Preview

Popular Film - Blaxploitation an analysis of Shaft

Better Essays
Open Document
Open Document
1999 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Popular Film - Blaxploitation an analysis of Shaft
Between 1970 and 1980 there was a cultural film explosion, there were over 200 films released by major and independent studios that hyped major black characters and themes. Prior to the Blaxploitation era black actors had been relinquished to playing small parts that usually presented stereotyped images of the black race with roles such as waitresses or shoeshine boys. This however all changed when in 1971 when the first successful black film "Sweetback's Baadasss Song" showed a black man coming out on top over the white establishment. The term blaxploitation both helped and destroyed the genre. While many blaxploitation films were box office successes, they also fueled the public's perception of blacks as cold-hearted heroes, gangsters, drug dealers, pimps and thugs. Black actors were being exploited by playing these roles (Washington, 2000).

Who's the black private dick that's a sex machine to all the chicks? (Shaft!) You're damn right who is the man that would risk his neck for his brother man? (Shaft!) Can ya dig it? You see this cat Shaft is a bad mother-- (Shut your mouth) But I'm talkin' about Shaft (Then we can dig it) He's a complicated man but no one understands him but his woman (John Shaft) (Hayes, 2000).

Shaft was originally released in 1971 and became a significant hit, proving instrumental in opening the doors for other films such as "Superfly" and "The Mack" (Gleiberman, 2000). Shaft is famous for many things - the boom in blaxploitation films, the invention of badass black attitude and the ultimate rhythm and blues score (Briggs, 2003). With the original Shaft being such a success in the year 2000, John Singleton directed the updated version of the movie which he co wrote with Shane Slaerno and Richard Price. Shaft, directed by Singleton is not a remake of the original movie, but is in fact an update on the original movie. In a review for Entertainment Weekly Samuel L. Jackson is quoted saying, "This could be interesting, or it could be a

You May Also Find These Documents Helpful

  • Good Essays

    True Grit Film Analysis

    • 692 Words
    • 3 Pages

    Western as a genre is widely known for the use of a variety of camera angles and shots to enhance action. A 2010 western film directed by the Cohen Brothers and called True Grit is distinct for its interesting plot and cinematographic language. The directors masterfully use various camera angles and shots in order to enrich cinematographic language of their film.…

    • 692 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Uncle Ben

    • 401 Words
    • 2 Pages

    Even though as a population, we have progressed and have broken down many social barriers, I feel like the entertainment industry still shows African Americans in the same fashion: gangsters, robbers, simpleminded folks, or people strictly with a “ghetto” or “black” mentality. They do not see African Americans as complicated characters with many layers of emotions. We are also seen in one light, and this is why many people still do not understand the African American population. The public portrays them as the same. This attitude hinders individuality and creativity. I would offer closure to this issue, by asking Hollywood to stop typecasting blacks into…

    • 401 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The films, ‘The Butler’ and ‘The Intouchables’ are representations of the ordeals that African American’s were forced to go through in the past years and the implications of such experiences to the current production of films. It is without any doubt that because of the inferior status that was given to African Americans, most films that are produced today exhibit African Americans to be of a lesser status (Toledano and Olivier 5; Ager and Aubyn 1). For example, in both of the aforementioned films, black people are conveyed as servants (Toledano and Olivier 5; Ager and Aubyn 1). To add onto this, in the film, ‘The Intouchables,’ readers are told of the actuality that Driss served a jail time for a crime that he had committed thus showing that African Americans were stereotyped as criminals by nature.…

    • 634 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Do The Right Thing Essay

    • 1573 Words
    • 7 Pages

    The bitter struggle for representation and control of black images has been almost as consistent as the profit driven system in Hollywood. From 1915 to 1950, the American film industry produced only a small number of films that transcended clichés and stereotypes about African American life. Race films such as The Scar of Shame (1926) and Within Our Gates (1920) highlighted recurring themes of black self-improvement and black literacy (Guerrero 147). Similar to Oscar Micheaux and many other black filmmakers, Spike Lee mesmerized audiences by giving them glimpses at social landscapes and material culture –dance, music, and sports – that is often unexplored in American cinema (Todd 15). By including these distinct choices of dance, music, and…

    • 1573 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Exploitation films have been produced since the beginning of film, but once the Production Code was no longer in effect, more these films could be produced and at a faster rate. One genre of exploitation cinema is the drug crime film. Starting as early as the 1930s, filmmakers made movies about the dangers of doing drugs. These films were often cheaply made and aimed at a small audience (Clark 4). They were theatrically simple, with an uncomplicated narrative: “these are films whose entire function (apart from making money) is to shock and titillate” (5). These early exploitation films were interesting to audiences because of “their promise of titillation, their professed educational mission, their topicality, and their construction of a social Other” (Schaeffer 18). Viewers were able to project fears onto the “Other,” allowing the antagonist to be the scapegoat for their own problems (23). Early exploitation drug films between the 1930s and 1950s were used as anti-drug propaganda, warning of their dangers. As the Production Code was…

    • 902 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    Blaxploitation

    • 1512 Words
    • 7 Pages

    In today 's culturally diverse, politically correct society, it is hard to believe that at one time racism was not only accepted as the norm, but enjoyed for its entertainment value. Individuals of African descent in North America today take the large, diverse pool of opportunities offered by the film industry for granted. Much like Canadian theatre however, there was a time when a black man in any role, be it servant or slave, was virtually unheard of. It took the blaxpliotation films of the early nineteen seventies to change the stereotypical depiction of Black people in American Cinema, as it took The Farm Story, performed by a small troop of Canadian actors, to create a Canadian theatre industry. To be more specific, it took the release of Melvin Van Peebles, Sweet Sweetback 's Baadasssss Song, in 1971, to change the tradition view of Black people in American film.…

    • 1512 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Classified History X by Melvin van Peebles thinking about how African Americans could be viewed in movies by younger generations. In the documentary Peebles, talks about that moment when he was 12 or 13 and he realizes that he feels shame coming out of the movie theater. This got me thinking back to all the times I would sit and watch movies as a kid. As my mother was a huge fan of the Turner classic movie station, I grew up watching movies such as Casablanca and Billy the kid. Most time I’d brush The old movies off, thinking they were ether too boring or to hurtful and scary. However, there were also times when I sit down next to my mother and admire all the pretty women on stage acting and the handsome men strutting across the screen. It got me wondering…

    • 679 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Blazing saddles is a movie made in 1975 that was directed by Mel Brooks. The movie is a western that portrays a "perfect" white town that has lost its sheriff and is in need of a new one. Through the corrupt white government a new sheriff is sent to the town but he is black. This reverse of rolls in authority is a common base of humor among most people. It would be as though a peasant was sent to rule a group of nobles and kings. This doesn't make much sense, and watching the reaction of the people when they see their new sheriff is comical. Another reverse in common roles is the portrayal of the white people being the stupid and corrupt ones and the black man being the smart character. The only white character that is portrayed as smart is the only character that isn't racist. This implies that racist are ignorant and dumb. That is a huge change in the way society viewed the racist men during that time period and especially a decade before. One of the most striking aspects of this film is that is was made by a white director and made for a mostly white audience. This shows that there was a significant progression in accepting one another and a definite effort by some of the white community to express to the rest of the country that they needed to accept the blacks too. For a white director, during this time period, to put a black man in the hero position of a movie and poke fun at the ignorance of white racist was a huge step toward tolerance and acceptance.…

    • 979 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    Hollywood Film Analysis

    • 1985 Words
    • 8 Pages

    All of these films shared an underdog mentality, and had to fight to be funded and distributed by the studios. However, with each unexpected success, the studios slowly started to realise that these younger directors were able to create films that resonated massively with modern audiences. As they started to lower their defences, a new generation of filmmakers who wanted to break into Hollywood suddenly found doors being opened to them. A new wave of creativity came crashing into Hollywood, spawning a decade of innovative, challenging and artistic…

    • 1985 Words
    • 8 Pages
    Powerful Essays
  • Powerful Essays

    African American Theatre

    • 1931 Words
    • 8 Pages

    Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were the only way for African-Americans to express the deep pain that the white population placed in front of them. Singing, dancing and acting took many African-Americans to a place that no oppressor could reach; considering the exploitation of their character during the 1930 's-1960 's ‘acting ' was an essential technique to African American survival.…

    • 1931 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    Spike Lee - Auteur

    • 1064 Words
    • 5 Pages

    film which makes fun of the stereotyped vision on black men cheating on their partners but instead the roles were reverse and focuses on a woman having 3 different partners. The film did have some mixed views in Hollywood but it became a hit with his African American fans. After making his first feature film Lee began to create many other great films and was not only being known as a director but also a comic actor. His ultimate goal was to “make films that will capture the Black experience by any means necessary” and that is…

    • 1064 Words
    • 5 Pages
    Good Essays
  • Better Essays

    This could have been viewed as attempt to make black people seem as nice people, but it actually continues to hurt them by reinforcing stereotypes and demeaning their character. In addition to the portrayal of African- Americans there were not many films that showed them in a absolutely positive way; they were either an individual who catered to the white man and was seen as harmless. They never showcased black actors as leaders or heroic in film. In the early twentieth century there were not many films that showed African-Americans as heroes especially when white males are present in the film. If a white male and black are in the same film the white male is typically the hero or most important character. In most films with white and black individuals, the black male or woman is shown as a victim of circumstances and overcomes it, they are never shown as heroes just someone who overcomes obstacles. They are sometimes shown as subordinates while white men would either be shown as heroes, warm-hearted individuals or amiable characters. This is a…

    • 1964 Words
    • 8 Pages
    Better Essays
  • Better Essays

    Black Is Black Aint

    • 720 Words
    • 3 Pages

    The final film by Marlon Riggs, Black is…Black Ain't, is concerned with the state of the African American community. This film essentially asks the question, what does it mean to be black? The director and producer, Marlon Riggs, guides viewers along an “an up-front examination of racism, sexism, and homophobia within the black community itself. Bringing together personal stories, interviews, music, history, and performance, Black Is...Black Ain’t asks African Americans: What is black, black enough, or too black?”1…

    • 720 Words
    • 3 Pages
    Better Essays
  • Good Essays

    “While Black actors are now more visible in films, it is an open question as to how well they are being represented. Compare, for example, how Blacks and Whites are portrayed in the top movies of 1996:…

    • 983 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Jazz is a genre of music loved by many, but it holds a deep and judgmental past. Taking a closer look into this relationship, racial and gender discrimination becomes abundantly clear. When looking at jazz films, these relationships are clearly defined and played out. In jazz films, those of color were sidelined and played lackluster and profligate characters; men were emasculated, while women were sexualized and degraded. Jazz musicians are plagued by stereotypes that have been set from its origination in the late nineteenth century in New Orleans. In the United States, African American musicians were never seen as equal to Caucasian musicians, even if their capabilities were better; many African American jazz musicians crossed over the Atlantic simply to play their music…

    • 634 Words
    • 3 Pages
    Good Essays