Role of Music in Social Change
THE ROLE OF MUSIC
IN BRINGING ABOUT SOCIAL CHANGE
Term Paper Project
Presented in partial fulfilment
Of
The requirement for
THE MASTER OF SOCIAL WORK DEGREE
UNIVERSITY OF MUMBAI
Mrs. Vaijayanta A. Jagtap Jason Rasquinha (Guide) (Student)
College of Social Work
Nirmala Niketan
38, New Marine Lines
Mumbai-400020
MARCH 2013
Acknowledgement
I would firstly like to express my endless gratitude to my guide Prof. Vaijayanta Anand Jagtap for being an endless source of inspiration, knowledge and encouragement to put my passion for music into the paper. Secondly I would like to thank Ms. Marisa Lobo for the idea of writing this paper on my most thrilling hobby, Music. I would also like to thank Mr. Sambhaji Bhagat who shared with me the history of change music in Maharashtra as well as his experiences of being a singer and activist for the issues of Dalit emancipation. I would like to thank Sr. Anitha Chilamkuri who helped me by translating the Telugu lyrics of Gaddar. Finally I would like to thank my father, Mr. Merwyn Rasquinha for providing me with the convenience of a domestic internet connection and my sister Christabelle D’Souza for the use of her laptop.
Table of Contents
Title Page Number
List of Abbreviations 5
Introduction 6
Awakening 6
Genres in India and the West 7
Striking a Chord with the Masses 8
Countering the Dark Reflections of Music 8
Friction and Harmony 9
The Meaning of Music in the Indian Scenario 9
One with the Crowd 10
Rationale 11
Tuning into Pain 12
African-American Slavery 12
The Blues 13
Blues among the Crops 14
War Time Blues 15
Birth of the Ghetto 15
Rap and Hip-Hop 19
Swaying to Oneness 23
Counter Culture and the Vietnam War 23
The Power of Flowers 25
Woodstock 26
John
IN BRINGING ABOUT SOCIAL CHANGE
Term Paper Project
Presented in partial fulfilment
Of
The requirement for
THE MASTER OF SOCIAL WORK DEGREE
UNIVERSITY OF MUMBAI
Mrs. Vaijayanta A. Jagtap Jason Rasquinha (Guide) (Student)
College of Social Work
Nirmala Niketan
38, New Marine Lines
Mumbai-400020
MARCH 2013
Acknowledgement
I would firstly like to express my endless gratitude to my guide Prof. Vaijayanta Anand Jagtap for being an endless source of inspiration, knowledge and encouragement to put my passion for music into the paper. Secondly I would like to thank Ms. Marisa Lobo for the idea of writing this paper on my most thrilling hobby, Music. I would also like to thank Mr. Sambhaji Bhagat who shared with me the history of change music in Maharashtra as well as his experiences of being a singer and activist for the issues of Dalit emancipation. I would like to thank Sr. Anitha Chilamkuri who helped me by translating the Telugu lyrics of Gaddar. Finally I would like to thank my father, Mr. Merwyn Rasquinha for providing me with the convenience of a domestic internet connection and my sister Christabelle D’Souza for the use of her laptop.
Table of Contents
Title Page Number
List of Abbreviations 5
Introduction 6
Awakening 6
Genres in India and the West 7
Striking a Chord with the Masses 8
Countering the Dark Reflections of Music 8
Friction and Harmony 9
The Meaning of Music in the Indian Scenario 9
One with the Crowd 10
Rationale 11
Tuning into Pain 12
African-American Slavery 12
The Blues 13
Blues among the Crops 14
War Time Blues 15
Birth of the Ghetto 15
Rap and Hip-Hop 19
Swaying to Oneness 23
Counter Culture and the Vietnam War 23
The Power of Flowers 25
Woodstock 26
John
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