On Wordsworth and Emerson¡¯S Conceptions of Nature
Abstract: By comparing and analyzing their two poems, I will try to define Wordsworth and Emerson¡¯s respective conception of nature. The reason why they formed such conceptions of nature is, to the former, lies in his passiveness; and to the latter, in German philosophy and bold individualism.
Key Words: conception of nature£»NATURE£»philosophical conception of nature£»common conception of nature£»passiveness£»individualism
Outline
I. Introduction
II. Wordsworth¡¯s conception of nature
III. Emerson¡¯s double conceptions of nature
IV. Conclusion
¢ñ. Introduction
In the 19th century, romanticism prevailed as the literary mainstream throughout the European continent. William Wordsworth (1770-1850) was one of the pioneers in the romanticist movement. As a great poet of nature, he wrote many famous poems to express his love for nature, one of which is ¡°I Wandered Lonely as a Cloud¡±. In the narrative poem, the poet successfully compared his loneliness with the happy and vital daffodils. The daffodils, the symbol of the nature, bring great joy and relief to the speaker. So Wordsworth¡¯s conception of nature is that nature has a lot to do with man, it can not only refresh one¡¯s soul and fill one with happiness, but it can also be reduced into a beautiful memory which will comfort one¡¯s heart when in solitude. In 1832 Ralph Waldo Emerson (1803-1882), an American Unitarian minister, left the ministry for Europe to pursue a career in writing and public speaking. There he acquainted Wordsworth and got influenced by him. When he returned to New England, he accomplished his masterpiece Nature, in which he speaks loud his love for nature and explicates his philosophical ideas that earned him the reputation as Transcendentalism¡¯s most seminal force. However, Emerson did not just imitate Wordsworth or any other European romanticist¡¯s minds, rather, his conception of nature is a different and more complex one, which we can see from his poem Rhodora. Emerson holds that
Key Words: conception of nature£»NATURE£»philosophical conception of nature£»common conception of nature£»passiveness£»individualism
Outline
I. Introduction
II. Wordsworth¡¯s conception of nature
III. Emerson¡¯s double conceptions of nature
IV. Conclusion
¢ñ. Introduction
In the 19th century, romanticism prevailed as the literary mainstream throughout the European continent. William Wordsworth (1770-1850) was one of the pioneers in the romanticist movement. As a great poet of nature, he wrote many famous poems to express his love for nature, one of which is ¡°I Wandered Lonely as a Cloud¡±. In the narrative poem, the poet successfully compared his loneliness with the happy and vital daffodils. The daffodils, the symbol of the nature, bring great joy and relief to the speaker. So Wordsworth¡¯s conception of nature is that nature has a lot to do with man, it can not only refresh one¡¯s soul and fill one with happiness, but it can also be reduced into a beautiful memory which will comfort one¡¯s heart when in solitude. In 1832 Ralph Waldo Emerson (1803-1882), an American Unitarian minister, left the ministry for Europe to pursue a career in writing and public speaking. There he acquainted Wordsworth and got influenced by him. When he returned to New England, he accomplished his masterpiece Nature, in which he speaks loud his love for nature and explicates his philosophical ideas that earned him the reputation as Transcendentalism¡¯s most seminal force. However, Emerson did not just imitate Wordsworth or any other European romanticist¡¯s minds, rather, his conception of nature is a different and more complex one, which we can see from his poem Rhodora. Emerson holds that
Bibliography: 1. Nature.http://www.vcu.edu/engweb/transcendentalism/authors/emerson/nature.html 2. ¡°The Over-Soul¡±. http://www.emersoncentral.com/oversoul.htm 3. Ziff, Larzer. RALPH WALDO EMERSON: Selected Essays. New York : Penguin Group Viking Penguin Inc., 1982. 4. Buell, Lawrence. Ed. Ralph Waldo Emerson: A Collection of Critical Essays. Englewood Cliffs: Prentice Hall, NJ. 1993. 5. The Norton Anthology of American Literature (2nd ed., v.1) W. W. Norton & Company Inc, 1979. 6. Barbour, Brian M. American Transcendentalism; an Anthology of Criticism. Notre Dame: UND Press,1973.