Shawn Lovato Analysis
American bassist Shawn Lovato puts all his musical influences to work on his debut album, Cycles of Animation, a poised collection of eight modern compositions mounted with the precious help of a quintet that features Loren Stillman on alto sax, Brad Shepik on electric guitar, Santiago Leibson on piano, and Chris Carroll on drums.
The burning counterpoint on “Loose Noodle” is absolutely stunning, provoking a hair-raising sensation as if an electric current would have been running in our veins. The rhythm, unwavering and strong in spirit, is disseminated by Lovato and Carroll, while Shepik focuses on the narration of an enigmatic episode, meticulously described with realistic expression. The rhythmic regularity of Leibson’s comping soon winds down, becoming loose when Stillman starts improvising. It reappears later, steady and nearly ritualistic, to finish the tune and favoring a few impulsive trills packed by the saxophonist. …show more content…
The title that lends its name to the album, Animated Cycle, is divided into three parts, all of them shaped with a piano-bass-drums configuration. The first part is introspective and sorrowful, the second one creates an intriguing setting that balances the lyrical and the percussive sides, and the third sounds ample and vague, slowly catching sight of an air bubble to breathe.
On the shape-shifting neo-bop adventure “Brain Drain”, Lovato’s bass is set free but ends up swinging aplomb, inviting Leibson to the party. The pianist takes consecutive rhythmic figures with him, but minutes later, offers his place to Shepik, who clears up with consummate rhythmic coordination. To finish, Stillman steps in and flies high, having a pushy, pulsating funk groove supporting his
The burning counterpoint on “Loose Noodle” is absolutely stunning, provoking a hair-raising sensation as if an electric current would have been running in our veins. The rhythm, unwavering and strong in spirit, is disseminated by Lovato and Carroll, while Shepik focuses on the narration of an enigmatic episode, meticulously described with realistic expression. The rhythmic regularity of Leibson’s comping soon winds down, becoming loose when Stillman starts improvising. It reappears later, steady and nearly ritualistic, to finish the tune and favoring a few impulsive trills packed by the saxophonist. …show more content…
The title that lends its name to the album, Animated Cycle, is divided into three parts, all of them shaped with a piano-bass-drums configuration. The first part is introspective and sorrowful, the second one creates an intriguing setting that balances the lyrical and the percussive sides, and the third sounds ample and vague, slowly catching sight of an air bubble to breathe.
On the shape-shifting neo-bop adventure “Brain Drain”, Lovato’s bass is set free but ends up swinging aplomb, inviting Leibson to the party. The pianist takes consecutive rhythmic figures with him, but minutes later, offers his place to Shepik, who clears up with consummate rhythmic coordination. To finish, Stillman steps in and flies high, having a pushy, pulsating funk groove supporting his