The syntax that Walker uses to represent Celie’s voice is often short, simple and lacking in description. ‘I am fourteen years old’ shows this. The almost constant use of short, simple sentences could indicate to the reader that Celie has a very basic understanding of written English. The lack of descriptive language used by Walker in Celie’s narrative voice could suggest that although these letters are addressed to God, only Celie will read them. This portrays Celie as a vulnerable character for various reasons. The use of short sentences indicates that Celie has a poor or non-existent formal education; this makes Celie seem vulnerable as the reader could think she is too unintelligent to understand her plight, this also induces a sense of pathos in the reader. The lack of description incorporated into her letters adds to the sense of vulnerability surrounding Celie as it could be interpreted by the reader that she has no one to turn to and she is alone to endure her struggle. When coupled with the sequential and chronological structure of her letters, the notion that, although Celie writes in an epistolary form, she has no one to turn to is intensified as it suggests to the reader that she doesn’t want to explain her situation to anyone.…
Celie’s first challenge in the story is enduring a very tough childhood in the form of rape and abuse from her stepfather, Pa. She writes to God that “He never had a kine word to say to me” and then details how she was raped “he push his thing inside my pussy. When that hurt I cry. He start to choke me, saying You better shut up and git used to it”. Celie had a choice to rebel and fight back, however she just allows Pa to rape her, showing little resistance. The reason for this is because Celie knew she was weak and couldn’t overcome her his physical strength. Celie then ends up giving birth to a son, however Pa takes this child away from her.…
In reality, her writing is filled with meaning and symbolism, hidden in plain sight beneath a seamless narrative style that breathes not a word of agenda, of dogma, or of personal belief. In this way, her writing is intrinsically esoteric, in that it contains knowledge that is hidden to all but those who have been instructed as to how and where to look for it, i.e. the initiated. Flannery O'Connor is a Christian writer, and her work is message-oriented, yet she is far too brilliant a stylist to tip her hand; like all good writers, crass didacticism is abhorrent to her. Nevertheless, she achieves what few Christian writers have ever achieved: a type of writing that stands up on both literary and the religious grounds, and succeeds in doing justice to both.…
Celie show little to no self worth through the beginning of the book. She knows Mr. ________ has a mistress and she knows it's Shug Avery. Celie doesn't seem to be bothered by this infact she seems to sort of enjoy the connection to Shug Avery and Shugs extravagant wardrobe. Celie doesn't seem to care that her husband is having so much sex with another woman, that he’s tired and weary the rest of the day and spends it sleeping. “Us don't say nothin to each other” This shows her lack of romantic relationship with Mr. ________and rather a forced mutual understanding between her and Mr. ________.…
Alphonso who Celie believed to be her father, uses her for his own sexual gratification and tells her if she does not be quiet it would kill her Mother. Alphonso’s words to Celie are, “You better not never tell nobody but God. It'd kill your mammy”. He intimidates Celie into keeping his abuse quiet by threatening her and telling her to only ever tell God. Alphonso rapes Celie repeatedly until he impregnates her twice and sells the children to a local missionary. Alphonso never tells Celie what has happened to her children so initially Celie thinks that Alphonso has killed them. Alphonso seems to have a sexual appetite for young girls as he goes on to marry a fifteen year old girl called Daisy.”This Daisy, he say. My new wife. Why, say Shug, you don’t look more than fifteen. I ain’t say Daisy.” Black fathers and father figures are viewed as being immoral, sexually unrestrained. (Washington, J.C) Later on in the novel Celie learns that Alphonso is not her real father, her real father had been lynched years before by a white mob. “Your daddy didn’t know how to git along, he say. White – folks lynch him”.…
While she may not be the only character developed, she is the most developed within the storyline. Towards the beginning of the novel, Celie is stripped of all her rights. She has born two children, both of which were taken from her. She was raped multiple times by both her husband and father; she was also physically and mentally abused by both men as well. The environment she was forced to live in has resulted in her lack of self-importance, love and worth and her inability to identify herself as a human being rather than an object. Celie was unable to defend herself because of adaption to her environment; she had learned to survive by not fighting, but by succumbing to the needs being demanded to avoid any type of punishment, physically or mentally. Celie was so trapped in her own suffering, she didn’t even realize the falseness of her survival techniques. Not until she met Sofia and Shug, two very strong female characters of The Color Purple, that lead her to the journey of healing and self-discovery. Without these two women, Celie would not have had any role models of virility, strength, resistance, confidence, etc. Shug and Sofia paved the new way for Celie to recreate herself as a woman. Shug especially assisted in Celie’s sexuality, body appreciation and positivity. With all the skills acquired from Sofia and Shug, Celie eventually broke the hypothetical chains, freeing herself from the…
She fought to keep Celie in school. She fought for Celie in her marriage. She fought against Mr. _____. So when Celie presumes Nettie’s death, she assumes it was because of her fighting. When Celie learns of Nettie’s fulfilling life that has come from her fighting, Celie starts to understand the importance of it. She uncouples danger with gender nonconformity. She learns how to embrace her own nonconformity. She learns to fight back. Spurred on by the knowledge that Nettie is alive and her anger at Mr. ____’s betrayal, she fights back against him leaving him for Shug and “shamelessly embrace[ing] the terms Albert intended as insults” reclaiming what society tells her she must be ashamed of (Lewis 164). “I’m pore, I’m black, I may be ugly and can’t cook, a voice say to everything listening. But I’m here,” she declares emphasizing “But I’m here” by placing it in it's own sentence (Walker 207). Her statement of presence is a decent shift from her original claim of merely being alive because of her fighting back she is no longer merely surviving but thriving (Walker 21). She over the course of the book not only learns to accept gender nonconformity but learns to embrace her own and in the end is able to save herself because of…
Throughout the story Celie is surrounded by strong independent minded women who speak up for themselves. Eventually it inspires her enough to get a voice of her own and leave Mr._______ to go live with Shug in Memphis. Celie then goes on to create a pant making business which is breaking so many stereotypes. Women aren't supposed to wear pants let alone run their own business, yet Celie does both. She found a…
In one sense, the title of the novel is ironic; the title character is neither “great” nor named Gatsby. He is a criminal whose real name is James Gatz, and the life he has created for himself is an illusion. By the same token, the title of the novel refers to the theatrical skill with which Gatsby makes this illusion seem real: the moniker “the Great Gatsby” suggests the sort of vaudeville billing that would have been given to an acrobat, an escape artist, or a magician.…
The novel centers upon the growth and development of a girl named Celie. She was raped at 14 by her own father and then forced into a marriage with a nefarious apathetic older man. Over time Celie learns to be soft spoken and submissive. The person she cares most about, her sister Nettie, is kicked out of her own home and thrown out of Celie’s home by her husband, because he had started to amass feelings for her but was shut down by her immediately. Sadly, Mr.had married Celie so that she could be a caregiver for his children and work for him even though she was very young. Since he is already in love with Shug Avery. He wanted Celie to believe that her sister was the only person that would ever love her thus giving him motivation to drive her away.…
Celie is inspired by her sister’s independence, determination and perseverance in Africa among foreign people whom Nettie cares about deeply. Celie saw the impact that a woman could have on others and felt empowered to overcome the abuse she experiences. Nettie is someone that Celie tries to shelter from the physical and sexual abuse of their father. It is also Nettie who Celie looks to for education when her father pulls her out of school and for support when she moves in with Mr. where she was abused by him and his children. When Nettie runs away, Mr. hides the letters sent to Celie thereby cutting off the sister’s communication, which left them heartbroken. “I sit here in this big empty house by myself trying to sew, but what good is sewing gon do? What good is anything? Being seem like a awful strain.” (Walker 262). Upon discovering Nettie’s letters, Celie finds a new desire to live because her sister was alive. Nettie also serves as Celie’s only link to her children. Nettie gives Celie pride in her children who were intelligent and prosperous in Africa, which gives Celie newfound confidence. All her life, Nettie was the one who always supported and loved Celie but when Celie wasn’t receiving her letters, she looked to Sophia for inspiration.…
In the novel The Color Purple, Alice Walker creates an ambiance of hardship, self-discovery, and love through the descriptive journal entries of a young girl growing into a woman. This story is narrated by Celie, a character unsure about who she truly is and who to trust to help her find her way. Her actions, at first, seem feeble in an attempt to understand her own circumstances, but as the story progresses she begins to say and do things that are unlike her. You begin to question the exact nature of Celie, in which she is labeled as morally ambiguous. The life and people that she is forced to endure are the main sources of her being this way at all. However, her moral ambiguity is the basis for the written word of this…
The Color Purple by Alice Walker is the story of two sisters, Cellie and Nettie. In the beginning, Celie is a fourteen year old African girl who has/is being abused, and who writes letters to God. Thirty years later, at the end of the book , she fought through a male controlled and prejudice society. In the first letter Cellie wrote to God, we learned that she was raped by her father and he made sure that she wouldnt tell anyone except for God. She got pregnant twice and was forced, by her father to give them up both for adoption. After Cellie's mother dies , Alfonso (Her father) forces her to marry a man she doesn't even know. But being married to him is really terrible for Cellie, she must take care of his kids, do anything and everything Mr.Albert_____ tells her to do, and must have unenjoyable intimate nights as well as taking unnecessary beating for him. Things get better for a short period of time while her sister, Nettie comes to stay with them. But, Albert had wanted to marry Nettie in the first place so he refused to let her stay unless she "rewarded" him. When Nettie leaves, he goes after her and tries to rape her, but she escapes and looks for the Reverend who is raising Cellie's children. The Reverend and his wife are both missionaries who will be going to Africa so they offer Nettie to go with them. Once they arrive in Afica Nettie starts writing letters to Cellie but worries that she won't get them because Albert promised her that she would never hear from Cellie ever again.…
Firstly, we understand that Shug’s arrival excites Celie a lot and she feels ecstatic that Shug is there to be taken care of. Celie uses a metaphor to explain ‘I think my heart gon fly out my mouth’ as soon as she notices Shug’s foot alone, revealing how fast her heart is beating and how much influence Shug has over Celie before we have even seen her face. Celie even wants to ‘cry’ and ‘shout’ to welcome Shug however we realise that Celie believes it is not her place to speak and she ‘don’t say nothing’, which shows that Celie has become accustomed to not voicing her opinions. This develops later when we realise that Shug is one of the main reasons for Celie’s character development and her ability to speak for herself much more.…
It’d kill your mammy.”(Walker, 1) After this warning, Celie starts writing letters addressed to God where she narrates the events that surround her. Through these letters, Celie’s intimate world is shared with the reader.…