The Girl Who Played With Fire Analysis
In a materialistic culture, such as one that the United States has become, objects or possessions often have a surface value of relevance to consumers, but the underlying sentiments in these objects are lost or nonexistent. Contrasting that type of culture, these ideals can be romanticized in writing, film, and other forms of media. This is evident with Stieg Larsson and his ability to make commonplace tools pits of deeper meaning that exclaim their symbolism to readers of The Girl Who Played With Fire. Consequently, in Larsson’s work, a car, a book draft, and a computer help to develop an intriguing plot and dynamic characters. Perhaps most notable among the expanse of objects relaying a certain theme is Lisbeth Salander’s car. The machine