Portrait Of Paul Missal Analysis
The aroma of fresh-cut grass and bark dust disperse down the streets surrounding the local park. Teenagers run on the large open field, playing football, soccer, and every sport in between. There is a playground nearby that has with the classic swings, slides, see-saws, and a jungle gym where children play. In the distance, in a house across the street, lives a sick boy who dreams of spending countless hours at the park. The boy, Paul Missal, wishes he could join the fun, but instead must find entertainment in his house because of an unknown sickness. One day, Paul’s mother decided to teach him how to draw. He first started with a fir tree. Missal's young face glowed with excitement, shouting, "Oh my gosh, I can draw this, this is incredible!" From that day on, he struggled to put the pencil down, only doing so when he discovered the paint brush. His artistic passion grew when he attended art school and became one of Oregon’s great
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In an Oregon Public Broadcasting (OPB) segment, the reporter talked with Paul Missal about his life story, including the process of the Hallie Ford painting. In the first sketch of the portrait, Mrs. Ford wore a bright blue floral jacket and rests her hands on a wooden chair. His sketches eventually evolved into a more formal approach, as Missal alters the chair to an elegant cushion chair, maintaining the same hand placement as in his initial sketch. He then decided to modify her jacket to pink and removed the chair. Instead, her hands clasp a pen. As his ideas evolved, he eventually produced Hallie Ford’s hand sprawled on a desk, and in her other hand, she holds a book. This piece of artwork not only brings life to the building it was named after, but it shows his revolution of style compared to when he completed the portrait of Oregon governor Robert Straub
In an Oregon Public Broadcasting (OPB) segment, the reporter talked with Paul Missal about his life story, including the process of the Hallie Ford painting. In the first sketch of the portrait, Mrs. Ford wore a bright blue floral jacket and rests her hands on a wooden chair. His sketches eventually evolved into a more formal approach, as Missal alters the chair to an elegant cushion chair, maintaining the same hand placement as in his initial sketch. He then decided to modify her jacket to pink and removed the chair. Instead, her hands clasp a pen. As his ideas evolved, he eventually produced Hallie Ford’s hand sprawled on a desk, and in her other hand, she holds a book. This piece of artwork not only brings life to the building it was named after, but it shows his revolution of style compared to when he completed the portrait of Oregon governor Robert Straub