Role and Concept of Sleary's Circus in Hard Times
‘Hard Times’ is a Charles Dickens novel set in the social backdrop of the Victorian era during the Industrial Revolution that took place during the 1850s. The ill effects of Victorian Utilitarianism are upheld in this moralistic vision of the writer. Unlike most of his novels, ‘Hard Times’ is not based in London but in the red and black seemingly monotonous structures of Coketown. That being said, it still realistically allows the reader to observe the systems and structures of society forced to face various economic and social hardships. What preserves the novel as a social commentary is that the struggles in life and human emotions are still relevant “for these times”.
The rise in capitalist ideals brought forth an age where the factory owners took undue advantage of their semi-skilled workers and kept much of the working class oppressed. The Gradgrind system instated everyone to be part of the same monotony that represented Coketown - where fancy had no place in a world full of facts. Here, Sleary’s Circus is introduced as a contrast between the two worlds and re-establishes faith in the imagination of human beings, even for the purpose of entertainment. Thus, one is introduced to Sleary’s Circus with an equestrian connotation in mind – “Sleary’s horsemanship” – making the imagery of the horse essential. Dickens’ caricature of the people constituting the circus involves a vivid description of their physical appearance and mannerisms which can be perceived as “foreign” or beyond the laws that “bound” everyone in society. They are considered peculiar in contrast to the more “educated” lot in society – generally “dressed in a Newmarket coat and tight fitting trousers…” and “smelt of lamp oil, straw, orange peel, horses’ provender, and sawdust”. Their gait is also peculiar, one that suggests that they are almost perpetually on horseback.
There is a metaphorical relevance with the representation of a winged horse in “Pegasus’ Arms” – the public house above
The rise in capitalist ideals brought forth an age where the factory owners took undue advantage of their semi-skilled workers and kept much of the working class oppressed. The Gradgrind system instated everyone to be part of the same monotony that represented Coketown - where fancy had no place in a world full of facts. Here, Sleary’s Circus is introduced as a contrast between the two worlds and re-establishes faith in the imagination of human beings, even for the purpose of entertainment. Thus, one is introduced to Sleary’s Circus with an equestrian connotation in mind – “Sleary’s horsemanship” – making the imagery of the horse essential. Dickens’ caricature of the people constituting the circus involves a vivid description of their physical appearance and mannerisms which can be perceived as “foreign” or beyond the laws that “bound” everyone in society. They are considered peculiar in contrast to the more “educated” lot in society – generally “dressed in a Newmarket coat and tight fitting trousers…” and “smelt of lamp oil, straw, orange peel, horses’ provender, and sawdust”. Their gait is also peculiar, one that suggests that they are almost perpetually on horseback.
There is a metaphorical relevance with the representation of a winged horse in “Pegasus’ Arms” – the public house above