Shakespeare uses words such as “disdains,” “repair,” and “posterity” to break up the flow of the sonnet. The sonnet does not flow incredibly easily, like most of Shakespeare’s sonnets, and does not have a really lyrical sense to it. It is more of a speech than a song. The tonal change occurs at line 12, right at the rhyming couplet. The whole sonnet up until that point is basically Shakespeare telling W.H. that all his earthly beauty will be for nothing if he does not have children. At the couplet, Shakespeare offers W.H. a way out of dying along with his image: reproduce. The last line of the sonnet is very threatening. It promises W.H. that if he does not have children then all his beauty will be meaningless because it will die with him. The poem gradually gets more serious as it progresses, starting off with a gentle nudge to get W.H. to look in the mirror and convince himself that having children is the best way to preserve his beauty, and finally in the last line Shakespeare warns W.H. that he will die with his image if he does not. The diction in this sonnet chops it up to make it more speech like than songlike. Shakespeare uses alliteration in this poem with words such as “thou though” and “thine” in line 11, and words like, “face” and “form” in line 2, along with “fresh,” in line 3. Shakespeare also uses antithesis when he puts words like “fond” and “tomb” right near each other in line 7, or the words, “renewest” and…