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Deconstructing the Psychopath: A Critical Discursive Analysis Author(s): Cary Federman, Dave Holmes and Jean Daniel Jacob Source: Cultural Critique, No. 72 (Spring, 2009), pp. 36-65 Published by: University of Minnesota Press Stable URL: http://www.jstor.org/stable/25619824 . Accessed: 06/06/2013 23:02
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THE DECONSTRUCTING PSYCHOPATH
A CRITICAL DISCURSIVE ANALYSIS
Cary Federman, Dave Holmes, and Jean Daniel Jacob

She loved accidents: any mention of an animal run over, a man train, was bound tomake her rush to the spot. ?Emile

cut to pieces by a

Zola, La Bete Humaine

(1890)

INTRODUCTION
The spectacle of the wounded body has always had its lurid attrac tions. Coverage of serial killings and graphic accounts of brutal mur ders by various media are part of our "spectacular" culture fascinated by violence and brutality. The television is often the sitewhere private desire and public fantasy meet, and where the fascination regarding dangerous offenders is initiated and nurtured (Knox, 17-18; Lesser). The convening of the public around scenes of violence represents what Mark Seltzer

terms the "wound culture," a lethal space inwhich the interest in scars and mutilated and opened



Cited: Aldige Hiday, Virginia. 1981. "CourtDiscretion: Application of the Dangerousness Standard in Civil Commitment." Law and Human Behavior 5, no Arrigo, Bruce. 2002. Punishing the Mentally III:A CriticalAnalysis ofLaw and Psy chiatry AntisocialPersonality Disorder. Black,Donald. 1999. Bad Boys,BadMen: Confronting New York: Oxford Researchand Blackburn, Ronald. 1994. The PsychologyofCriminalConduct:Theory, Practice Derek Mitchell, and Karina Blair. 2005. The Psychopath: Emotionand Blair, James, the Brain Walter. 1961.The Mold of Murder: A Psychiatric Homicide. West Bromberg, Study of port, Conn.: Browne, Janet Offenders. 2000.1886: Cmnd

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