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Masculinity and World War Ii

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Masculinity and World War Ii
Masculinity and World War II
The image of Man has changed throughout time. Dominant constructions of masculinity, which are basically attempts to stabilize gender identity, are developed within the dynamics of shifting cultures and societies. The male stereotype, which is still prevails nowadays, started rising at the end of eighteenth – beginning nineteenth century in Europe with a great concentration on the male’s body. The stereotype made the world look at man more like a type rather than an individual. Masculinity was strengthened due to the positive stereotyping, however for those that did not conform to this label or fit in with the ideal, were negatively stereotyped.
Being an outsider who was born in a different country made it especially interesting to penetrate the American culture and research about American masculinity. Truly, much of the progress of any country has been defined around the lives and accomplishments of great men. One cannot begin understanding the history of America without understanding manhood and the influence of the male. In every generation in America, manhood has been in the center of life and progress. It constantly strives to uphold its own traditions while trying to redefine itself. I have done a lot of research about American masculinity and how it has been changed throughout the history. While going through different literature about the nature of masculinity, I came to the conclusion that for many men, the idea of masculinity is deeply tied to military prowess and adventure. One cannot but agree that war, the most violent and decisive of human acts, is the paradigmatic masculine enterprise. Military service is one of the rites of manhood; it makes men men. Moreover, war makes nations masculine, too. This paper examines the nature of masculinity and the role of masculinity in America. My main focus is on the changes in definitions of masculinity during the WWII Era and goes on to discuss the psychological and emotional

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