window. The last couple of years had been busy with the changing of dynasties. The Chiangs coming to Shanghai as refugees did not have room, so the servants' quarters were criss-crossed with people sleeping.…