Throughout Crime and Punishment, Raskolnikov's guilt got the worst of him. After the murder, he was called to the police where he overheard conversations about the murder which caused him to faint. When he recovered, he blamed fainting on the paint and hurried home because his guilt made him think "there will be a search at once." (pg 109) Rodya fell ill which was because he had to face a great deal of tormenting guilt. The amount of guilt he had in his heart sparked the meaning of the novel which was a form of punishment for his crime.…
When forced to live under such conditions where there is no sight of normality, one such as Raskolnikov may begin to believe that because they are different from most of the society, they are allowed to disobey the law by means of reaching their needs and wants.…
In the novel Crime and Punishment, Rasconikov is the main character who is a relatively poor ex-student in Saint Petersburg facing mental issues and struggling with the battle between his pride and conscious. Rasconikov often acts one way one minute, and another the next which makes it very difficult to distinguish Rsconikov’s true and actual personality. It is said that Rasconikov is a dual character, one being a very isolated, detached, sneaky, and disconnected, the other being very kind, giving, considerate, and sincere.…
Written by the same author, Fyodor Dostoevsky, the two main characters from “Crime and Punishment” and “Notes from Underground” displays similar qualities. Both characters are corrupted in their ways thinking, which indicates their nihilistic behavior. Although these two characters can be considered nihilists, their behaviors can be classified as ethical, or moral, nihilism. These two characters also relates to one another in terms of inconsistency, individualism and self-justification. Despite of the excerpt from “Notes from Underground”, David Denby’s article, “Can Dostoevsky Still Kick You in the Gut?”, provides a more detailed analysis of the book. Raskolnikov, from “Crime and Punishment”, and the underground man, from “Notes from Underground”,…
To begin, St. Petersburg serves as a symbol of the corrupt state of society and its influence on Raskolnikov’s actions. For instance, in the first pages of Crime and Punishment, Raskolnikov describes the atmosphere of St. Petersburg as “terribly hot [...] with an intolerable stench from the taverns, especially numerous in that part of the city, and the drunkards kept running into even though it was a weekday, completed the loathsome and melancholy coloring of the picture” (Dostoevsky 4). In this case, the imagery of the dirty and disorient city of St. Petersburg is a symbol for the current state of society; imperfect, unequal, and full of corruption. The dysfunctional society of St. Petersburg clearly takes a toll on Raskolnikov, as he quickly finds himself poverty-stricken. In a corrupt society where the wealthy thrive and the poor suffer, he has no choice but to resort to crime in order to make ends meet. Similarly, Raskolnikov’s theory of the extraordinary versus the ordinary serves as a symbol of the imbalance of power in society. For instance, social inequality becomes increasingly apparent as Raskolnikov…
After his confession, Raskolnikov experienced the physical punishments for his actions; however, far more painstaking was his previous punishment as he suffered the loss of a conscience battle upon the self realization that he was after all just an "ordinary man" or that, even worse so, if he was indeed an "extraordinary" one, that his theory had been an invalid waste of time. In a subconscious effort to protect his lifelong work, he confessed, thus admitting to ordinariness, yet preserving the credibility of his…
Raskolnikov is passing by a police officer and a student when he first hears the idea of murder for the unjustified reason of giving all to the poor. The student remarks, “Kill her take her money and with the help of it devote yourself to the service of humanity and the common good…of course she doesn’t deserve to live”(130;pt I;Ch.4). The people of higher knowledge plant a seed in Raskolnikov, if they believe this is true whats stoping him to not. They are respectable higher class and they have an influence on Raskolnikov's mind and his eventual murders. He respects their position and ideal based on first impressions which convince him to eventually make his…
Dostoevsky does not let the reader understand, until later on in the novel, that Raskolnikov had been thinking and planning out this evil for long period of time. Raskolnikov believes of himself be a sort of Napoleon figure in his community and that his action of murder will set people free from the suffering of their poor lives. But the opposite occurs, Raskolnikov does not become free from his suffering, he begins to face a fast descent into a psychotic break. Dostoevsky is trying to show the readers that you cannot combat suffering with sin and evil tendencies. Raskolnikov chose the easy way out; he chose to go against God and take matters into his own hands and ultimately suffers even more in his life because of…
After Raskolnikov confesses to the murder of Alyona and Lizaveta, he is sentenced to eight-years in a prison camp in Siberia, where he is forced to perform hard labor. Despite his confession, he still has not repented for his actions and refuses to surrender his heart, body, and soul completely to God. Even now, he still believes he did not commit anything inherently wrong or sinful. At this point, nothing has really changed significantly other than his environment--simply, same old feelings, just a different place. Due to his pride, he is obsessed with the idea that he is superior and “extraordinary” (249).…
Raskolinikov is able to forgive himself easier once he has the time to reflect and serve his punishment. After committing the crime Raskolinikov eventually accepts that he must suffer the consequences, by law or by his own mental prowess; "If he has a conscience he will suffer for his mistake. That will be punishment - as well as the prison" (Dostoyevsky 230). The human brain dictates that all actions should have either a logical or emotional purpose, Raskolinikov struggles to find a good enough reason and his mind endures the penalty, until he is properly punished and serves out his sentence in Siberia with a quiet mind and a happy ending with Sonya to look forward…
Fyodor Dostoevsky’s “Crime and Punishment” often alludes to the still-blossoming ideas of moral relativism, especially concerning a conversation that acts as a precursor to Raskolnikov's crime. Within this dispute between two men in a bar, they discuss a woman, Alyona Ivanovna, and her sister Lizaveta: one states that the world would be better off without Alyona, who continuously beats her sister and “wearing out the lives of others”, and the other states that there is a natural order to the world. The man against Alyona declares, “A hundred thousand good deeds could be done and helped, on that old woman’s money….kill her, take her money… would not one tiny crime be wiped out by thousands of good deeds?” (Dostoevsky, 67). In this, we see two sides to one’s moral compass: one harvests the idea that the killing of Alyona is completely justified due to the fact that she is greedy and spiteful towards others, especially her kind, gentle sister.…
In the book “Crime and Punishment”, Dostoevsky explores the path of Raskolnikov who has faced many difficulties and obstacles throughout his life. He commits murder and is faced with the long and extremely painful journey of seeking redemption. Raskolnikov believes that by the law of nature, men have been divided into two groups of “ordinary” and “extraordinary”.…
Rodion Romanovich Raskolnikov, the protagonist in Fyodor Dostoyevsky’s novel Crime and Punishment is a penniless Russian ex-student who undergoes a psychological downfall after murdering his landlord Alyona Ivanovna and her sister. Throughout the novel Dostoyevsky utilizes specific numbers correlating with Raskolnikov’s mental state. Numerous numbers in the text have religious significance due to Dostoyevsky’s firm religious beliefs.…
Guilt is a force in all that has the ability to bring people to insanity. When guilt becomes great enough, the effects it has on people go much deeper than the surface. People's minds and body's are overpowered by the guilt that consumes them every second they live with their burden. The devastating effects of guilt are portrayed vividly in Dostoevsky's fictional but all to real novel Crime and Punishment. In the story, the main character Raskolnikov commits a murder and suffers with the guilt throughout. Eventually his own guilt destroys himself and he is forced to confess. Through Raskolnikov, Dostoevsky bestows on the reader how guilt destroys Raskolnikov's physical and mental well being, which, in time, leads to complete alienation from society.…
Fyodor Dostoevsky’s Crime and Punishment is a dramatic story about a poor man by the name of Raskolnikov and the conflicting journey he undergoes. The story is about his aims at ameliorating himself through theory and murder. However, the story is not as cut and dry as the prior statement may make it seem. In fact, this morally ambivalent story uses Raskolnikov’s subconscious struggle, the effect of love on other characters, and Raskolnikov’s redemption to exemplify Dostoevsky’s idea of man’s need for emotional stability.…