Postmodernism
Over 30 years ago, C. Wright Mills (1959) described the post-modern period as one in which the economy would shift employment from heavy industry to non-unionized clerical, service, and new industrial sectors. He foresaw the rise of multinational corporations, trouble in the social welfare system, and decline in human freedom and choice. At that time he wondered how the human family would respond to and adjust to this new period in world history.
Post-modernism, by no means simple to define, is characterized by a "close reading" of small units rather than general theorizing about big ideas. The postmodern tends towards elaboration, eclecticism, ornamentation, and inclusiveness; it dismisses the existence of an absolute reality and is deeply suspicious of the concept of human progress (Doherty 1991). If we define the current ongoing effort to remake contemporary family life as the post-modern family, such a definition carries with it overtones from the definition of postmodern art and literature. In these fields the term post-modern signals the end of a familiar pattern of activity and emergence of new areas of endeavour whose activities are unclear and whose meanings and implications are not yet well understood. Thus, the post-modern is characterized by uncertainty, insecurity, and doubt (Stacey 1990).
Full consensus on the definition of the emerging post-modern family structure has not been reached, despite recognition of the need for better understanding of the variety of human families in the post-modern period and insight into how large-scale social patterns affect personal and domestic relationships (Hossfeld 1991).
The post-modern world is shaped by pluralism, democracy, religious freedom, consumerism, mobility, and increasing access to news and entertainment. Residents of this post-modern world are able to see that there are many beliefs, multiple realities, and an exhilarating but daunting profusion of world views - a society that has lost its
Post-modernism, by no means simple to define, is characterized by a "close reading" of small units rather than general theorizing about big ideas. The postmodern tends towards elaboration, eclecticism, ornamentation, and inclusiveness; it dismisses the existence of an absolute reality and is deeply suspicious of the concept of human progress (Doherty 1991). If we define the current ongoing effort to remake contemporary family life as the post-modern family, such a definition carries with it overtones from the definition of postmodern art and literature. In these fields the term post-modern signals the end of a familiar pattern of activity and emergence of new areas of endeavour whose activities are unclear and whose meanings and implications are not yet well understood. Thus, the post-modern is characterized by uncertainty, insecurity, and doubt (Stacey 1990).
Full consensus on the definition of the emerging post-modern family structure has not been reached, despite recognition of the need for better understanding of the variety of human families in the post-modern period and insight into how large-scale social patterns affect personal and domestic relationships (Hossfeld 1991).
The post-modern world is shaped by pluralism, democracy, religious freedom, consumerism, mobility, and increasing access to news and entertainment. Residents of this post-modern world are able to see that there are many beliefs, multiple realities, and an exhilarating but daunting profusion of world views - a society that has lost its
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