Preview

Performativity

Best Essays
Open Document
Open Document
2465 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Performativity
THE ROLE EVERYDAY PERFORMATIVITY PLAY IN INTERPELLATING US AS RACED, GENDERED, CLASSED, ETHICIZED AND NATIONAL SUBJECTS AND IS THERE ANY WAY THAT WE CAN SUBVERT THE ROLES ASSIGNED BY US BY SOCIETY.

Performativity is one of the difficult terms to define because of its interdisciplinary nature in which it is used. Even though such is the case, it is often used to name the capacity of speech, as a production of the speaking body, as well as other non-verbal forms of expressive action, to perform a type of constructed identity (Felman 1980:68). In this paper everyday performativity will be used in differentiating it from mere performance and establish what role it play in interpellating us as raced, gendered, classed, ethicized and national subjects. To understand Performativity, there is a need to distinguish it with performance which is the term it is mostly confused with because of the thin line difference they have and the repetitive attribute they share in common. On one hand, performances mark identity, bend and remake time and provide people with behavior that is twice-behaved, not for the first time, rehearsed, cooked and prepared (Schechner 1985:564). On the other hand performativity being a term first used by a philosopher named J.L. Austin in 1955 was meant to describe using words to actually accomplish actions. Today a wide range of actions, behaviors and events are thought of as performative. These range from performative writing to various kinds of role playing in everyday to personal identity itself, especially gendered identity (Schechner 1985:565). To simplify performance and performmativity differences is to explain them by example. For example, football is a performance and no one can confuse it with tennis because the characteristics of each performance genre are conventional and have different rules they follow. On the other hand the terms that deal with the performative performance in everyday life and identity constructions are as rule



Bibliography: Bloch, Linda- Renée and Lemish Dafna. I know I’m a Freierit, but…:How a Key Cultural Frame (en) Gender a Discoourse of Inequality. Journal of communication, 2005. Butler, Judith. Bodies That Matter: On the Discursive Limits of Sex. New York and London: Routledge, 1993. Print. Ehrensaft, Diane. One Pill Makes you Boy, One Pill Makes you Girl. International Journal of Applied Psychoanalytic Studies, 2009. Print Felman, Shoshana Gates, Henry. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford University Press, 1988.print. Hanchard, Michael. Black Cinderella? Race and the Public Sphere in Brazil: In Racial Politics in Contemporary Brazil. Durham: Duke University Press, 1999. Print. Jandt, Felix. Intercultural Communication: An Introduction (Third ed.). Thousand Oaks, CA: Sage Publications, Inc, 2001. Martin, Judith and Nakayama, Thomas. Intercultural Communication in Contexts. Toronto: Mayfield Publishing Company, 2004. Print. Schechner, Richard. Between Theater and Anthropology. Philadelphia: University of Pennsylvania press, 1985. Print.

You May Also Find These Documents Helpful

  • Good Essays

    n "Performing," a poem by Lee Maracle, the poet explores the inner turmoil that people go through when they are compelled to conform to social norms. This is frequently the result of being rejected by the dominant group because of their differences. Maracle conveys the struggle of people coping with feelings of rejection and alienation while navigating the complexities of cultural identification through metaphors and imagery that portray the struggle. When individuals face exclusion from the dominant group due to their differences, their response often involves attempting to change themselves in a bid for acceptance. However, despite their efforts, they are typically met with continued rejection, leading to a deep-seated resentment towards…

    • 203 Words
    • 1 Page
    Good Essays
  • Powerful Essays

    [ 6 ]. Suzuki, David. Acting on Words : The Right Stuff. P.464 Toronto: Pearson Prentice Hall, 2004.…

    • 838 Words
    • 4 Pages
    Powerful Essays
  • Powerful Essays

    In my ethnographic study, I apply theoretical concepts developed by Erving Goffman in The Presentation of Self in Everyday Life to the behavior of employees in the retail department store, Macy’s. Goffman (1959) argues that social interactions in everyday life can be understood as presentations between performers and audiences. Within social establishments, he suggests four analytical frameworks may govern how performers stage their “characters” including the technical, political, structural and cultural; he also argues that the aforementioned perspectives are situation-specific and thus can also be analyzed within a broader dramaturgical framework (Goffman 1959). The task of this…

    • 1682 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Through further research of the style, we found that physical theatre goes beyond verbal narrative, incorporating physical and visual elements on a level at least equal to verbal elements, it is more than simply abstract movement – it includes some element of character, narrative, relationships, and interaction between the performers, not necessarily linear or obvious. It also includes a wide variety of styles, approaches, aesthetics – can include dance-theatre, movement theatre, clown, puppetry, mime, mask, vaudeville, and circus.…

    • 646 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Shoe Horn Sonata Essay

    • 1354 Words
    • 6 Pages

    Language helps us share other people’s experience. In the play the Shoe Horn Sonata by John Misto, the use of symbolism, stage directions and dialogue enables the audience to feel empathy for the character as does the language used in the film Apocolyto and in the painting “He Ain’t Heavy, He’s My Brother” by Holly Wong.…

    • 1354 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    In the reading, “Composing for Recomposition: Rhetorical Velocity and Delivery” by Jim Ridolfo and Danielle Nicole Devoss, express the ideology of rhetorical delivery and rhetorical velocity digging deeper into the values of the terms in modern society. The authors define rhetorical delivery as a “remix culture” (Ridolfo and Devoss 516). That in today’s society, rhetorical delivery has gone further than just an oral side but has entered into an ethical and political aspect. The authors are trying to convey that rhetorical delivery has to grasp and engage with everyone in society, however, the concept might easy to achieve but still near impossible. At the same, it goes further in the political and ethical aspects by having societies voice their…

    • 391 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Damn Fever Monologue

    • 674 Words
    • 3 Pages

    However, the performer is responsible for bringing that to life. The performer is receptive of artistic and expressive interpretations. A simple tap move with a four bar count can motivate others to create a dozen different expressive variations. When I finally performed on stage, I outpoured my excitement and uneasiness on that stage. I cherished every minute of it. I imagined objects, feelings, and people in my mind as I performed for Rosie’s Theatre Kids. I was no longer rehearsing for a singular performance. I realized I was rehearsing for life. The lessons learned on this journey helped mature and facilitate my transition into a confident young…

    • 674 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Gran Torino Film Analysis

    • 1520 Words
    • 7 Pages

    Martin, J. N., & Nakayama, T. K. (2011). Experiencing intercultural communication. (4th ed., pp. 226-227). New York, NY: McGraw-Hill Companies, Inc.…

    • 1520 Words
    • 7 Pages
    Better Essays
  • Powerful Essays

    Early Cults in America

    • 1817 Words
    • 8 Pages

    [iv] Kern, Louis. An Ordered Love: Sex Roles and Sexuality in Victorian Utopias. Chapel Hill: University of North Carolina Press, 1981.…

    • 1817 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    Vsevolod Meyerhold

    • 462 Words
    • 2 Pages

    * He saw movement, gesture, space, rhythm, and music as the true “language of the theater,” focusing on the “form” onstage.…

    • 462 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Dance Preliminary

    • 6315 Words
    • 26 Pages

    understands dance as the performance and communication of ideas through movement and in written and oral form…

    • 6315 Words
    • 26 Pages
    Good Essays
  • Satisfactory Essays

    Erving Goffman

    • 442 Words
    • 2 Pages

    The elements of presentation are performance, nonverbal communication, gender and performance, Idealization, embarrassment and tact, and tact. Performance has to do with tone of voice, dress, gestures, and objects. Nonverbal communication is body language, facial expressions and gestures. Gender and performance has to do with men’s and women’s roles and how they see each other. Idealization is how our actions reflect our ideal culture rather than our motives. Embarrassment and tact refers to accidents that can happen and embarrass a person. Tact is when a person helps someone recover from an embarrassing incident. (Macionis, 2013)…

    • 442 Words
    • 2 Pages
    Satisfactory Essays
  • Powerful Essays

    4. "Stumbling Blocks in Intercultural Communication." In Intercultural Communication: A Reader. 4th Ed. Eds. Larry A. Samovar & Richard E. Porter. Belmont, CA: Wadsworth, 1985, pp. 330-338.…

    • 3273 Words
    • 14 Pages
    Powerful Essays
  • Best Essays

    to male suffrage, separation of church and state, and an economic revolution that would dissolve…

    • 2435 Words
    • 10 Pages
    Best Essays
  • Good Essays

    and the ways we perform in public. An example in which language is a source of power is shown…

    • 1080 Words
    • 2 Pages
    Good Essays