Preview

Similarities Between Wang Jian And Rembrandt Van Rijn

Powerful Essays
Open Document
Open Document
1731 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Similarities Between Wang Jian And Rembrandt Van Rijn
Wang Jian and Rembrandt van Rijn
Ink strokes on landscapes between the Eastern and Western Worlds
Outline

Thesis Statement
As one of China’s most well-known artists, Wang Jian (born in Taicang in the Jiangsu province 1598-1677) established a unique style of East Asian artwork compared to that of Rembrandt van Rijn showing a different use of strokes from the Western World. The artistic styles of the East Asian cultures can be distinguished by the brush strokes and influences Shan Shui (“mountain- water”) paintings, such as in White Clouds over Xiao and Xiang by Wang Jian in 1668, compared to Cottage among Trees (1650) by Rembrandt van Rijn which has completely different pen and ink strokes that are seen in the Western world.

I. Introduction
a. Art can be date back to the cavemen until today where we continue to develop new methods and utensils to create artwork.
b. Most simplest utensil is the pen and pencil altered to convey detail, dimension, etc by different brush strokes.
c. Wang Jian and Rembrandt van Rijn use ink strokes in order to convey landscape paintings.
d. Thesis statement: see above
II. Wang Jian
a. Influence of Shan Shui compared to Western World,
…show more content…
The Orthodox- School demonstrated a “dry” brush stroke in which the ink was dry and concentrated. This allowed a textured appearance to give the artwork some type of dimension without using other supplies compared to the “wet” brush strokes which requires the use of liquid to saturate and graduate the ink. This effect also gave the artwork more detail. Instead of a broad drawing showing a bunch of leaves, for example, the audience would able to view artworks, like “White Clouds over Xiao and Xiang” and be able to picture the types of tree through the mountains as if they were walking through a trail in the

You May Also Find These Documents Helpful

  • Powerful Essays

    The Artist, Ah Xian

    • 2364 Words
    • 10 Pages

    he collaborated with a number of bemused but accomplished local artisans. Using their technical skills he created casts of family and friends using traditional Chinese methods.…

    • 2364 Words
    • 10 Pages
    Powerful Essays
  • Good Essays

    The style of this painting is abstract with simplified and exaggerated aspects. The water and sailboats have all been simplified. The boats that are closer to the front of the painting have been exaggerated more than the others in the distance. There are many horizontal lines within the painting created with the hard, exaggerated brush strokes in the water.…

    • 782 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The two main watercolor techniques used in the painting are glazing and wet into wet. Glazing is an essential part of this landscape to show deep pictorial space, specifically with the palm trees. The effect glazing and wet into wet have together plays a strong role of setting the atmosphere in this painting. Wet into wet then glazing go hand in hand by using the light washes as a good background for glazing to begin.…

    • 381 Words
    • 2 Pages
    Good Essays
  • Good Essays

    For instance, the Mountain Path at Utsu takes on a less realistic depiction of objects on the screen. Instead, all of the forms displaying nature are softened and rounded with no clear outline in a more decorative manner. Color takes the precedence in this screen over contour lines. Roshu ultilized a technique called tarashikomi, which ink is applied to an already wet surface. One can see this applied with the two-toned pink flowers on the mountains, and along the hilly mountains, as paint seems to drip down. This technique creates a smudge-like area on the screen, which is similar to using ink washes to tone down an area in a painting. Tiaga, however, follows the literati tradition, which focuses on brush strokes. For instance, Tiaga is often described as emphasizing " brush-dotted textures, and a rolling, rollicking rhythm runs through nearly all of his pictures, implying an extroverted good humor." One can see these dotted textures in the foliage along the mountains and the leaves in the trees. Unlike more traditional literati painting that would have been in monochrome, Tiaga introduces "occasional dots of darker and wetter ink, and small areas touched with ruby red and emerald green colors, enliven this otherwise dry, airy landscape." These harsh lines demonstrate the autumn season to serve a decorative…

    • 1824 Words
    • 8 Pages
    Good Essays
  • Good Essays

    This painting is from the Ming Dynasty, and very clearly depicts and captures the essence of The Southern School, or Literati painters.…

    • 1032 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    Fan Kuan had demonstrated this through the usage of clear outlines of the subjects to reinforce their dimensionality, rendering them to be more alive in the painting. With contrasting ink tones in the painting, this contributes to creating an illusion of space, on top of generating the mood and atmosphere of the scenery. As much as the painter is being inspired by his religion, this landscape painting has been successful in making the viewers feel as if they are inside the picture. It is no wonder that such masterpiece is recognized as one of the model landscape paintings in the Chinese art history with Fan Kuan’s intricate artistic…

    • 898 Words
    • 4 Pages
    Powerful Essays
  • Satisfactory Essays

    Understanding these amazing art forms can be comprehended by first taking a look on how all forms of art was greatly influenced by Early Chinese Civilization. There are many connections between culture, religion, and spiritual beliefs. Buddhism, Taoism, and Confucianism were religions that greatly affected Chinese artist. These religions and philosophies represented social responsibility, responsibility towards nature, practical and mystical relations, along with healthy life balance. (Benton & DiYanni, 2008) In addition to religion the admiration of nature played a very special part in art whether it is sculptures, calligraphy scrolls, or architecture. The wide array of art forms can be traced back to the Chinese culture. In the first preview you will notice a bronze horse; this artwork was created during the Han Dynasty. A horse for many was means of transportation however the Chinese valued the horse, especially due to their location. The breed of horses that were available to the Chinese were considered “flying horses” due to their speed. Many emperors along with citizens valued animals and nature because of their spiritual beliefs. Chinese men also valued the horse understanding that in time or war…

    • 534 Words
    • 3 Pages
    Satisfactory Essays
  • Satisfactory Essays

    Samantha Woods

    • 669 Words
    • 3 Pages

    This chapter introduces the student to China, the only continuing civilization that has its origins in the ancient world. This early period of China laid the foundation for many of the tenets followed by later generations of Chinese. The written language developed early and remained fairly static in its evolution. The development of the religious and philosophical systems of Daoism and Confucianism occurred very early in Chinese history and impacted not only China, but also other areas of Asia. China served as a conduit for the dissemination Buddhism throughout West Asia. Art forms and visual aesthetics developed during this early period as well. When answering the following questions consider three art historical thematic trends:…

    • 669 Words
    • 3 Pages
    Satisfactory Essays
  • Powerful Essays

    Wu Lun Biography

    • 1273 Words
    • 6 Pages

    Wen Zhengming (1470-1559), as both Wang Ao and Shen Zhou’s student, at the same time one of the most achieved artists, also developed a friendship with Wu Lun, even though Wen was thirty years younger. Among Wen’s…

    • 1273 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    Coupled with directional lines, de Goya’s brushwork further emphasizes the narrative in…

    • 827 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    Dallas Art Museum

    • 1133 Words
    • 5 Pages

    Kleiner, Fred S., Mamiya, Christin J. Gardner 's Art Through the Ages: Non-Western Perspectives. Boston, Ma: Cengage Learning, 2009.…

    • 1133 Words
    • 5 Pages
    Powerful Essays
  • Satisfactory Essays

    a. I love Art it can be intense, sad, happy, and all together expressive. Crayons have been a part of everyone’s child hood.…

    • 416 Words
    • 2 Pages
    Satisfactory Essays
  • Satisfactory Essays

    Jian's "White Clouds Over Xiao and Xiang" is considered to be abstract art. Its abstract art because it refers to the real world, in this case, a landscape of China's hills, but does not duplicate it exactly. The location of the viewer in the picture gives them a bird's eye view of the landscape. The viewer is not restricted to one part of the scene, but rather can move about the setting. They can choose to explore the scenery by moving their eyes across the various paths or climb the mountain simply by looking at the work of art. The style of painting the author uses shows an accurate depiction of a landscape but it is considered abstract because the viewer can still tell that the painting is not an exact replication of the actual scene. The brushstrokes in Wang Jian's artwork and the texture of the actual painting exemplify the abstractness of his painting. The objects in the painting such as the mountains, the trees, the little village in the center, and the river have all been simplified in regards to the way they actually look in real life.…

    • 460 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    The style of the Japanese paintings that were produced by woodblock prints that was most popular between the seventeenth and twentieth centuries was called Ukiyo-e, a.k.a, (floating world). Ukiyo-e wasn’t the only style but it was the most prevalent of them all. Because of the popularity of these prints… they were sold in the small town shops and on the streets going at the minimum of the price of a bowl of noodles. These prints were bought by the elite and collected in albums or glued to their walls. The only participation the Ukiyo-e artist had in the production of their prints was painting them and selling the prints to publishers who reproduced them.…

    • 367 Words
    • 2 Pages
    Good Essays
  • Good Essays

    In many cultures, the artwork within does not vary much during the same time period. In the Chinese culture, there are two types of paintings; the Chinese court paintings and the Chinese literati paintings. While these two types of paintings have some similarities they also have many differences. Two paintings that are very diverse but were done during the same time period are Shen Zhou's, Poet on a Mountaintop and Yin Hong's, Hundreds of Birds Admire the Peacocks. These two paintings contrast in visual appearances, meaning, and how they were produced.…

    • 654 Words
    • 3 Pages
    Good Essays