Pans Labyrinth Character Notes, Captain Vidal.
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Captain Vidal is shown in a nightmarish light; while Ofelia is busy receiving her gifts from the faun, Vidal has pulled in two natives to the valley, and, while his soldiers look on, brutally interrogates the two, beating the father to near death with the butt of a wine bottle before shooting the son and then shooting the father. The grisly display, easily one of the most disturbing moments of the film, is made even more disturbing by the precision with which Vidal goes about his gruesome work, suggesting that he is a truly evil man, a real lord of nightmares who revels in the control he exercises over others and will willingly do whatever he pleases with them.
Vidal is shown to be most at home in these rigid quarters, accentuated by straight lines, absolute order, and clockwork cogs, which can be seen every time the captain is in his workshop. The captain's workshop, and all he does down here, becomes an integral part of his character; here, he feels that he has absolute control over everything. He is first pictured keeping his watch in meticulous condition, and is later shown to shave while in this room, using an extremely straight and sharp razor to do so. During one of Vidal's most disturbing scenes, he is shown to be forcing control of the spiralling situation of the valley itself, shortly before the rebels assault the outpost, by sewing the wound on his cheek by himself, digging through the pain in order to fulfil his lust for control. However, he is obviously losing the battle; during this same scene, after assuming that he has fixed the problem and is once more in control of the situation, he takes a swig of whisky, which immediately burns through his wound, showing that, despite his best attempts, he can no longer take control of the situation. The true irony of Vidal's spiral is seen in the climax of the movie, as both he and Ofelia face their own deaths. Ofelia is murdered by Vidal when he shoots her, but her death was almost a choice. Ofelia,
Captain Vidal is shown in a nightmarish light; while Ofelia is busy receiving her gifts from the faun, Vidal has pulled in two natives to the valley, and, while his soldiers look on, brutally interrogates the two, beating the father to near death with the butt of a wine bottle before shooting the son and then shooting the father. The grisly display, easily one of the most disturbing moments of the film, is made even more disturbing by the precision with which Vidal goes about his gruesome work, suggesting that he is a truly evil man, a real lord of nightmares who revels in the control he exercises over others and will willingly do whatever he pleases with them.
Vidal is shown to be most at home in these rigid quarters, accentuated by straight lines, absolute order, and clockwork cogs, which can be seen every time the captain is in his workshop. The captain's workshop, and all he does down here, becomes an integral part of his character; here, he feels that he has absolute control over everything. He is first pictured keeping his watch in meticulous condition, and is later shown to shave while in this room, using an extremely straight and sharp razor to do so. During one of Vidal's most disturbing scenes, he is shown to be forcing control of the spiralling situation of the valley itself, shortly before the rebels assault the outpost, by sewing the wound on his cheek by himself, digging through the pain in order to fulfil his lust for control. However, he is obviously losing the battle; during this same scene, after assuming that he has fixed the problem and is once more in control of the situation, he takes a swig of whisky, which immediately burns through his wound, showing that, despite his best attempts, he can no longer take control of the situation. The true irony of Vidal's spiral is seen in the climax of the movie, as both he and Ofelia face their own deaths. Ofelia is murdered by Vidal when he shoots her, but her death was almost a choice. Ofelia,