The Role of Irony in Shakespeare's "Othello"
Veronica Gorlovsky
LI 203
Professor Dulgarian
May 28, 2011
The Role of Irony in Shakespeare’s “Othello”
The most captivating elements of Othello are Shakespeare’s clever use of literary devices, such as symbolism (i.e. the handkerchief, a symbol of faith and fidelity) and metaphor (Iago’s vulgar animal references- Iago tells Barbantio: “…an old black ram is tupping your white ewe” (1.1.88)). However, the most prominent literary device throughout the play is irony, especially surrounding the play’s villan, Iago. The central irony of the play lies in that Othello, Cassio, and other characters befriend and trust Iago, who, unbeknownst to them, will destroy their lives. Yet, the audience is aware of Iago’s malicious intent and the stark contrast of what Iago says versus what he thinks and does. Throughout the piece, while Othello continuously praises Iago for his honesty, Iago manipulates him into believing that Desdemona has been unfaithful, and the tragic irony of the circumstances lead to Othello murdering his own wife.
Almost most immediately, within the first few scenes of Othello, Iago’s deceitful, conniving manner becomes evident. In the opening scene, as Roderigo questions where Iago’s loyalties lie, with him or Othello, Iago responds that he must appear to be faithful to Othello, “for love and duty” (1.1.62), but, in truth, harbors much hate for him. Iago explains: “I follow him to serve my turn upon him” (1.1.35). This is foreshadowing of Iago’s plans to betray Othello. The first instance in which the irony of the play and Iago’s treachery become evident to the audience is when Iago convinces Roderigo to shout beneath Brabanzio’s window and inform him of his daughter’s secret marriage to Othello. From Roderigo’s point of view, Iago is making a bad name for Othello, and if he angers Brabanzio enough, he would force Desdemona to leave Othello, giving Roderigo the opportunity to seduce her. However, in truth, Iago shouts crude
LI 203
Professor Dulgarian
May 28, 2011
The Role of Irony in Shakespeare’s “Othello”
The most captivating elements of Othello are Shakespeare’s clever use of literary devices, such as symbolism (i.e. the handkerchief, a symbol of faith and fidelity) and metaphor (Iago’s vulgar animal references- Iago tells Barbantio: “…an old black ram is tupping your white ewe” (1.1.88)). However, the most prominent literary device throughout the play is irony, especially surrounding the play’s villan, Iago. The central irony of the play lies in that Othello, Cassio, and other characters befriend and trust Iago, who, unbeknownst to them, will destroy their lives. Yet, the audience is aware of Iago’s malicious intent and the stark contrast of what Iago says versus what he thinks and does. Throughout the piece, while Othello continuously praises Iago for his honesty, Iago manipulates him into believing that Desdemona has been unfaithful, and the tragic irony of the circumstances lead to Othello murdering his own wife.
Almost most immediately, within the first few scenes of Othello, Iago’s deceitful, conniving manner becomes evident. In the opening scene, as Roderigo questions where Iago’s loyalties lie, with him or Othello, Iago responds that he must appear to be faithful to Othello, “for love and duty” (1.1.62), but, in truth, harbors much hate for him. Iago explains: “I follow him to serve my turn upon him” (1.1.35). This is foreshadowing of Iago’s plans to betray Othello. The first instance in which the irony of the play and Iago’s treachery become evident to the audience is when Iago convinces Roderigo to shout beneath Brabanzio’s window and inform him of his daughter’s secret marriage to Othello. From Roderigo’s point of view, Iago is making a bad name for Othello, and if he angers Brabanzio enough, he would force Desdemona to leave Othello, giving Roderigo the opportunity to seduce her. However, in truth, Iago shouts crude