The Concept of Vulnerability in Memoirs of a Beatnik and On the Road
The Beat Generation: Vulnerable Victims or Inviolable Individuals?
The Concept of Vulnerability in Memoirs of a Beatnik and On the Road
Vulnerability is often one-dimensionally viewed as the degree to which mishaps, pain and shame are allowed to enter into one’s life. However it is also the birthplace of creativity and basis for a feeling of self-worthiness. Thereby vulnerability creates authenticity. There are various different definitions of vulnerability according to the field in which the term is used. The most commonly found dictionary definition states that “Vulnerability refers to the susceptibility of a person, group, society or system to physical or emotional injury or attack. The term can also refer to a person who let their guard down, leaving themselves open to censure or criticism. Vulnerability refers to a person's state of being liable to succumb to manipulation, persuasion, temptation etc.” The liability to succumb, as to persuasion or temptation would be an interesting motive when looking at Memoirs of a Beatnik. The way the heroine gives in to temptation would make the novel – according to this part of the definition - a manifesto of vulnerability. Other sources claim that vulnerability is the key ingredient to sex-appeal , or that actors need to have a vulnerable element in their composition of character in order to be convincing. However this last part of the definition seems too narrow for a solid basis from which the hunt for the Beat Generation’s vulnerability can set out on. The way in which vulnerability - emotionally or physically - occurs in the two novels Memoirs of a Beatnik by Diane Di Prima and On the Road by Jack Kerouac will form the centerpiece of this analysis. Shame which can be considered a possible outcome of vulnerability is defined as the “fear of disconnection” and disconnection of self is a strong driving force in both novels.
The Beat Generation itself is defined by the disorientation of its members, by
The Concept of Vulnerability in Memoirs of a Beatnik and On the Road
Vulnerability is often one-dimensionally viewed as the degree to which mishaps, pain and shame are allowed to enter into one’s life. However it is also the birthplace of creativity and basis for a feeling of self-worthiness. Thereby vulnerability creates authenticity. There are various different definitions of vulnerability according to the field in which the term is used. The most commonly found dictionary definition states that “Vulnerability refers to the susceptibility of a person, group, society or system to physical or emotional injury or attack. The term can also refer to a person who let their guard down, leaving themselves open to censure or criticism. Vulnerability refers to a person's state of being liable to succumb to manipulation, persuasion, temptation etc.” The liability to succumb, as to persuasion or temptation would be an interesting motive when looking at Memoirs of a Beatnik. The way the heroine gives in to temptation would make the novel – according to this part of the definition - a manifesto of vulnerability. Other sources claim that vulnerability is the key ingredient to sex-appeal , or that actors need to have a vulnerable element in their composition of character in order to be convincing. However this last part of the definition seems too narrow for a solid basis from which the hunt for the Beat Generation’s vulnerability can set out on. The way in which vulnerability - emotionally or physically - occurs in the two novels Memoirs of a Beatnik by Diane Di Prima and On the Road by Jack Kerouac will form the centerpiece of this analysis. Shame which can be considered a possible outcome of vulnerability is defined as the “fear of disconnection” and disconnection of self is a strong driving force in both novels.
The Beat Generation itself is defined by the disorientation of its members, by
Bibliography: Bennet, Jason: Great Actors access vulnerability. http://www.jbactors.com/actingreading/actorsaccessvulnerability.html. August 08th, 2011. Brown, Brene: The Power of Vulnerability. http://www.ted.com/talks/brene_brown_on_vulnerability.html. August 10th, 2011. Meyer, Michael: English and American Literatures. Tuebingen: UTB Basics, 2008. 105. Hoven, Niels: Why vulnerability is sexy. http://www.nielshoven.com/2007/03/05/why-vulnerability-is-sexy/ . August 10th, 2011. Wikipedia: Vulnerability. http://en.wikipedia.org/wiki/Vulnerability. August 11th, 2011. [ 2 ]. Wikipedia: Vulnerability. http://en.wikipedia.org/wiki/Vulnerability. August 11th, 2011. [ 3 ]. Hoven, Niels: Why vulnerability is sexy. http://www.nielshoven.com/2007/03/05/why-vulnerability-is-sexy/ . August 10th, 2011. [ 4 ]. Bennet, Jason: Great Actors access vulnerability. http://www.jbactors.com/actingreading/actorsaccessvulnerability.html. August 08th, 2011. [ 5 ]. Brown, Brene: The Power of Vulnerability. http://www.ted.com/talks/brene_brown_on_vulnerability.html. August 10th, 2011. [ 6 ]. Meyer, Michael: English and American Literatures. Tuebingen: UTB Basics, 2008. 105.