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The Relationship Between Punk and Dada

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The Relationship Between Punk and Dada
THE RELATIONSHIP BETWEEN DADA AND PUNK
It is difficult to estimate when people began to create different theories, movements and ideologies with regards to what is positive and negative in the world that we live in. A part and parcel of human nature has always been an individual desire to be a part of the perfect world which unfortunately is mainly stimulated by individuals in power. Therefore this bore a disagreement and critique among minorities and has been exploding over the centuries in different forms of cultural movements. One of the greatest cultural trends began in Zurich and it is known as Dadaism. During World War I a group of individuals created Dada in reaction to what they perceived to be negative and opposite of the values that they believed in. They showed their protest against nationalist, colonialist interest and bourgeois in various forms of controversial art. The new style definitely found its followers in suffocated by war society and even etched in history. Nevertheless, 1970s showed us that Dadaism was not forgotten as it inspired a new generation of people to express their feelings with regards to what is against their vision of perfection. This created a new cultural movement known as ‘Punk’ which is characterised by a critique to a political system and society that was framed in a specific pattern. This essay is an effort to present relations between ‘Dada’ and ‘Punk’ by analysing and comparing various art forms of ideology they believed in. Therefore the part of this work is focused on the backgrounds and origins of both movements it order to explain motives and ideas of their existence. Moreover, it will show very important relationship which strongly connects both trends in a form of spiritual protest by using and comparing artworks from both epochs; Hannah Hoch’s ‘’Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany’’1919 compared to ‘’The Beatles-Sgt. Pepper’s Lonely Hearts Club Band’’1968,



References: BERRYMAN,Ashleigh. 2010.[online]. Last accessed 19 May 2012 at: http://ashleighberryman.wordpress.com/2010/11/04/punk-is-dadaism/ KALOGERAKIS,Stelios,2011.[online] POYNTON,Rick (2003). No More Rules Graphic Design and Postomodernism. London: Laurencce King Publishing. p39-40. GALE,Matthew (1997) ADES,Dawn (1986). Photomontage . 2nd ed. London: Thames and Hudson. p19-21. BIGSBY,C.W.E. (1972). Dada& Surrealism. London: Methuen & Co Ltd. p10-11. HERBERT,David (ed.) (1970). Dada. London: Studio Vista Limited. p9-11 p28-35. GREIL,Micheal(1989).Lipstick Traces: a secret of the twentieth century. London: Secker & Warburg.

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