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Notes on Modernism

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Notes on Modernism
Other nodernism terms
Expressionism
Presented a wildly distorted and symbolic world to reflect the feelings and emotions of the character or author
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Expressionism
Authors include Kafka, T.S. Eliot, Joyce, Ralph Ellison
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Imagism
Rejected sentimentality and cloudy verbiage and aimed for new clarity in short lyrical poems. They believed images carry the poem. Meaning happens in the air.
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Imagism
There were four basic rules of the movement: 1. use the common language of speech 2. use the exact word 3. images in poetry should be "hard and clear" 4. Write in free verse.
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Imagism
Authors include Ezra Pound, Amy Lowell, William Carlos Williams, Hilda Doolittle
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Imagism
Ran from about 1912-1917
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Imagism
They were influenced by Japanese haiku, a form of short lyric verse that arose in the 16th century. The goal of a haiku was to capture a single impression of a natural object or scene within a particular season in 17 syllables in three unrhymed lines of five, seven, and five syllables.
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Imagism
Poems include "A Lover" (1917), "Autumn" (1919), and "Opal" (1919), all by Amy Lowell
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Magic Realism
Fabulous and fantastical events are included in a narrative that otherwise maintains objective realism
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Magic Realism
Authors include Jorge Luis Borges Borges and Zora Neale Hurston (More specifically the scene with talking vultures in "Their Eyes were Watching God)
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Minimalism
Extreme restriction of a work's contents to a bare minimum of necessary elements
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Minimalism
Authors include Samuel Beckett, Ernest Hemingway, and the imagists
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Modernism
A general term applied retrospectively to the wide range of experimental and avant-garde trends in the literature and other arts of the late 19th and early 20th centuries, mainly in Europe and North America. The movement's literature is characterized chiefly by a rejection of 19th-century traditions and of their consensus between author and reader: conventions of realism

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