However, the man giving the scroll to Mulan’s father yells at her saying that she is being completely disrespectful, and should know when and how to speak in the presence of a man. Mulan’s father is greatly disappointed in her, telling her that she has brought dishonor to his name. In this article “Review: The Emperor's Old Groove: Decolonizing Disney's Magic Kingdom,” by Brenda Ayres, she describes how most of the Disney movies have some sort of underlying message to them. Many of these movies depict how woman should act or show the difference in social classes. Many critics who have watched most of the Disney princess movies “promotes any source of female empowerment as evil, and concludes by naming recent animated films such as Aladdin, Mulan and Pocahontas as sexist and xenophobic, declaring that the purpose of the Disney apparatus is that of swaying children to conform to Victorian Western notions of gender behavior. Confusing the readers by oscillating between reiterating the charges that she has already made [urges society] to remember that no man or corporation can depict a morality that is politically correct and acceptable to all of [society]” (194). This demonstrates how Mulan has no right to talk back to the men who have a higher standing than women. Men are superior over women, and they feel great dishonor when they
However, the man giving the scroll to Mulan’s father yells at her saying that she is being completely disrespectful, and should know when and how to speak in the presence of a man. Mulan’s father is greatly disappointed in her, telling her that she has brought dishonor to his name. In this article “Review: The Emperor's Old Groove: Decolonizing Disney's Magic Kingdom,” by Brenda Ayres, she describes how most of the Disney movies have some sort of underlying message to them. Many of these movies depict how woman should act or show the difference in social classes. Many critics who have watched most of the Disney princess movies “promotes any source of female empowerment as evil, and concludes by naming recent animated films such as Aladdin, Mulan and Pocahontas as sexist and xenophobic, declaring that the purpose of the Disney apparatus is that of swaying children to conform to Victorian Western notions of gender behavior. Confusing the readers by oscillating between reiterating the charges that she has already made [urges society] to remember that no man or corporation can depict a morality that is politically correct and acceptable to all of [society]” (194). This demonstrates how Mulan has no right to talk back to the men who have a higher standing than women. Men are superior over women, and they feel great dishonor when they