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Much ado and Carol Ann Duffy

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Much ado and Carol Ann Duffy
hijdsfExplore the ways Shakespeare and Carol Ann Duffy present human weaknesses/ flaws in some of the characters they write about
In Shakespeare’s play ‘Much Ado about Nothing’, Don John is a very important character. He is an illegitimate son, which automatically lowers him in the society of the Elizabethan age. He is isolated, ignored and rejected by everyone in his life, which is one of the reasons which seem to force him to behave as a villain. People expected this of him as they assumed that everyone born out of wedlock was probably an untrustworthy, malicious villain. Don John feels he must be a villain by acting in manipulative, sly and jealous ways, which portrays his lack of psychological development and lack of relationships with people. The relationship we mainly learn about in the play is between Don John and his brother, Don Pedro. Due to Don John being the illegitimate son it means he cannot inherit anything from his family nor have the same recognition as his brother, who is of legitimate birth. Even though Don Pedro doesn't outwardly treat Don John cruelly, Don John is very aware that he is seen as socially inferior to Don Pedro
He is a device used by Shakespeare to create tension and drama throughout the play. He is not the most complex villain among Shakespeare’s villainous characters, however he has a purpose. The thinness of his character teaches us about the knowledge people have of him in society: he is just seen as a ‘bastard’ and people don’t even want to be associated with him so don’t bother to learn anything about him. The fact that we don’t learn much about Don John also reminds us that the play isn’t meant to be a tragedy; it is supposed to teach us about the misunderstandings. It isn’t really supposed to analyse evil at all.
The question deals with Don John’s character of being weak and flawed. Flawed means having or characterized by a fundamental weakness of imperfection whereas weakness means a disadvantage or fault.
In

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    Works Cited Bloom, Harold. Shakespeare:The Invention of the Human. New York: Riverhead, 1998. Cahn,Victor L. The Plays of Shakespeare:A Thematic Guide.Westport: Greenwood, 2001. Fallon, Robert Thomas. A Theatergoer’s Guide to Shakespeare’s Themes. Chicago: Ivan R. Dee, 2002. Downer, Alan S. “Feste’s Night.” College English. Feb. 1952: 13. JSTOR, Galileo, William & Evelyn Banks Lib., LaGrange, GA. 10 Apr. 2006. Goldsmith, Robert Hillis. “Touchstone: A Critic in Motley.” PMLA. Sept. 1953: 68. JSTOR, Galileo,William & Evelyn Banks Lib., LaGrange, GA. 10 Apr. 2006. Gray, Austin K. “Robert Armin:The Fool.” PMLA. Sept. 1927: 42. JSTOR, Galileo, William & Evelyn Banks Lib., LaGrange, GA. 10 Apr. 2006. Green, Lawrence D. “Where’s My Fool?: Some Consequences of the Omission of the Fool in Tate’s Lear.” Studies in English Literature. Spring 1972: 12. JSTOR, Galileo,William & Evelyn Banks Lib., LaGrange, GA. Aug. 2005. Kaiser,Walter Jacob. Praisers of Folly: Erasmus, Rabelais, Shakespeare. Cambridge: Harvard UP, 1963. Klapp, Orrin E. “The Fool as a Social Type.” The American Journal of Sociology. Sept. 1949: 55. JSTOR, Galileo,William & Evelyn Banks Lib., LaGrange, GA. Aug. 2005. —-. “Heroes,Villains and Fools, as Agents of Social Control.” American Sociological Review. Feb. 1954: 19. JSTOR, Galileo,William & Evelyn Banks Lib., LaGrange, GA. 10 Apr. 2006. Martin,William F. The Indissoluble Knot: King Lear as Ironic Drama. Lanham: UP of America, 1987. Otto, Beatrice K. Fools Are Everywhere. Chicago: Chicago UP, 2000. Reibetanz, John. The Lear World.Toronto:Toronto UP, 1997. Shakespeare,William. AsYou Like It. Eds. Stanley Wells and Gary Taylor. NewYork:Oxford UP, 1988. —-. King Lear. Eds. Stanley Wells and Gary Taylor. NewYork: Oxford UP, 1988. —-. Twelfth Night. Eds. Stanley Wells and Gary Taylor. NewYork: Oxford UP, 1988.…

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