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The Dark Night Theory Paper

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The Dark Night Theory Paper
The Dark Knight presents an apparent connection of communication through media’s influence. The movie is an example of a remake of the Batman comic book series, which most adults today were either a big fan of or were at least familiar with in their adolescent years. The unique quality of the Dark Knight is the popularity in both the adult age group as well as in the youth. Also one interesting facet of the movie, as well as in most popular films today, is the presence of strong violence and action. Although the Batman series was popular in the years of children, films of which possess great amounts of violence and danger have the negative ability of constructing antisocial learning. It is appealing to ponder “what draws people into Batman’s adventures?” The movie’s appeal correlates with the idea of the mean world hypothesis, which stands as the core concept in the storyline. The media chooses the initiative of a “dangerous world” to attract viewers, yet fear is usually seen as something negative. The media also has influence in targeting our need to have a hero, such as Batman, who will do the “dirty work” when the world seems to fall apart. The success of the movie is also due to the persuasive factors of ethos, pathos, and logos. I chose the piece because the “masking” of the characters advocate me to search for a hidden meaning behind each soul. The drastic costume and make-up in the film also causes the understanding of nonverbal communication to be deceiving. Regardless of the dynamics, the Dark Knight grasps the viewer’s attention, which in the end results in the outcome of many dedicated fans.
The Dark Knight became an extremely popular movie among action movie seekers, comic book lovers, as well as once dedicated childhood fans. The Dark Knight was a sequel to the movie Batman Begins. Both movies come from Christopher Nolan’s Batman film series, which was unsuccessful before hand. After several of Nolan’s failed films the two recent blockbuster-hit’s

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