Similarities Between The Scream And The Last Scream
Throughout history, art has evolved and taken many different forms and styles. Every artist places his own twist and emphasis on technique on their own work. Leonardo di Vinci painted The Last Supper on the end wall of the Santa Maria delle Grazie monastery in 1495-1498. During this time period, oil painting was very popular. Edvard Munch painted The Scream on a canvas in 1893. Munch mixed oil paint with tempera to create his own unique style of presentation. Even though the artists used a similar painting mixture, The Last Supper and The Scream has distinctive differences and similarities.
Both Leonardo di Vinci and Edvard Munch use directional line in a similar way. In comparison, both paintings use directional line to draw the viewer deeper into the painting. In The Last Supper, the directional lines along the roof draw the viewers into the room created on the wall of the monastery. In The Scream, the directional lines give the viewer a sense of background in the canvas. In both …show more content…
Relative size is when a person perceives an object to be further away when it appears smaller. Munch creates the two people, standing on the walk way, shorter and thinner to help create the relative size illusion. Because Munch paints the two images shorter and thinner in stature, the observer believes that they are placed further down the walkway; thus, Munch is able to create a three-dimensional illusion.
Both Leonardo di Vinci and Edvard Munch painting have unity. However, the way the paintings show unity is different. The Last Supper shows a dynamic unity, where the painting tells part of a story. One can see that Christ’s disciples are reacting to the news of one of Jesus’s announcements as the Passover. Di Vinci uses a range of clothing and hairstyles to help the story flow. Bodies are painted so that they are stretched, twisted, elongated, and overlapped giving the observer a sense of movement to the
Both Leonardo di Vinci and Edvard Munch use directional line in a similar way. In comparison, both paintings use directional line to draw the viewer deeper into the painting. In The Last Supper, the directional lines along the roof draw the viewers into the room created on the wall of the monastery. In The Scream, the directional lines give the viewer a sense of background in the canvas. In both …show more content…
Relative size is when a person perceives an object to be further away when it appears smaller. Munch creates the two people, standing on the walk way, shorter and thinner to help create the relative size illusion. Because Munch paints the two images shorter and thinner in stature, the observer believes that they are placed further down the walkway; thus, Munch is able to create a three-dimensional illusion.
Both Leonardo di Vinci and Edvard Munch painting have unity. However, the way the paintings show unity is different. The Last Supper shows a dynamic unity, where the painting tells part of a story. One can see that Christ’s disciples are reacting to the news of one of Jesus’s announcements as the Passover. Di Vinci uses a range of clothing and hairstyles to help the story flow. Bodies are painted so that they are stretched, twisted, elongated, and overlapped giving the observer a sense of movement to the