Orientalism According to Edward Said and Oriental Renaissance According to Raymond Schwab
Arab Open University
Tutor Marked Assignment (TMA)
FACULTY OF LANGUAGE STUDIES
A210B TMA COVER FORM (2013) Branch: | Program: | Course Title: | Course Code: | Student Name: | Student ID: | Section Number:: | Tutor Name: | Mark Allocated to TMA | STUDENT MARK | 20% | for content : a max of 20 marks | marks deducted for lang. & communication errors: a maximum of 4 marks | Earned Mark | | | | | Notes on plagiarism: A. According to the Arab Open University By-laws, “the following acts represent cases of cheating and plagiarism: * Verbatim copying of printed material and submitting them as part of TMAs without proper academic acknowledgement and documentation. * Verbatim copying of material from the Internet, including tables and graphics. * Copying other students’ notes or reports. * Using paid or unpaid material prepared for the student by individuals or firms. B. Penalties for plagiarism ranges from failure in the TMA to expulsion from the university.
Declaration: I hereby declare that the submitted TMA is my own work and I have not copied any other person’s work or plagiarized in any other form as specified above.Student Signature: |
TMA feedback: (PT3)
A210B: Romantic Writings
TMA: Semester 2, 2012 - 2013
TMA: 20 points [Prepared by Course Chair: Dr. Dima Tahboub]
The romantic Oriental poems of Coleridge, Shelly and Lord Byron present the colonial relationship between West and East that was abundant with over-fertile stereotypes. “According to the Stereotype, the Oriental subjects have no power over their will, and live in an exotic, timeless never-never land closer to the realm of mythology than history. We might say that the oriental is represented as the “other” of the westerner, who in contrast lives in a “progressive” and purposeful historical present motivated by moral choice and action.” (RW, P. 224)
With reference to the above quotation,
Tutor Marked Assignment (TMA)
FACULTY OF LANGUAGE STUDIES
A210B TMA COVER FORM (2013) Branch: | Program: | Course Title: | Course Code: | Student Name: | Student ID: | Section Number:: | Tutor Name: | Mark Allocated to TMA | STUDENT MARK | 20% | for content : a max of 20 marks | marks deducted for lang. & communication errors: a maximum of 4 marks | Earned Mark | | | | | Notes on plagiarism: A. According to the Arab Open University By-laws, “the following acts represent cases of cheating and plagiarism: * Verbatim copying of printed material and submitting them as part of TMAs without proper academic acknowledgement and documentation. * Verbatim copying of material from the Internet, including tables and graphics. * Copying other students’ notes or reports. * Using paid or unpaid material prepared for the student by individuals or firms. B. Penalties for plagiarism ranges from failure in the TMA to expulsion from the university.
Declaration: I hereby declare that the submitted TMA is my own work and I have not copied any other person’s work or plagiarized in any other form as specified above.Student Signature: |
TMA feedback: (PT3)
A210B: Romantic Writings
TMA: Semester 2, 2012 - 2013
TMA: 20 points [Prepared by Course Chair: Dr. Dima Tahboub]
The romantic Oriental poems of Coleridge, Shelly and Lord Byron present the colonial relationship between West and East that was abundant with over-fertile stereotypes. “According to the Stereotype, the Oriental subjects have no power over their will, and live in an exotic, timeless never-never land closer to the realm of mythology than history. We might say that the oriental is represented as the “other” of the westerner, who in contrast lives in a “progressive” and purposeful historical present motivated by moral choice and action.” (RW, P. 224)
With reference to the above quotation,