Joseph Conrad 's Heart of Darkness is both a dramatic tale of an arduous trek into the Belgian Congo at the turn of the twentieth century and a symbolic journey into the deepest recesses of human nature. On a literal level, through Marlow 's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. By employing several allegoric symbols this account depicts the futility of the European presence in Africa.…
Heart of darkness is not only an attack on colonialism, but also a criticism of the dark greed that the human heart retains. Moreover, most of the content of the novel is pervaded by symbolic meanings among which destiny and foreshadowing play a leading role, and such is their relevance that both of them are consistently present explicitly and metaphorically throughout the novel. Therefore, the apparently innocent journey to the Congo to meet Kurtz masks a deeper meaning, a symbolic journey to the bottom of the human heart, a heart thirsty for power and wealth ―the heart of darkness ― which is represented by Kurtz and the colonialist lifestyle that surrounds him. “Kurtz 's methods had ruined the district… They only showed that Mr. Kurtz lacked restraint in the gratification of his various lusts, that there was something wanting in him -- some small matter which, when the pressing need arose, could not be found under his magnificent eloquence”.…
In Joseph Conrad’s Heart of Darkness, the main character, Marlow travels through the Congo, witnessing scenes of torture, cruelty and near-slavery. The incidental scenery of the book offers a harsh picture of colonial enterprise. The book is regarded as an attack on imperialism and criticizes the immoral treatments of the European colonizers in Africa in the 19th century. However, the dehumanization of the Africans, and use of Africa as a backdrop setting for Marlow’s thought process, rather than an important focus has to do with hypocrisy inherent in the rhetoric used to justify imperialism.…
After setting foot on the land and beginning his journey to the Inner Station, Marlow observes a group of slaves, from which a particular one stands out in his decimated clothing and deprived appearance. Marlow, in vain, offers the slave a biscuit immediately before they die of hunger right before his eyes (28). This simple encounter echoes the irrefutable damages caused by imperialism and the idea that no matter what anyone does to try and reverse the effects, including Europeans themselves, the damage that has been done has been set in stone for centuries to come. As noted in Edward Said’s essay critiquing Heart of Darkness, “Conrad… could clearly see… imperialism was pure dominance, [but] he could not conclude that imperialism had to end so that natives could lead lives free of European domination” (Said par. 18). This quote unequivocally supports the notion that Europe became a necessary crutch for Africa, and provides evidence for the transformation of darkness to convey the idea of the long-lasting effects of…
In Joseph Conrad’s novel Heart of Darkness, the geographical surrounding shape the psychological and moral traits in Kurtz, one of the characters of the novel. Especially because it shows the savagery, and lawless environment of the uncivilized lands, which allows Kurtz to almost forget all the European ways, and it also illuminates the work as a whole by bringing the question of what would happen to us if we were to be taken from a civilized world to an uncivilized world.…
In the late 18th and early 20th century, European nations with vast wealth and power saw opportunities in increasing their sphere of influence by exploiting weaker or smaller nations of Africa for their resources. In Joseph Conrad’s “Heart of Darkness”, the political principle of imperialism is depicted by Conrad to show the mechanisms and attitudes of the world along with his views.…
The Heart of Darkness by Joseph Conrad is regarded as one of the most superlative novels of English literature written in the twentieth century. However, the ideas and notions presented by Conrad in this story has generated quite a bit of controversy among academic scholars and literature experts who believe the novel creates a sense of racial animosity towards the African continent and its people. With further analyzation it can be inferred that this novel does indeed show signs of racial enmity and presents a rather deplorable situation in which one must evaluate if Conrad himself is a racist. Some would argue that his novel was…
Coppola’s Apocalypse Now and Conrad’s Heart of Darkness share themes of imperialism and how it corrupts supposedly impeccable men, regardless of the different settings. Coppola followed nearly all of Conrad’s elements in Heart of Darkness including inefficiencies, motivations, and savagery. The situation in Vietnam was very alike the one in the Congo seventy years earlier, and Coppola was able to use many themes present in Conrad’s Heart of Darkness to create a modernized adaptation of the novella.…
Near the end of the nineteenth century, there was a sharp increase in the need for people of Western civilization to expand their way of life across the globe. Colonization had begun in the 1600s as a method of economic gain for European countries. The reasons for expansion in the late nineteenth century, however, had deviated from only economical prosperity. The notion that evolution as well as the belief in their racial and cultural superiority caused many white Europeans and Americans to assume that they, as a people, had the right and were destined to dominate the world and thus served as one of the central justifications for imperialism in the late nineteenth and early twentieth century.…
There is an abundance of literature in which characters become caught between colliding cultures. Often, these characters experience a period of growth from their exposure to a culture that’s dissimilar to their own. Such is the case with Marlow, Joseph Conrad’s infamous protagonist from ‘Heart of Darkness’. Marlow sets off to Africa on an ivory conquest and promptly found himself sailing into the heart of the Congo River. Along the way he is faced with disgruntled natives, cannibals, and the ominous and foreboding landscape. Marlow’s response to these tribulations is an introspective one, in which he calls into question his identity. This transcending of his former self renders the work as a whole a sensation point of view of European expansion that was a sporadic subject of Conrad’s time.…
‘The Heart of Darkness’ is a psychological masterpiece, revealing the relationship between subconscious life and conscious motivations. In the text, Conrad through Marlow reviews the memories of his journey to the Congo: personal nightmare is mixed with his own psychological complexities. He is looking for self-understanding, and showing his own mental picture of the conflicts between savagery and civilization. Many critics have called it the best short novel written in English. The text involves the reader in dramatic and decisively difficult moral judgements, which are in parallel with the central characters: Marlow and Kurtz. It is a dramatic, layered, paradoxical and problematic novel: a mixture of autobiography, adventure story, religious drama and a symbolic text, thus making it an allegorical text.…
In Joseph Conrad’s Heart of Darkness, the author fiercely challenges imperialism. Through this challenge, he demonstrates the internal battles of good and evil. In his work, he also displays issues of personal morals and alienation. At the time the novella was written, Europe had established territories across the map. It holds true that power corrupts and absolute power corrupts absolutely, especially when said power reigns over the fate of humans in society. Conrad illustrates the corruption of power through the books’ motif of darkness and the renegade of Kurtz.…
Throughout the imperial conquests of Africa, Europeans in general held very low opinions of those that they dominated. Instead viewing the native African people as sub-human, or tools if they were particularly fond of an individual. While Heart of Darkness presents itself as anti-imperial, Marlow, and by extension Conrad still display an astonishingly undesirable view of the tribes assisting himself and Kurtz. For example, there exists an International Society for the Suppression of Savage Customs that Kurtz writes a report for. To Marlow it is an elegant paper that he cannot help but praise for its elegance. The contents of this paper suggest that the Europeans, to, “exert a power for good,” must appear as gods, deities, and supernatural beings…
Conrad, in Heart of Darkness, challenges the values of colonialism, but at the same time he conforms to the constraints of popular culture of the time in which he wrote. In this way, the extent to which he challenges mainstream ideas is limited in regards to the angles of his criticism. Conrad’s detailed descriptions of the Europeans in Heart of Darkness implicate his discontent towards colonial practices whilst certain references to the “black fellows” who reside in Africa show his opinions are influenced by his time, and thusly impact his acquired knowledge of what is politically correct or incorrect. Conrad challenges stereotypical beliefs and values of colonisers in Heart of Darkness but falls victim to their jargon, in this way, Conrad himself is portraying some of the qualities of colonialist groups whom he aims to question throughout the novel. These qualities such as Euro-centrism are challenged through Conrad’s use of language, as his rich but obscure descriptions and his portrayals of the landscape and people of Africa contrast to the Europeans.…
In this excerpt from the novel, Heart of Darkness by Joseph Conrad, the author effectively portrays the Congo River as an inhospitable location unfit for human existence. Through Conrad’s diction, syntax and detail of the environment, the author reveals a great deal of psychological stress, due to the hostile environment, which leads to physical anguish.…