An important feature of cognitive stylistics has been its interest in the way we transfer mental constructs, and especially in the way we chart one mental representation onto another when we read texts. Cognitive linguists have consistently drawn attention to this system of conceptual transfer in both literary and in everyday discourse, and have identified important figures of speech, through which this conceptual transfer is carried out.…
Stylistics is an excellent method of text analysis that helps us support our own interpretations of a text. At the same time, it helps us understand why the words we read generate certain feelings and explains parts of text that otherwise we might not understand properly.…
Modernism is marked by experimentation, particularly manipulation of form, and a strong and intentional break with tradition. Modernist literature has a tendency to lack traditional chronological narrative, break narrative frames or move from one level of narrative to another without any warning through the words of a number of different characters. It was also self-reflexive about the act of writing and the nature of literature (meta-narrative). The prevailing “stream of consciousness” writing technique, which focuses on a character’s consciousness and subconscious, became notably recurring in novels. Furthermore, unlike the literature of 19th century, there is a breaking down of the traditional beginning-middle-end linear narrative in the Modernist novel, leaving an impression of enigma and open-endedness to the work. In poetry, rhyme and traditional form were frequently overthrown, and fragmentation, deliberate obscurity and the juxtaposition of images from seemingly unrelated ages and cultures were often featured.…
In stylistics meaning assumes prime importance. Because meaning is applied not only to words, word-combinations, sentences but also to the manner of expression.…
Alliteration- the occurrence of the same letter or sound at the beginning of adjacent or closely connected words.…
The metaphor is a literary figure that consists on saying something that is not literally true, but communicates something that is true. There are different varieties of metaphor and ways to convey meanings. A metaphor can be considered as carrying over or as transference, also metaphors…
Metaphor is a rhetorical figures that the reader or listener tries to understand through choosing the terms. Thus, the selection of the words helps to appreciate a good figure that needs a colorful consideration. Also, metaphor is a comparison that is implicit between two different phenomena by using the vocabularies figurative. I. A. Richards says that a metaphor has two parts, namely, tenor and vehicle. Tenor is the complete sense while the vehicle is the tool when he give us his view as : “…..the vehicle is not normally a mere embellishment of a tenor which is otherwise unchanged by it, but ….vehicle and tenor in the cooperation give a meaning of a more varied power than can be ascribed to either.”…
According to I.A.Richard,metaphor functions as a double unit and is consisted of two parts,namely,’tenor’ and ‘vehicle’.’Tenor’ refers to the principle subject,and ‘vehicle’ means figurative term.In literature,metaphor is the odd juxtaposition of of words(symbols) that either suggests or expresses a new or relatively new meaning.Metaphors can be used either to convey a meaning in the context of a story or poem,or when used as root metaphors they can form the underlying image or assumption of the entire work.(Earl R. MacCormac,1972) In many literature…
Whenever you describe something by comparing it with something else, you are using figurative language. Figurative language is the use of language to describe something by comparing it to something else. It serves many linguistic purposes. It allows people to express abstract thoughts. It creates tone and communicates emotional content. The ability to use figurative language in writing can make a poem or story more enjoyable for the reader. Figurative language is taking words beyond their literal meaning and can come in many different forms, all to create a vivid picture of the written word. There are many ways to incorporate figurative language into writing, some of which come as naturally as speaking. A Simile uses the words “like” or “as” to compare one object or idea with another to suggest they are alike, such as “busy as a bee”. In Hart Crane’s, “My Grandmother’s Love Letters” he uses the simile ““liable to melt as snow” to describe the fragility of the letters that have been hidden away in the rafters. This use of figurative language helps the reader to visualize paper that may not be able to withstand someone touching it, but could also be used to convey the fact that not only is the paper old and fragile, but so is his grandmother. In writing, a simile would say you are “like something” whereas a metaphor would say “you are something”. A metaphor states a fact or draws a verbal picture by the use of comparison without using the words “like” or “as”. In “The Road Not Taken”, Robert Frost uses a walk in the woods as a metaphor for making a decision in life, a situation that readers can easily identify with, therefore making it easier to imagine what they are reading. An implied metaphor is a metaphor that compares two things without being obvious. “There are no stars tonight, But those of memory” from Hart Crane’s, “My Grandmother’s Love Letters” is a good example of an implied metaphor.…
Rhetorical devices and literary techniques are closely related to tone and style. In fact, an author’s style partly consists of selecting and using certain devices; an author’s tone is partially determined by the type of techniques an author uses.…
1. Is derived from Latin’s “Latira”. It means “letters of alphabet”. It is a stylistic device in which a number of words, having the same first consonant sound, occur close together in a series.…
To convey the main idea of article the author brings into play an abundance of expressive stylistic means and means of speech characterization.…
In this classification, word painting represents only an option of one of the eight primary surface effects (rhythmic, phonetic, formal, rhetorical, dramatic, lyrical, symbolic, pictorial). These effects rarely occur in isolation, but interact in complex and often changing relationships necessarily suppressed in the diagram. Although that regularly branching array may seem peculiarly persuasive, it does not map some inevitable fact of nature but merely one way of looking at a set of flexible compositional practices. The systematic character of the…
The perfection of beauty in the Renaissance Period is on its height. Yet, some people had the passion to go for more. Through the power of imaginative minds, people try explore something new, things that are out of the ideal concept that the society tries to live in for so many years --- something unbalanced, artificial and not ideal but then intellectual, expressive, strong and elegant.…
Oscar Wilde’s The Nightingale and the Rose, similar to other Oscar Wilde’s short stories, is written in an aesthetic voice. Throughout the story, Oscar Wilde employs various stylistic devices for the expression of aesthetic concept. In order to show how Oscar Wilde engross readers in this incredible story through stylistics analysis, this paper firstly presents an overview of stylistics based on the textbook English Stylistics by Xu Youzhi and gives a brief introduction of Oscar Wilde and some knowledge on The Nightingale and the Rose. Then, with the basis of stylistic theory, a comprehensive stylistic analysis of the story in phonetic, lexical, syntactic, semantic and contextual aspects will be carried out. Finally, this thesis will try to summarize the stylistic features, which help Oscar Wilde create a story that successfully absorbs and shocks whoever reads it.…