Mozart And Beethoven Comparison
Wolfgang Amadeus Mozart (1756-1791), “Mozart is among the least autobiographical of composers” (Greenberg, 2011, p. 144). According to Greenberg (2011), regarding Mozart, “his music came from a source frankly divorced from issues and worries of the everyday”, the things inspired him were not from emotional events in his life expressed in his music. Deep emotional events in his life which should have inspired certain emotional expression in his art were in fact not reflected at all. What was expressed in his compositions at certain junctions in his life had no correlation to his personal turmoil or joy. According to Greenberg (2011), apparently Mozart had his finished works stored in his head all he need do is sit down and write them. There are no indications of
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These two composers had an element of their personal emotions in their music that served as creative inspiration. Haydn was said to have been a very pleasant and humorous, yet emotionally expressive person which was reflective in his upbeat and humorous compositions. Beethoven was said to have been very arrogant and had shown his mentor Haydn very little respect. Beethoven gradually became deaf and deeply depressed. In 1819, Beethoven’s deafness was total, yet he continued composing brilliant pieces of music. His scores have large amounts of corrections and changes; unfortunately his deafness forced him to rely on his memory of sound. As stated by Greenberg (2011): “We hear Haydn’s personality in his music: his joie de vivre, his emotional balance, and especially his marvelous sense of humor” (p 133). Ludwig Van Beethoven “an unhappy man of genius whose investment in the status quo-in the classical style-was minimal at best. Beethoven’s volcanic personal issues required an outlet, and that outlet was his music”
These two composers had an element of their personal emotions in their music that served as creative inspiration. Haydn was said to have been a very pleasant and humorous, yet emotionally expressive person which was reflective in his upbeat and humorous compositions. Beethoven was said to have been very arrogant and had shown his mentor Haydn very little respect. Beethoven gradually became deaf and deeply depressed. In 1819, Beethoven’s deafness was total, yet he continued composing brilliant pieces of music. His scores have large amounts of corrections and changes; unfortunately his deafness forced him to rely on his memory of sound. As stated by Greenberg (2011): “We hear Haydn’s personality in his music: his joie de vivre, his emotional balance, and especially his marvelous sense of humor” (p 133). Ludwig Van Beethoven “an unhappy man of genius whose investment in the status quo-in the classical style-was minimal at best. Beethoven’s volcanic personal issues required an outlet, and that outlet was his music”