There are many ways d in to fill Othello’s mind with images of Desdemona naked with Cassio. This makes Othello’s jealousy grow. Iago sald be what hey seem; or those that be not would they might seen none!" (3.3.126-127). He is saying that if a man is not trago, but should talk with Desdesuch harsh actions. Iago is mon, logos, or logic. Tmonly used today, and by Iago, and works very affectivel looks, she loved them most" (3.3.206-208). Iago eason for his wife's infidelity. He is trying to say that if Desdemona betrayed him once before, she !" (3.3.416-417). Iago is claiming that Cassio admitted his love for Desdemona in his sleep.…
In contrast, tricking people into thinking that false statements are true and going out of your way to hurt someone is another flaw Iago relinquishes; this time, on the star of the play. He tricks Othello into thinking that his wife is cheating on him with his best lieutenant. Knowing this false fact, Othello is devastated and his jealousy towards Cassio builds greatly. Every little thing that Iago hints at increases Othello’s jealousy by another…
From the onset of Othello, the audience is unknowingly subject to Iago’s manipulative customs. Despite being a stereotypical Shakespearian antagonist, Iago is a complex, two faced, yet three dimensional, character. Despite being an eponymous play, suggesting Othello’s importance, his absence in light of Iago’s presence allows the audience to be influenced and therefore misled by Iago’s representation of Othello…
There are many ways that Iago Manipulates Othello with ethos, or image, a very important persuasive method. Iago says, "Or to be naked with her friend in bed" (4.1.3). Iago is trying to fill Othello’s mind with images of Desdemona naked with Cassio. This makes Othello’s jealousy grow. Iago says, "Men should be what hey seem; or those that be not would they might seen none!" (3.3.126-127). He is saying that if a man is not true, he is not a man at all. This makes Othello think Cassio is not a man for hiding his relationship with Desdemona. Iago persuades Othello to believe his wife is cheating with Cassio by making him picture it.…
Through extensive critical study of William Shakespeare’s play Othello, taking into account the countless productions of the play over the years, which reaffirms its status as an enduring valued text, it becomes distinctly evident that part of its ability to continually engage readers is drawn from its treatment of themes universal to the human experience , such as verisimilitude and jealousy. Society’s constant struggle with what is real and what is not in our modern world, coupled with our everlasting battle with human emotions such as jealousy, give the play textual integrity, ensuring that the play is reputable of critical study. This can be specifically realised through the close analysis of Act 3 Scene 3, Act 1 Scene 1, and Scene 3 in which Shakespeare utilises his art to replicate life and verisimilitude to confront the audience’s perception of reality and jealousy. Close examination of these pivotal scenes in regards to the key thematic concerns not only accentuates the interpretation of the play as an Aristotelian tragedy, but also draws attention to why Othello continues to engage and enthral contemporary audiences.…
Although Iago was the true liar in the play, Othello's inability to confront Desdemona of his suspicions contributed to his downfall. As Iago fed more and more nonsense to Othello, the more he had believed that she was unfaithful. After Iago leaves, Othello mutters to himself, "If she be false, heaven mocks itself! I'll not believe't." But when Desdemona asks, "How now, my dear Othello?" he could not confront her, only saying, "I have a pain upon my forehead, here" (III.iii.320-326). He could have easily just asked her where the handkerchief was, or as easily faced Cassio or Desdemona to tell them what was on his mind. Instead, he keeps quiet and just assumes everything Iago says is true. By keeping to himself, Othello is…
A couple of months ago my parents hired a magician for my little brother’s birthday party. Ivan the Incredible specialized in optical illusions with cards and coin tricks, which was a little hard for the group of eight year olds to grasp but most entertaining for myself and several adults. When I began reading Shakespeare’s Othello, Iago’s antics reminded me of Ivan the Incredible and how someone can trick you to believe something is true when it really isn’t. Appearance versus reality plays a huge role in Othello, and constantly surfaces as a main theme in Iago’s magnificent ability and experience in deceiving fellow characters causing an extra twist to the plot. Iago is the main manipulator of reality to change the appearance of a situation into something that benefits him. This is seen when Iago tricks Othello into believing Cassio and Othello’s wife, Desdemona are having an affair. Iago tricks Roderigo into killing Casio through his manipulation of reality. Also, Iago thickens the lie by planting a gift from Othello to Desdemona in Cassio’s house and also pretends to have a conversation about Desdemona with Cassio while Othello look on but cannot hear. Which of course, are all actions needed to be taken for his master plan to work out correctly.…
A thorough analysis of the play Othello tends to reveal that the focus of the play is actually about Othello’s flaws and weaknesses rather than Iago’s villainy. This conclusion has been reached due to the fact that many elements of drama as well as a characteristic of Shakespearean tragedy are centered on Othello and his imperfections. In essence, the conflict and thematic concerns which Shakespeare addresses, surround Othello’s flaws, whereas his downfall as the protagonist fulfills the requirements of a Shakespearean tragedy. Despite this, Iago has undoubtedly contributed to the play with his masterful manipulation as a Machiavellian villain. In solidifying this theory, four key factors must be examined; the first three points address the fact that Othello’s flaws and weaknesses are the focus of the play through his involvement in the dramatic elements of the play. They are: his involvement in the major conflict, his involvement in the main theme and Othello having a tragic flaw. On the other hand, the final point is Iago as the foundation for the conflict.…
William Shakespeare's classic tragedy, ‘Othello’ written in approximately 1603, continues to be studied and appreciated even now in modern society, more than four hundred years after it was written. Apart from the obviousness of Shakespeare’s ability to use diction to draw in the audience, ‘Othello’ has many qualities which allow it to be interpreted and re-interpreted through time. It can relate to any audience and context because its varied themes, values and ideas, remain relevant to all societies making it possible for anyone to relate to ‘Othello’ on some level. This, along with Shakespeare’s depiction of common human emotions, and his ability to portray these in such a realistic manner continues to make ‘Othello’ worthy of critical study. The universality of Shakespeare’s themes are evident not only in ‘Othello’ but in almost all of his works.…
“Othello, the Moor of Venice”, tells the tragic story of a noble hero that is undone by his own fatal flaw. Othello has a blinding trust in those closest to him, and he leads with his heart, not his mind. This fatal flaw is exploited by a supposedly loyal friend and Othello's trusting nature and inability to separate what is in his heart and what is in his mind dramatically results in tragedy. With a running theme of perception versus reality, Othello's refusal to accept the difference between them foreshadows the tragic ending. The play begins with Othello's Ensign, Iago, hatching a plot to destroy the life of Othello and he has recruited Roderigo to help him carry out his devious plan. Iago has everyone fooled into thinking he is of noble loyalty to Othello further supporting the perception vs. reality theme. The reality is that without this belief, he would have been unable to dupe Othello, with these lines “Were I the Moor, I would not be Iago” and “I am not what I am”(59-60). He hates Othello for not being promoted to Lieutenant, a position he felt he earned. Iago's first act of deceit is an attempt to deny the validity of Othello and Desdemona, who recently eloped and to plant the seeds of doubt by having Roderigo tell Senator Brabantio that his daughter Desdemona has eloped with Othello. The Duke believes that Othello has bewitched Desdemona with magic. Desdemona and Othello deny the claims, and she openly declares her love for Othello. The perception versus reality theme is fully explored here. The perception, instigated by Iago, is that the marriage is a sham since the courtship was brief but the reality is that Othello and Desdemona truly love each other and feel they belong together. The Duke sums up the theme very well with “When remedies are past, the griefs are ended/By seeing the worst, which late on hopes depended”(202-203); if you can't change something, don't cry about it. When you…
Iago’s first act of madness and delusion begins in Act 3. Iago says, “As, I confess, it is my natures plague To spy into abuses, and oft my jealousy shapes faults that are not.” In this line, Iago is admitting that his jealousy often gets the best of him and he makes up things that are not true at all. This would explain why Iago is persuading Othello to believe that his extremely steadfast wife, Desdemona, is cheating on him with Cassio. Iago got jealous that Othello picked Cassio for lieutenancy over him. In Iagos mind, by making up a lie about Desdemona cheating on Othello with Cassio makes perfect sense to him. Iago thinks he is simply getting revenge on Othello for not picking him for the job. Therefore Iago is going to persuade Othello into disliking Cassio so he can possibly get his job. Even though in a normal functioning mind that makes no sense to sabotage a relationship, Iago will do whatever it takes to satisfy himself.…
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feeling of Othello’s embittered right-hand man, Iago. Iago's resentment erupts at his being passed over for a promotion to the position of Othello's lieutenant. He vows to retaliate against Othello by proceeding to manipulate his friends, enemies, and family into doing his bidding without any of them realizing. Iago implants his first evil thought into Othello’s mind about Desdemona, Othello’s wife. Iago questions Othello about the relationship between Cassio and Desdemona, to mess with his mind. Othello thought nothing of a relationship between his wife and his lieutenant but Iago had devious ways of making a person curious. “But for a satisfaction of my thought; no further harm.”(III.iii.106-107). After a statement like this Othello, now, wanted to know why Iago was asking and what he is thinking. He goes on to tell Othello that he believes Cassio is sleeping with Othello’s wife. Now…
From beginning to end Iago moves the characters of Othello as if they were chessmen. He uses their individual aspirations and passions to motivate them to whatever devious plan he desires. His adroit manipulation of those characters range from convincing Roderigo to serve Cassio another glass of wine, to leading Othello to the conclusion that only by killing Desdemona could he save himself and mankind from her treacherous acts of infidelity. However, in each case Iago doesn’t have to push very hard because his suggested actions either seem harmless resolutions to each character’s woes or take advantage of character flaws. In each case, because he does not have to push very hard, he is able to maintain an air of apathy while promoting his ultimate malevolent goals: ?I am not what I am?(I, i, 71). In this manner, Iago manipulates Cassio, Desdemona, Emilia, Roderigo, and Othello to play their separate pieces in the puzzle that will ultimately mean Desdemona’s death.…
reality takes place in the first scene of the play where Iago plots to get revenge when Othello skipped him over for Cassio as his lieutenant instead: “I follow him to serve my turn upon him. We cannot all be masters, nor all masters /Cannot be truly followed” (1.1.39-41). Othello considered Iago as an ally of him. With this monologue, Iago appears that he is loyal and very supportive of whatever action Othello does so it would give Othello the impression that if Othello needs a hand, he can always go to Iago for assistance. However, Iago shows his true intentions later in the monologue where he states “I am not who I am …Call up her father, Rouse him, make after him, poison his delight” which signifies he is actually secretly planning to take revenge on Othello. This shows not only that Iago would be the antagonist but also hints that he has a plan get Othello back for this. This shows the difference between what Iago is pretending to be and what he actually is perceived…
Naivety and ignorance is shown constantly by Othello when he foolishly accepts Iago’s ‘proofs’ of Desdemona’s infidelity without question. He is so enraged and jealous at the notion of his wife sleeping with someone else that he looses his sense of judgement and rationality. This could be considered a relatively natural reaction to such a situation, but it ultimately shows a weakness in the human psyche. Again Othello shows poor judgement by not confronting Desdemona about these claims and instead contents himself with Iago’s word. He convinces himself that he is acting in Desdemona’s best interests and wrongfully assumes her to be the “cunning whore of Venice”.…