“Lysander: The course of true love never did run smooth;But either it was different in blood...Or else misgraffed in respect of years--Hermia: O spite! too old to be engage'd to young.”…
This begs the question, how does personification help readers relate to and better interpret…
The art of seduction has been accomplished in numerous ways throughout history and has always remained dependent on the assumed appeal of the person being seduced. In Shakespeare's “Sonnet 130”, the genre of Carpe Diem was exemplified with a largely satirical approach. In doing so, the speaker tried to appeal to his mistress by appealing to ethos with Aristotle's first version of ethos, appeal of your own good character, more specifically, will-power or arete, as well as Aristotle's second version of ethos, appealing to the character of one's audience.…
The free verse technique, personification, enhances the images portrayed in “Spring” by creating deeper meanings. Millay asks “To what purpose, April, do you return again?”(1) By referring to Spring as “April,”(1) one see’s Millay has given this season a specific name. The action of naming the season “April”(1) is an example of personification, giving an inanimate thing a woman’s name. Looking at the season from this sense, one can infer that Millay portrays Spring within the poem as an unsatisfying lover. This becomes evident when Millay states “beauty is not enough,”(2) as a reason for the seasons return. From a personified standpoint, one can interpret this as a lover’s inability to sustain a relationship with beauty alone. The element of personification is seen again when Millay professes “You can no longer quiet me.”(3) When Millay states this she provides Spring with the ability of a person to talk over another, silencing them.…
In William Shakespeare’s poem, he explains how things are better looking than her, how bad her breath smells, and how she treads when she walks. For example, he says coral is redder than her lips. Also he says, “In some perfumes is there more delight / than in the breath that from my mistress reeks.” He is saying that perfume smells better than her breath, which reeks. This poem puts down his lover and belittles her. What this does is makes her look horrid and shows that William has a different kind of lover towards her.…
A sonnet is one of the oldest forms of poetry, a classic. It follows a set of rules: fourteen lines, iambic pentameter, and end-rhyme scheme, that make a poem a sonnet which the poem “America” decides not follow strictly. Even though the poem does follow most of the rules of…
Shakespeare, widely acclaim for his talented poetry and plays, left behind more than a hundred of sonnets for all to enjoy. His sonnets are famous for the love and romance. One of the most well known of which is Sonnet 18. Sonnet 18 is a part of a collection called the Fair Youth. The collection of sonnets, composed of sonnets 1 to 126 is dedicated to a Mr. W. H., whose identity is highly debated.…
“Sonnet 18” by William Shakespeare and “Sonnet 30” by Edna St. Vincent Millay have similarities and a variety differences which make them very intriguing and appealing to the reader. First, the rhyme scheme of “Sonnet 18” and “Sonnet 30” are alike since their pattern is ABAB CDCD EFEF GG, as demonstrated in “day, temperate, May, date” in “Sonnet 18”; and “drink, rain, sink, again” in “Sonnet 30”. Due to this pattern, “Sonnet 18” and “Sonnet 30” are denominated as English Sonnets. On the other hand, the units of meaning for both sonnets are found in absolutely different places. In “Sonnet 18”, each quatrain and couplet…
This poem rejects all theories that romantic poetry must relate a woman’s beauty to natural allure. Shakespeare compares what is commonly considered appealing breasts with his lover’s by saying she does not bear them. He says he knows what white a red roses look like together and that is not what her complexion holds. This is quite interesting because in romantic poetry there are main things that tend to be covered. Such things are nature, music, allusion, and weather. Shakespeare takes these classical items and destroys them in their natural…
On the other hand, if we go deep in the second part of the poem we can see a change on the poet´s mind. Her religious thoughts “develop”, in some way, coming back to her traditional ones. However, in this second stanza she plays with the metaphor of time, she makes a relation between the pass of time and the death, the end. In some way she tries to say that everything that starts have to end sooner or later. The first part of the second stanza refers continuously to the pass of time related with the nature, as we can see in the first verses where she does a metaphor with trees, plums, apples, corn and grass. With this, she want to describe the cycle in the nature, where the death come when there is not more time to life, when the lifetime expire. With that imagery of nature I think that the speaker show some kind of…
The first quatrain also presents several symbolic images. Line 1 almost seems paradoxical, something Shakespeare used very often his is poems and plays. The paradox can been see as if Shakespeare were saying that his love is so strong for the young man that he would not be able to have the young man if given the opportunity. The third and fourth lines revert to a legal impression, where Shakespeare uses the words "charter" and "bonds."…
In the third quatrain, the speaker proclaims that the young man is greater than nature, because his beauty wouldn’t change like summer does. "Ow'st," in line ten, stands for: you have or you possess, meaning that the young man owns his beauty to nature. The speaker displays beauty as if it is a possession and is eternal, instead of something that has been given to the young man as a present of Nature that will ultimately vanish.…
The speaker begins the poem with the title emphasizing in the reader 's rational mind of what is worthless to the speaker. "Nor marble, nor the gilded monuments/ Of princes, shall outlive this powerful rhyme;." This is the moment the reader learns of the importance of poetry to the speaker. The image that materializes in the reader 's mind is that a poem will transcend time and will leave behind the material things of this life. Shakespeare continues, "But you shall shine more bright in these contents/ Than unswept stone, besmeared with sluttish time." The reader becomes aware that the speaker is talking to his beloved. He tells her that stone can be altered by the immoralities of time but that she will radiate forever through the use of his words.…
In the equation of life, Time has always been an independent variable. Time cannot be slowed, lengthened, nor controlled in any manner. However, Time has control over all things. Time leaves its mark everywhere; whether it is in nature with the seasons changing or the aging of an animal. How one accepts its results is one’s own choice. In William Shakespeare’s “Sonnet 19” Time is shown deteriorating the strongest beings in nature indicating how powerful a force it can be; however, the speaker forbids Time to touch his lover which proves even though Time does not obey his love cannot be conquered by the effects of Time.…
In the first quatrain Spenser starts by saying that men call the women beautiful and she herself knows it is true also. Then he states that he believes the truly beautiful are the ones with "gentle wit" and "virtuous mind." In the next quatrain he talks about the ones with only external beauty that will eventually fade. Because flesh is corruptible and cannot avoid the effects of age the outwardly beautiful will eventually "turn to naught and lose that glorious hue." Also there is a consonance of "t" sounds in "shall turn to naught" which contributes in creating a harsher sound. It gives an impression of a sort of "tsking" sound that makes Spenser sound like he was disapproving or pitying the women with only external beauty. In the third quatrain Spenser further explains what true beauty is and the reason the woman is truly beautiful. According to Spenser the woman possesses true beauty because God has created her and thus she is "divine and born of heavenly seed." The "v" sounds are apparent in "divine" and "heavenly" and links the words together. Also words such as divine, heavenly, perfect, and references to God gives the impression that the woman is some kind of being higher than a mere mortal, making her seem angelic.…