Preview

The Pervert's They Live: An Intertextual Analysis Of The Film

Good Essays
Open Document
Open Document
1274 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Pervert's They Live: An Intertextual Analysis Of The Film
In his film The Pervert’s Guide to Ideology, Slavoj Zizek, a Slovenian philosopher, cultural critic and Marxist intellectual, discusses his ideas on fantasy, reality, sexuality, subjectivity, desire, materiality and cinematic form. One of the film’s he analyzes is They Live, a John Carpenter film released in 1988 about a man named John Nada, a wanderer without meaning in his life, who discovers a pair of sunglasses capable of showing the world the way it truly is. Working like x-ray vision, the glasses allow Nada to see past the propaganda and initial meaning behind the advertisements and images that litter his world. He concludes that the government and media are comprised of subliminal messages meant to keep the population subdued. In the film, most of the social elite are skull faced aliens bent on world domination. What is this film saying?
They Live is a critique of ideology. According to Slavoj, when Nada puts the glasses on he can see the dictatorship in democracy. The invisible order which sustains the population’s apparent freedom.
…show more content…
In Judith Butler’s book, she describes subjecthood as a cyclical paradox. The agency of the subject appears to be an effect of subordination. Before the subject is even born there is a set of conditions that precedes it, effecting and subordinating the subject from the outside. From the days of our birth we are immersed in the political situation in which we are born. We have a name, gender, class position, and a multitude of other classifications before we even get to take our first breath of air. We are born into corruption. So how do we imagine our way out of it? Especially when following the rules and going along with the dominant ideology is the only way to gain recognition as a

You May Also Find These Documents Helpful

  • Good Essays

    13 Sins: Film Analysis

    • 409 Words
    • 2 Pages

    The movie I am reviewing is 13 sins. 13 sins is a horror movie and was released on April 14th 2014 in the USA. I was directed by Daniel Stamm, Mark Webber ( as the main character), Devon Graye, Tom Bower, Rutina Wesley, Ron Perlman and more. There are no big A-list actor/actresses. It is placed in present time, and placed in a city.…

    • 409 Words
    • 2 Pages
    Good Essays
  • Good Essays

    This idea of dystopia is conveyed to us the viewer by the Imbalance of Power, a handicapped society, Ruby Red Shoes at the time through the conventions of Characters, Camera angles and Symbolism.…

    • 700 Words
    • 3 Pages
    Good Essays
  • Best Essays

    One of the key features of Butler’s story is to highlight the broad characteristics that constitute the idea of human-ness, and to question whether our understanding of what it is to be human will change, or whether it can…

    • 1525 Words
    • 7 Pages
    Best Essays
  • Satisfactory Essays

    At the beginning of the movie, Bruno is completely naive about Germany patriotism. It has the audience curious because Bruno live in Berlin where is known as the capital of Nazi Germany. He at first thought the concentration camp as a farm where he could possibly meet his potential playmate. It is surprising when Bruno is unaware of the Nazi’s propaganda against the Jews. Assumingly, Bruno and Gretel are going to a public school where Nazis ideology was educated in the early age. Even with an overprotective mother, Elsa, Little Bruno must have seen the inequality in Berlin such as benches at the park labeled as “Aryans only” and the Jews being rejected from using streetcars in Berlin. As a German boy, Bruno must have witness the scene of “der Führe”, the leader, passing the city with their expensive car. However, it is the opposite with Bruno, instead of acknowledging the Nazi activities, he is utterly impractical about what is happening in Germany during the 1940s like the children today.…

    • 299 Words
    • 2 Pages
    Satisfactory Essays
  • Better Essays

    David and Jennifer are living in the age of negativity. The environment is going to hell, unemployment is going to rise, life just sucks in general. This doesn’t bother Jennifer, but David wishes his life was more like his favorite 50′s TV show, Pleasantville. He’s seen every episode to the point of memorization; so when a mysterious TV repairman gives him a remote that transports him and his sister, Jennifer, into the show; he’s thrilled, but she is not. David (now Bud) tries to get Jennifer (now Mary Sue) to play the role she’s been given in the show, and follow the plot, but she decides to change things up. Now, her modern influence starts changing the way Pleasantville citizens think, as well as changing the landscape from black and white to technicolor.…

    • 1026 Words
    • 5 Pages
    Better Essays
  • Satisfactory Essays

    In the movie version of “Boys and Girls”, there were many differences, such as the beginning. In the movie, we open into the scene where the first horse is shot. The girl and Laird are both watching, however another difference to the original short story is that Laird has an adverse reaction to the death of the horse. He runs out of the barn and away until his sister catches him and tells him that it was good that he saw, so he now knows what has to eventually be done in these cases. In the events leading up to the “great escape” of the horse, Laird is the one to tell her that the horse would be getting shot in the morning. After the escape of the horse, the father brought the horse back to the house alive, whereas in the book they butchered…

    • 375 Words
    • 2 Pages
    Satisfactory Essays
  • Satisfactory Essays

    One of the salient topics of Butler's essay is the concept of identity formation and the subversive politics therein. She begins with an assessment of the creation of non-self-initiated identity, an action that places meaning onto people that naturally could not exist. Butler uses the example of police action to illustrate the interpolative nature of addressing via the notion of "the reprimand", In essence, we are witnessing the linguistic creation of identity. The subject did not exist before the address; it was the act of addressing that created their new status. To put it simply, they are a subject because they are a subject.…

    • 104 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    In a subjective sense, what is “right” and what is “wrong” appear to be definite. Many abide by “the law of human nature,” with the notion that everyone follows and can distinguish a set of standards that revolve around morality. C.S Lewis discusses this distinction and refers to the law that “people thought that everyone knew it by nature and did not need to be taught it.” In other words, there is a ubiquitous standard of right and wrong that everyone understands and agrees upon. However, what happens when it extends beyond just simply right and wrong, when factors such as life and death contribute to the decision? Is this law still valid?…

    • 920 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Lucy Walker Waste Land

    • 839 Words
    • 4 Pages

    This gives a deeper meaning to the documentary with the emotional relatability throughout Waste Land. The camera pans and peers into Vik’s perspective to give the clearer image of his transformation and connection with the Waste Land. The beauty of his views morphing through artistic distance, light, shadow, and contrasts are the strongest evidence that the camera is not only for the viewer’s eye but the view of Vik himself in his…

    • 839 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Food, Inc. is an eye-opening documentary about food industries in America. This documentary reveals many terrifying, yet fascinating facts about what the food people eat is truly made up of. Michael Pollan and Eric Schlosser came together to create this film to show exactly what Americans are putting into their bodies and how it is affecting them.…

    • 639 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    When assessing youth and adolescence, innocence plays a major part in one’s mind. Innocence. A word in which one could argue indefinitely along with the word “war”. An aura of innocence is not only found in the souls of young soldiers, but is also found in every brave soul of anyone who has ever served or are serving for our country. This powerful word of “innocence” is relatable towards the young troopers because they are the inexperienced newcomers with minor knowledge of what actuality is to come. Recent research has found a significant difference in a teen’s brain versus an adult’s. In fact, the rational part of a human brain is technically not fully developed until one reaches the age of 25 or so. With being partially developed, it raises…

    • 1067 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    Prostitution, arguably one of the oldest professions in human history, has flourished in every form of society since time immemorial regardless of its legality. Particularly in France, prostitution has had a long and extended socioeconomic influence and is recognised by Nicolas Sarkozy (former French president) as being part of France 's national cultural heritage (Gangoli, G. & Westmarland, N. 2006). In Jean-Luc Godard 's fourth feature film, Vivre Sa Vie (1962), an account of the impact prostitution and its affiliation with criminality in the daily lives of ordinary Parisians is brought to light in the style of a theatrical documentary, using various Brechtian alienation devices to provoke understanding and critical analysis from audience members concerning its underlying message. Just as the chapters one is prone to find in a fictional novel just so Vivre Sa Vie (1962) is filmed in the form of twelve tableaux, done to further distantiate the audience on regular intervals, discouraging any preoccupation with the psyche of the unfortunate heroine Nana. In addition to its novelistic detail in form, the name 'Nana ' carries the legacy of the naturalist film done in 1926 by Jean Renoir (one of Godard 's greatest influences). The striking similarities between the scripting of the two films are perspicuously displayed in the heroines ' shared ambitions to succeed in the entertainment industry, their promiscuity and the tragic end to which they found themselves. Nana, in addition to being Godard 's homage to Renoir, is also an anagram of 'Anna ' Karina ( the then wife of Godard). It is therefore implied that it is not the identity of Nana being examined on the pedestal of this moving picture alone but Karina as seen through the eyes of Godard which begs the question of whether the work of an auteur can be indeed seen as an autobiography of its creator.…

    • 1749 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    The book defines ideology as a “systematic set of beliefs that is not necessarily conscious.” Ideology plays a big role in political discourse which is perhaps why the book brings up Marxist theory (described as political and economic discourse that looks at history and society in terms of unequal class structure) and relates it to film. Ideological critique is something that involves “symptomatic reading” which relies on a “subtle and sometimes wishful approach” to analyzing and interpreting film. The book also talks about poststructuralism which, rather than structuralism, stresses the open-mindedness of stories and explores subjectivity with film structures. Poststructuralism analysis also includes many distinct areas of thought from psychoanalytic to postcolonial to feminist. Spring Breakers could be analyzed on many different ideological and poststructuralism critiques specifically surrounding the philosophy of youth in the modern…

    • 414 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    The issue of female persecution throughout many of Hitchcock 's films has been fiercely contested, none more so than the controversial issue of assault and the attempted rape of a woman. Views that Hitchcock represents the archetypal misogynist are supported, Modelski suggesting that his films invite "his audience to indulge their most sadistic fantasies against the female" (18). Through both the manipulation of sound and the use of language, none more so than in Blackmail and Frenzy, the idea of rape and violence does effectively silence and subdue not only the women in the films, but the also the women watching them (18).…

    • 3358 Words
    • 14 Pages
    Powerful Essays
  • Good Essays

    Point of View: Through whose eyes is the story being told? Celie speaks in the first person through a series of private letters she writes to God and her sister Nettie. We see and hear the story through Celie's eyes.…

    • 1141 Words
    • 5 Pages
    Good Essays