Langston Hughes: Leader Of The Harlem Renaissance
Robert Sharp
Gwendolyn Baker-Alford
English 1102
12 November 2013
Langston Hughes’s Harlem
James Mercer Langston Hughes was an American poet, social activist, novelist, playwright, and columnist. He was one of the earliest innovators of the then-new literary art form called jazz poetry. Hughes is best known as a leader of the Harlem Renaissance. Langston Hughes has many poems; some of his famous poems are Dreams, As I Grew Older, Mother to Son, and my favorite Harlem. He famously wrote about the period that "the negro was in vogue." James Langston Hughes was born February 1, 1902, in Joplin, Missouri. His parents divorced when he was a small child, and his father moved to Mexico. He was raised by his grandmother until he was thirteen, …show more content…
Hughes had a very poor relationship with his father. He lived with his father in Mexico for a brief period in 1919. Upon graduating from high school in June 1920, Hughes returned to Mexico to live with his father, hoping to convince him to support Langston 's plan to attend Columbia University. Hughes later said that, prior to arriving in Mexico: "I had been thinking about my father and his strange dislike of his own people. I didn 't understand it, because I was a Negro, and I liked Negroes very much. Initially, his father had hoped for Hughes to attend a university abroad, and to study for a career in engineering. On these grounds, he was willing to provide financial assistance to his son but did not support his desire to be a writer. Eventually, Hughes and his father came to a compromise: Hughes would study engineering, so long as he could attend Columbia. His tuition provided; Hughes left his father after more than a year. While at Columbia in 1921, Hughes managed to maintain a B+ grade average. He left in 1922 because of racial prejudice, and his interests revolved more around the neighborhood of Harlem than his studies, though he continued writing poetry. In Lincoln, Illinois, Hughes had …show more content…
In 1930 his first novel, Not without Laughter, won the Harmon gold medal for literature. Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. Langston Hughes died of complications from prostate cancer in May 22, 1967, in New York. In his memory, his residence at 20 East 127th Street in Harlem, New York City, has been given landmark status by the New York City Preservation Commission, and East 127th Street has been renamed "Langston Hughes Place." First published in The Crisis in 1921, "The Negro Speaks of Rivers" became Hughes 's signature poem which was collected in his first book of poetry The Weary Blues in 1926. Hughes 's first and last published poems appeared in The Crisis; more of his poems were published in The Crisis than in any other journal. Hughes’s life and work were enormously influential during the Harlem Renaissance of the 1920s, alongside those of his contemporaries, Zora Neale Hurston, Wallace Thurman, Claude McKay, Countee Cullen, Richard Bruce Nugent, and Aaron Douglas. Except
Gwendolyn Baker-Alford
English 1102
12 November 2013
Langston Hughes’s Harlem
James Mercer Langston Hughes was an American poet, social activist, novelist, playwright, and columnist. He was one of the earliest innovators of the then-new literary art form called jazz poetry. Hughes is best known as a leader of the Harlem Renaissance. Langston Hughes has many poems; some of his famous poems are Dreams, As I Grew Older, Mother to Son, and my favorite Harlem. He famously wrote about the period that "the negro was in vogue." James Langston Hughes was born February 1, 1902, in Joplin, Missouri. His parents divorced when he was a small child, and his father moved to Mexico. He was raised by his grandmother until he was thirteen, …show more content…
Hughes had a very poor relationship with his father. He lived with his father in Mexico for a brief period in 1919. Upon graduating from high school in June 1920, Hughes returned to Mexico to live with his father, hoping to convince him to support Langston 's plan to attend Columbia University. Hughes later said that, prior to arriving in Mexico: "I had been thinking about my father and his strange dislike of his own people. I didn 't understand it, because I was a Negro, and I liked Negroes very much. Initially, his father had hoped for Hughes to attend a university abroad, and to study for a career in engineering. On these grounds, he was willing to provide financial assistance to his son but did not support his desire to be a writer. Eventually, Hughes and his father came to a compromise: Hughes would study engineering, so long as he could attend Columbia. His tuition provided; Hughes left his father after more than a year. While at Columbia in 1921, Hughes managed to maintain a B+ grade average. He left in 1922 because of racial prejudice, and his interests revolved more around the neighborhood of Harlem than his studies, though he continued writing poetry. In Lincoln, Illinois, Hughes had …show more content…
In 1930 his first novel, Not without Laughter, won the Harmon gold medal for literature. Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. Langston Hughes died of complications from prostate cancer in May 22, 1967, in New York. In his memory, his residence at 20 East 127th Street in Harlem, New York City, has been given landmark status by the New York City Preservation Commission, and East 127th Street has been renamed "Langston Hughes Place." First published in The Crisis in 1921, "The Negro Speaks of Rivers" became Hughes 's signature poem which was collected in his first book of poetry The Weary Blues in 1926. Hughes 's first and last published poems appeared in The Crisis; more of his poems were published in The Crisis than in any other journal. Hughes’s life and work were enormously influential during the Harlem Renaissance of the 1920s, alongside those of his contemporaries, Zora Neale Hurston, Wallace Thurman, Claude McKay, Countee Cullen, Richard Bruce Nugent, and Aaron Douglas. Except