Rosalind Krauss - Photographys Discursive Spaces
Photography's Discursive Spaces: Landscape/View Rosalind Krauss Art Journal, Vol. 42, No. 4, The Crisis in the Discipline. (Winter, 1982), pp. 311-319.
Stable URL: http://links.jstor.org/sici?sici=0004-3249%28198224%2942%3A4%3C311%3APDSL%3E2.0.CO%3B2-8 Art Journal is currently published by College Art Association.
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http://www.jstor.org Sat Feb 9 21:45:30 2008
Photography's Discursive Spaces:
By Rosalind Krauss
L
et us start with two images, identically titled Tufa Domes, Pyramid Lake, Nevada. The first (Fig. I) is a (recently) celebrated photograph made by Timothy O'Sullivan in 1868 that functions with special insistence within the art historical construction of nineteenth-century landscape photography. The second (Fig. 2) is a lithographic copy of the first,
Stable URL: http://links.jstor.org/sici?sici=0004-3249%28198224%2942%3A4%3C311%3APDSL%3E2.0.CO%3B2-8 Art Journal is currently published by College Art Association.
Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/caa.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission.
The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact support@jstor.org.
http://www.jstor.org Sat Feb 9 21:45:30 2008
Photography's Discursive Spaces:
By Rosalind Krauss
L
et us start with two images, identically titled Tufa Domes, Pyramid Lake, Nevada. The first (Fig. I) is a (recently) celebrated photograph made by Timothy O'Sullivan in 1868 that functions with special insistence within the art historical construction of nineteenth-century landscape photography. The second (Fig. 2) is a lithographic copy of the first,
Citations: An Introduction to the Dating and Organization of Eugène Atget 's Photographs Barbara L. Michaels The Art Bulletin, Vol. 61, No. 3. (Sep., 1979), pp. 460-468.