Relevance of the Tempest in the Modern World
The son and father of English literature, William Shakespeare wrote over forty plays in his life and through those creations has proved an always relevant, valuable author to millions of readers and scholars. It is evident through his works never-ceasing popularity and analysis of such that in their often ancient seeming context his use of core themes and language features, often hidden create links to the modern world of which we live, thus creating a footbridge of familiarity from his world to ours. Four hundred years ago, Shakespeare wrote the Tempest, a dramatic fantasy still valued for it's language and relevance today as are all Shakespearian plays. Focusing on power through dictatorial characters and greed, the Tempest is shown to be continuously valued for it's timeless characterisations and use of naturally occurring themes of human nature.
The character of Prospero demonstrates best the use of power through dictatorial characterisation in the Tempest through the power he holds over his daughter, Ariel his servant and over the storm which brings his master plan into play. From his first appearance, we understand that Prospero is in control of his daughter Miranda; 'Be collected: No more amazement: tell your piteous heart' is the first line we hear him speak, his response to his daughter whose 'piteous' thoughts for those many 'strangers' lost at sea have already confirmed that her character, through her concern and Shakespeare's use of patronising language in Prosperos treatment of her, was a stereotypical woman of the time, not necessarily stupid though ignorant enough to let her fathers plan subconsciously guide her to his thought-out life for her. The use of anastrophy by Shakespeare has also been inserted to instate the educational advantage Prospero holds over Miranda, another form of power. This ultimate power over Miranda is shown once again when Ferdinand offers to make Miranda the Queen of Naples, and Prospero tells lies about suspecting him
The character of Prospero demonstrates best the use of power through dictatorial characterisation in the Tempest through the power he holds over his daughter, Ariel his servant and over the storm which brings his master plan into play. From his first appearance, we understand that Prospero is in control of his daughter Miranda; 'Be collected: No more amazement: tell your piteous heart' is the first line we hear him speak, his response to his daughter whose 'piteous' thoughts for those many 'strangers' lost at sea have already confirmed that her character, through her concern and Shakespeare's use of patronising language in Prosperos treatment of her, was a stereotypical woman of the time, not necessarily stupid though ignorant enough to let her fathers plan subconsciously guide her to his thought-out life for her. The use of anastrophy by Shakespeare has also been inserted to instate the educational advantage Prospero holds over Miranda, another form of power. This ultimate power over Miranda is shown once again when Ferdinand offers to make Miranda the Queen of Naples, and Prospero tells lies about suspecting him